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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1A12F6CC it is the complementary color #E5ED09CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1A12F6CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1A12F6CC: #1F12F1CC, #3024FFCC, #4136FFCC, #5248FFCC and #635AFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1A12F6CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1A12F6CC: #1A12F6CC, #0900E3CC, #0000D0CC, #0000BDCC and #0000AACC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 74 / 0 / 3

HEX #1A12F6CC

RGBA 26 18 246 0.8

HSLA 242.11, 0.93%, 0.52%, 0.8

LABA 32.49, 74.21, -102.47, 0.8

 

Complementary color

CMYK 3 / 0 / 77 / 6

HEX #E5ED09CC

RGBA 229 237 9 0.8

HSLA 62.11, 0.93%, 0.48%, 0.8

LABA 90.43, -23.64, 87.98, 0.8

 

CMYK 70 / 74 / 0 / 4

HEX #1F12F1CC

RGBA 31 18 241 0.8

HSLA 243.5, 0.89%, 0.51%, 0.8

LABA 31.98, 73.02, -100.5, 0.8

 

CMYK 65 / 69 / 0 / 0

HEX #3024FFCC

RGBA 48 36 255 0.8

HSLA 243.29, 1%, 0.57%, 0.8

LABA 36.2, 71.92, -101.33, 0.8

 

CMYK 60 / 63 / 0 / 0

HEX #4136FFCC

RGBA 65 54 255 0.8

HSLA 243.28, 1%, 0.61%, 0.8

LABA 39.55, 65.44, -95.73, 0.8

 

CMYK 54 / 57 / 0 / 0

HEX #5248FFCC

RGBA 82 72 255 0.8

HSLA 243.28, 1%, 0.64%, 0.8

LABA 43.72, 57.92, -88.8, 0.8

 

CMYK 49 / 52 / 0 / 0

HEX #635AFFCC

RGBA 99 90 255 0.8

HSLA 243.27, 1%, 0.68%, 0.8

LABA 48.49, 50.1, -80.92, 0.8

 

CMYK 72 / 74 / 0 / 3

HEX #1A12F6CC

RGBA 26 18 246 0.8

HSLA 242.11, 0.93%, 0.52%, 0.8

LABA 32.49, 74.21, -102.47, 0.8

 

CMYK 77 / 80 / 0 / 9

HEX #0900E3CC

RGBA 9 0 227 0.8

HSLA 242.38, 1%, 0.45%, 0.8

LABA 28.39, 72.58, -98.52, 0.8

 

CMYK 80 / 80 / 0 / 15

HEX #0000D0CC

RGBA 0 0 208 0.8

HSLA 240, 1%, 0.41%, 0.8

LABA 25.42, 67.92, -92.5, 0.8

 

CMYK 80 / 80 / 0 / 21

HEX #0000BDCC

RGBA 0 0 189 0.8

HSLA 240, 1%, 0.37%, 0.8

LABA 22.56, 63.23, -86.12, 0.8

 

CMYK 80 / 80 / 0 / 27

HEX #0000AACC

RGBA 0 0 170 0.8

HSLA 240, 1%, 0.33%, 0.8

LABA 19.65, 58.45, -79.61, 0.8

 

CMYK 72 / 74 / 0 / 3

HEX #1A12F6CC

RGBA 26 18 246 0.8

HSLA 242.11, 0.93%, 0.52%, 0.8

LABA 32.49, 74.21, -102.47, 0.8

 

CMYK 59 / 74 / 0 / 3

HEX #4012F6CC

RGBA 64 18 246 0.8

HSLA 252.11, 0.93%, 0.52%, 0.8

LABA 34.35, 75.16, -99.33, 0.8

 

CMYK 47 / 74 / 0 / 3

HEX #6612F6CC

RGBA 102 18 246 0.8

HSLA 262.11, 0.93%, 0.52%, 0.8

LABA 37.68, 77.13, -93.69, 0.8

 

CMYK 34 / 74 / 0 / 3

HEX #8C12F6CC

RGBA 140 18 246 0.8

HSLA 272.11, 0.93%, 0.52%, 0.8

LABA 42.25, 80.29, -85.99, 0.8

 

CMYK 22 / 74 / 0 / 3

HEX #B212F6CC

RGBA 178 18 246 0.8

HSLA 282.11, 0.93%, 0.52%, 0.8

LABA 47.69, 84.58, -76.86, 0.8

 

CMYK 72 / 74 / 0 / 3

HEX #1A12F6CC

RGBA 26 18 246 0.8

HSLA 242.11, 0.93%, 0.52%, 0.8

LABA 32.49, 74.21, -102.47, 0.8

 

