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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A545E it is the complementary color #E5ABA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A545E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1A545E: #1F5459, #30666C, #41787F, #528A92 and #639CA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A545E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1A545E: #1A545E, #09424B, #003038, #001E25 and #000C12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 11 / 0 / 63

HEX #1A545E

RGB 26 84 94

HSL 188.82, 0.57%, 0.24%

LAB 32.63, -14.86, -11.28

 

Complementary color

CMYK 0 / 25 / 30 / 10

HEX #E5ABA1

RGB 229 171 161

HSL 8.82, 0.57%, 0.76%

LAB 75.05, 19.89, 13.45

 

CMYK 65 / 6 / 0 / 65

HEX #1F5459

RGB 31 84 89

HSL 185.17, 0.48%, 0.24%

LAB 32.6, -15.63, -8.15

 

CMYK 56 / 6 / 0 / 58

HEX #30666C

RGB 48 102 108

HSL 186, 0.38%, 0.31%

LAB 39.94, -15.98, -8.86

 

CMYK 49 / 6 / 0 / 50

HEX #41787F

RGB 65 120 127

HSL 186.77, 0.32%, 0.38%

LAB 47.09, -16.14, -9.49

 

CMYK 44 / 5 / 0 / 43

HEX #528A92

RGB 82 138 146

HSL 187.5, 0.28%, 0.45%

LAB 54.08, -16.22, -10.06

 

CMYK 40 / 5 / 0 / 35

HEX #639CA5

RGB 99 156 165

HSL 188.18, 0.27%, 0.52%

LAB 60.91, -16.25, -10.6

 

CMYK 72 / 11 / 0 / 63

HEX #1A545E

RGB 26 84 94

HSL 188.82, 0.57%, 0.24%

LAB 32.63, -14.86, -11.28

 

CMYK 88 / 12 / 0 / 71

HEX #09424B

RGB 9 66 75

HSL 188.18, 0.79%, 0.16%

LAB 25.15, -13.73, -10.47

 

CMYK 100 / 14 / 0 / 78

HEX #003038

RGB 0 48 56

HSL 188.57, 1%, 0.11%

LAB 17.46, -11.66, -9.41

 

CMYK 100 / 19 / 0 / 85

HEX #001E25

RGB 0 30 37

HSL 191.35, 1%, 0.07%

LAB 9.5, -8.24, -8.03

 

CMYK 100 / 33 / 0 / 93

HEX #000C12

RGB 0 12 18

HSL 200, 1%, 0.04%

LAB 2.77, -2.08, -4.08

 

CMYK 72 / 11 / 0 / 63

HEX #1A545E

RGB 26 84 94

HSL 188.82, 0.57%, 0.24%

LAB 32.63, -14.86, -11.28

 

CMYK 73 / 22 / 0 / 62

HEX #1A4B60

RGB 26 75 96

HSL 198, 0.57%, 0.24%

LAB 29.65, -8.77, -17.11

 

CMYK 73 / 34 / 0 / 62

HEX #1A3F60

RGB 26 63 96

HSL 208.29, 0.57%, 0.24%

LAB 25.62, -1.03, -23.41

 

CMYK 73 / 47 / 0 / 62

HEX #1A3360

RGB 26 51 96

HSL 218.57, 0.57%, 0.24%

LAB 21.7, 7.29, -29.63

 

CMYK 73 / 58 / 0 / 62

HEX #1A2860

RGB 26 40 96

HSL 228, 0.57%, 0.24%

LAB 18.28, 15.27, -35.13

 

CMYK 72 / 11 / 0 / 63

HEX #1A545E

RGB 26 84 94

HSL 188.82, 0.57%, 0.24%

LAB 32.63, -14.86, -11.28

 

CMYK 72 / 10 / 0 / 43

HEX #288291

RGB 40 130 145

HSL 188.57, 0.57%, 0.36%

LAB 50.05, -20.84, -15.7

 

CMYK 72 / 11 / 0 / 23

HEX #36AFC4

RGB 54 175 196

HSL 188.87, 0.57%, 0.49%

LAB 66.08, -25.87, -20.28

 

CMYK 72 / 11 / 0 / 3

HEX #44DDF7

RGB 68 221 247

HSL 188.72, 0.92%, 0.62%

LAB 81.65, -31.13, -24.17

 

CMYK 72 / 12 / 0 / 83

HEX #0C262B

RGB 12 38 43

HSL 189.68, 0.56%, 0.11%

LAB 13.46, -8.02, -6.3

 

CMYK 72 / 11 / 0 / 63

HEX #1A545E

RGB 26 84 94

HSL 188.82, 0.57%, 0.24%

LAB 32.63, -14.86, -11.28

 

CMYK 49 / 73 / 0 / 62

HEX #311A60

RGB 49 26 96

HSL 259.71, 0.57%, 0.24%

LAB 16.68, 29.31, -37.64

 

CMYK 0 / 20 / 73 / 62

HEX #604D1A

RGB 96 77 26

HSL 43.71, 0.57%, 0.24%

LAB 33.71, 1.75, 32.14

 

CMYK 72 / 11 / 0 / 63

HEX #1A545E

RGB 26 84 94

HSL 188.82, 0.57%, 0.24%

LAB 32.63, -14.86, -11.28

 

CMYK 0 / 73 / 10 / 62

HEX #601A56

RGB 96 26 86

HSL 308.57, 0.57%, 0.24%

LAB 23.33, 38.78, -19.93

 

CMYK 10 / 0 / 73 / 62

HEX #56601A

RGB 86 96 26

HSL 68.57, 0.57%, 0.24%

LAB 38.58, -14.28, 36.85

 

CMYK 72 / 11 / 0 / 63

HEX #1A545E

RGB 26 84 94

HSL 188.82, 0.57%, 0.24%

LAB 32.63, -14.86, -11.28

 

CMYK 49 / 73 / 0 / 62

HEX #311A60

RGB 49 26 96

HSL 259.71, 0.57%, 0.24%

LAB 16.68, 29.31, -37.64

 

CMYK 0 / 64 / 73 / 62

HEX #60231A

RGB 96 35 26

HSL 7.71, 0.57%, 0.24%

LAB 22.87, 27.13, 20.08

 

CMYK 25 / 0 / 73 / 62

HEX #48601A

RGB 72 96 26

HSL 80.57, 0.57%, 0.24%

LAB 37.51, -20.66, 35.41

 

CMYK 72 / 11 / 0 / 63

HEX #1A545E

RGB 26 84 94

HSL 188.82, 0.57%, 0.24%

LAB 32.63, -14.86, -11.28

 

CMYK 27 / 73 / 0 / 62

HEX #461A60

RGB 70 26 96

HSL 277.71, 0.57%, 0.24%

LAB 19.58, 34.07, -32.81

 

CMYK 0 / 64 / 73 / 62

HEX #60231A

RGB 96 35 26

HSL 7.71, 0.57%, 0.24%

LAB 22.87, 27.13, 20.08

 

CMYK 47 / 0 / 73 / 62

HEX #33601A

RGB 51 96 26

HSL 98.57, 0.57%, 0.24%

LAB 36.26, -29.15, 33.72

 

Description

Color code: HEX #1A545E | qconv.com Color code: HEX #1A545E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 84 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 84 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 11 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 11% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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