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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A499D it is the complementary color #E5B662. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A499D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1A499D: #1F4998, #305BAB, #416DBE, #527FD1 and #6391E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A499D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1A499D: #1A499D, #09378A, #002577, #001364 and #000151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 54 / 0 / 38

HEX #1A499D

RGB 26 73 157

HSL 218.47, 0.72%, 0.36%

LAB 32.74, 16.9, -50.12

 

Complementary color

CMYK 0 / 21 / 57 / 10

HEX #E5B662

RGB 229 182 98

HSL 38.47, 0.72%, 0.64%

LAB 76.68, 7.48, 48.62

 

CMYK 80 / 52 / 0 / 40

HEX #1F4998

RGB 31 73 152

HSL 219.17, 0.66%, 0.36%

LAB 32.53, 15.41, -47.42

 

CMYK 72 / 47 / 0 / 33

HEX #305BAB

RGB 48 91 171

HSL 219.02, 0.56%, 0.43%

LAB 39.67, 13.04, -47.28

 

CMYK 66 / 43 / 0 / 25

HEX #416DBE

RGB 65 109 190

HSL 218.88, 0.49%, 0.5%

LAB 46.68, 11.21, -47.11

 

CMYK 61 / 39 / 0 / 18

HEX #527FD1

RGB 82 127 209

HSL 218.74, 0.58%, 0.57%

LAB 53.57, 9.77, -46.96

 

CMYK 57 / 36 / 0 / 11

HEX #6391E4

RGB 99 145 228

HSL 218.6, 0.7%, 0.64%

LAB 60.34, 8.61, -46.84

 

CMYK 83 / 54 / 0 / 38

HEX #1A499D

RGB 26 73 157

HSL 218.47, 0.72%, 0.36%

LAB 32.74, 16.9, -50.12

 

CMYK 93 / 60 / 0 / 46

HEX #09378A

RGB 9 55 138

HSL 218.6, 0.88%, 0.29%

LAB 25.64, 20.33, -50.05

 

CMYK 100 / 69 / 0 / 53

HEX #002577

RGB 0 37 119

HSL 221.34, 1%, 0.23%

LAB 18.61, 24.63, -49.6

 

CMYK 100 / 81 / 0 / 61

HEX #001364

RGB 0 19 100

HSL 228.6, 1%, 0.2%

LAB 11.86, 29.25, -48.35

 

CMYK 100 / 99 / 0 / 68

HEX #000151

RGB 0 1 81

HSL 239.26, 1%, 0.16%

LAB 5.56, 32.37, -45.97

 

CMYK 83 / 54 / 0 / 38

HEX #1A499D

RGB 26 73 157

HSL 218.47, 0.72%, 0.36%

LAB 32.74, 16.9, -50.12

 

CMYK 84 / 67 / 0 / 38

HEX #19349D

RGB 25 52 157

HSL 227.73, 0.73%, 0.36%

LAB 27.01, 31.1, -59.47

 

CMYK 84 / 81 / 0 / 38

HEX #191E9D

RGB 25 30 157

HSL 237.73, 0.73%, 0.36%

LAB 22.19, 44.46, -67.43

 

CMYK 73 / 84 / 0 / 38

HEX #2B199D

RGB 43 25 157

HSL 248.18, 0.73%, 0.36%

LAB 22.45, 48.03, -66.96

 

CMYK 59 / 84 / 0 / 38

HEX #41199D

RGB 65 25 157

HSL 258.18, 0.73%, 0.36%

LAB 24.49, 50.05, -63.52

 

CMYK 83 / 54 / 0 / 38

HEX #1A499D

RGB 26 73 157

HSL 218.47, 0.72%, 0.36%

LAB 32.74, 16.9, -50.12

 

CMYK 84 / 53 / 0 / 18

HEX #2261D0

RGB 34 97 208

HSL 218.28, 0.72%, 0.47%

LAB 43.42, 21.76, -62.79

 

CMYK 75 / 50 / 0 / 98

HEX #010204

RGB 1 2 4

HSL 220, 0.6%, 0.01%

LAB 0.53, 0.02, -0.85

 

CMYK 84 / 53 / 0 / 78

HEX #091A37

RGB 9 26 55

HSL 217.83, 0.72%, 0.13%

LAB 9.58, 5.23, -21.02

 

CMYK 83 / 54 / 0 / 58

HEX #12316A

RGB 18 49 106

HSL 218.86, 0.71%, 0.24%

LAB 21.45, 11.74, -36.56

 

CMYK 83 / 54 / 0 / 38

HEX #1A499D

RGB 26 73 157

HSL 218.47, 0.72%, 0.36%

LAB 32.74, 16.9, -50.12

 

CMYK 14 / 84 / 0 / 38

HEX #87199D

RGB 135 25 157

HSL 290, 0.73%, 0.36%

LAB 34.56, 60.57, -46.67

 

CMYK 19 / 0 / 84 / 38

HEX #7F9D19

RGB 127 157 25

HSL 73.64, 0.73%, 0.36%

LAB 60.51, -27.6, 58.65

 

CMYK 83 / 54 / 0 / 38

HEX #1A499D

RGB 26 73 157

HSL 218.47, 0.72%, 0.36%

LAB 32.74, 16.9, -50.12

 

CMYK 0 / 84 / 53 / 38

HEX #9D194A

RGB 157 25 74

HSL 337.73, 0.73%, 0.36%

LAB 34.72, 54.49, 6.29

 

CMYK 53 / 0 / 84 / 38

HEX #4A9D19

RGB 74 157 25

HSL 97.73, 0.73%, 0.36%

LAB 57.69, -47.11, 55.08

 

CMYK 83 / 54 / 0 / 38

HEX #1A499D

RGB 26 73 157

HSL 218.47, 0.72%, 0.36%

LAB 32.74, 16.9, -50.12

 

CMYK 14 / 84 / 0 / 38

HEX #87199D

RGB 135 25 157

HSL 290, 0.73%, 0.36%

LAB 34.56, 60.57, -46.67

 

CMYK 0 / 31 / 84 / 38

HEX #9D6D19

RGB 157 109 25

HSL 38.18, 0.73%, 0.36%

LAB 49.71, 11.92, 50.33

 

CMYK 70 / 0 / 84 / 38

HEX #2F9D19

RGB 47 157 25

HSL 110, 0.73%, 0.36%

LAB 56.87, -53.83, 54.03

 

CMYK 83 / 54 / 0 / 38

HEX #1A499D

RGB 26 73 157

HSL 218.47, 0.72%, 0.36%

LAB 32.74, 16.9, -50.12

 

CMYK 0 / 84 / 11 / 38

HEX #9D198C

RGB 157 25 140

HSL 307.73, 0.73%, 0.36%

LAB 37.4, 62.1, -31.52

 

CMYK 0 / 31 / 84 / 38

HEX #9D6D19

RGB 157 109 25

HSL 38.18, 0.73%, 0.36%

LAB 49.71, 11.92, 50.33

 

CMYK 84 / 0 / 73 / 38

HEX #199D2B

RGB 25 157 43

HSL 128.18, 0.73%, 0.36%

LAB 56.58, -55.93, 47.64

 

Description

Color code: HEX #1A499D | qconv.com Color code: HEX #1A499D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 73 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 73 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 54 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 54% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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