CMYK 72 / 74 / 0 / 67

HEX #04032ACC

RGBA 4 3 42 0.8

HSLA 241.54, 0.87%, 0.09%, 0.8

LABA 2.33, 10.46, -22.98, 0.8

 

CMYK 71 / 74 / 0 / 51

HEX #0A075DCC

RGBA 10 7 93 0.8

HSLA 242.09, 0.86%, 0.2%, 0.8

LABA 9.05, 34.03, -48.34, 0.8

 

CMYK 72 / 74 / 0 / 35

HEX #0F0B90CC

RGBA 15 11 144 0.8

HSLA 241.8, 0.86%, 0.3%, 0.8

LABA 17.25, 48.32, -67.64, 0.8

 

CMYK 71 / 74 / 0 / 19

HEX #150EC3CC

RGBA 21 14 195 0.8

HSLA 242.32, 0.87%, 0.41%, 0.8

LABA 24.99, 61.81, -85.59, 0.8

 

CMYK 72 / 74 / 0 / 3

HEX #1A12F6CC

RGBA 26 18 246 0.8

HSLA 242.11, 0.93%, 0.52%, 0.8

LABA 32.49, 74.21, -102.47, 0.8

 

CMYK 0 / 74 / 17 / 3

HEX #F612C1CC

RGBA 246 18 193 0.8

HSLA 313.95, 0.93%, 0.52%, 0.8

LABA 55.96, 87.57, -32.79, 0.8

 

CMYK 47 / 0 / 74 / 3

HEX #66F612CC

RGBA 102 246 18 0.8

HSLA 97.89, 0.93%, 0.52%, 0.8

LABA 86.39, -71.26, 81.14, 0.8

 

CMYK 72 / 74 / 0 / 3

HEX #1A12F6CC

RGBA 26 18 246 0.8

HSLA 242.11, 0.93%, 0.52%, 0.8

LABA 32.49, 74.21, -102.47, 0.8

 

CMYK 0 / 72 / 74 / 3

HEX #F61A12CC

RGBA 246 26 18 0.8

HSLA 2.11, 0.93%, 0.52%, 0.8

LABA 52.26, 75.68, 61.02, 0.8

 

CMYK 74 / 0 / 72 / 3

HEX #12F61ACC

RGBA 18 246 26 0.8

HSLA 122.11, 0.93%, 0.52%, 0.8

LABA 85.05, -82.77, 78.4, 0.8

 

CMYK 72 / 74 / 0 / 3

HEX #1A12F6CC

RGBA 26 18 246 0.8

HSLA 242.11, 0.93%, 0.52%, 0.8

LABA 32.49, 74.21, -102.47, 0.8

 

CMYK 0 / 74 / 17 / 3

HEX #F612C1CC

RGBA 246 18 193 0.8

HSLA 313.95, 0.93%, 0.52%, 0.8

LABA 55.96, 87.57, -32.79, 0.8

 

CMYK 3 / 0 / 74 / 3

HEX #EEF612CC

RGBA 238 246 18 0.8

HSLA 62.11, 0.93%, 0.52%, 0.8

LABA 93.51, -24.11, 89.8, 0.8

 

CMYK 74 / 0 / 57 / 3

HEX #12F647CC

RGBA 18 246 71 0.8

HSLA 133.95, 0.93%, 0.52%, 0.8

LABA 85.25, -80.29, 66.9, 0.8

 

CMYK 72 / 74 / 0 / 3

HEX #1A12F6CC

RGBA 26 18 246 0.8

HSLA 242.11, 0.93%, 0.52%, 0.8

LABA 32.49, 74.21, -102.47, 0.8

 

CMYK 0 / 74 / 39 / 3

HEX #F6127DCC

RGBA 246 18 125 0.8

HSLA 331.84, 0.93%, 0.52%, 0.8

LABA 53.5, 81.04, 3.65, 0.8

 

CMYK 3 / 0 / 74 / 3

HEX #EEF612CC

RGBA 238 246 18 0.8

HSLA 62.11, 0.93%, 0.52%, 0.8

LABA 93.51, -24.11, 89.8, 0.8

 

CMYK 74 / 0 / 34 / 3

HEX #12F68CCC

RGBA 18 246 140 0.8

HSLA 152.11, 0.93%, 0.52%, 0.8

LABA 85.97, -71.4, 37.62, 0.8

 

Description

Color code: HEX #1A12F6CC | qconv.com Color code: HEX #1A12F6CC | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 18 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 18 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 74 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 74% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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NCS® to HEX

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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NCS® to Sherwin Williams®

convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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