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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19C99A it is the complementary color #E63665. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19C99A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #19C99A: #1EC995, #2FDBA8, #40EDBB, #51FFCE and #62FFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19C99A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #19C99A: #19C99A, #08B787, #00A574, #009361 and #00814E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 23 / 21

HEX #19C99A

RGB 25 201 154

HSL 163.98, 0.78%, 0.44%

LAB 72.44, -52.02, 12.04

 

Complementary color

CMYK 0 / 77 / 56 / 10

HEX #E63665

RGB 230 54 101

HSL 343.98, 0.78%, 0.56%

LAB 52.29, 68.43, 15.99

 

CMYK 85 / 0 / 26 / 21

HEX #1EC995

RGB 30 201 149

HSL 161.75, 0.74%, 0.45%

LAB 72.37, -52.86, 14.65

 

CMYK 79 / 0 / 23 / 14

HEX #2FDBA8

RGB 47 219 168

HSL 162.21, 0.7%, 0.52%

LAB 78.52, -53.96, 13.2

 

CMYK 73 / 0 / 21 / 7

HEX #40EDBB

RGB 64 237 187

HSL 162.66, 0.83%, 0.59%

LAB 84.61, -54.75, 11.88

 

CMYK 68 / 0 / 19 / 0

HEX #51FFCE

RGB 81 255 206

HSL 163.1, 1%, 0.66%

LAB 90.65, -55.3, 10.66

 

CMYK 62 / 0 / 12 / 0

HEX #62FFE1

RGB 98 255 225

HSL 168.54, 1%, 0.69%

LAB 91.48, -48.19, 2.09

 

CMYK 88 / 0 / 23 / 21

HEX #19C99A

RGB 25 201 154

HSL 163.98, 0.78%, 0.44%

LAB 72.44, -52.02, 12.04

 

CMYK 96 / 0 / 26 / 28

HEX #08B787

RGB 8 183 135

HSL 163.54, 0.92%, 0.37%

LAB 66.27, -50.38, 13.64

 

CMYK 100 / 0 / 30 / 35

HEX #00A574

RGB 0 165 116

HSL 162.18, 1%, 0.32%

LAB 60.04, -48.24, 15.4

 

CMYK 100 / 0 / 34 / 42

HEX #009361

RGB 0 147 97

HSL 159.59, 1%, 0.29%

LAB 53.74, -45.72, 17.32

 

CMYK 100 / 0 / 40 / 49

HEX #00814E

RGB 0 129 78

HSL 156.28, 1%, 0.25%

LAB 47.3, -43.07, 19.33

 

CMYK 88 / 0 / 23 / 21

HEX #19C99A

RGB 25 201 154

HSL 163.98, 0.78%, 0.44%

LAB 72.44, -52.02, 12.04

 

CMYK 88 / 0 / 10 / 22

HEX #18C7B3

RGB 24 199 179

HSL 173.14, 0.78%, 0.44%

LAB 72.43, -44.78, -1.5

 

CMYK 88 / 5 / 0 / 22

HEX #18BEC7

RGB 24 190 199

HSL 183.09, 0.78%, 0.44%

LAB 70.28, -34.89, -15.62

 

CMYK 88 / 19 / 0 / 22

HEX #18A1C7

RGB 24 161 199

HSL 193.03, 0.78%, 0.44%

LAB 61.49, -20.49, -29.04

 

CMYK 88 / 34 / 0 / 22

HEX #1884C7

RGB 24 132 199

HSL 202.97, 0.78%, 0.44%

LAB 52.75, -4.32, -42.7

 

CMYK 88 / 0 / 23 / 21

HEX #19C99A

RGB 25 201 154

HSL 163.98, 0.78%, 0.44%

LAB 72.44, -52.02, 12.04

 

CMYK 88 / 0 / 23 / 1

HEX #1FFCC1

RGB 31 252 193

HSL 163.98, 0.97%, 0.55%

LAB 88.81, -62.07, 14.65

 

CMYK 88 / 0 / 23 / 81

HEX #063025

RGB 6 48 37

HSL 164.29, 0.78%, 0.11%

LAB 16.92, -17.45, 3.01

 

CMYK 88 / 0 / 23 / 61

HEX #0C634C

RGB 12 99 76

HSL 164.14, 0.78%, 0.22%

LAB 36.97, -30.16, 6.32

 

CMYK 87 / 0 / 23 / 41

HEX #139673

RGB 19 150 115

HSL 163.97, 0.78%, 0.33%

LAB 55.27, -41.44, 9.29

 

CMYK 88 / 0 / 23 / 21

HEX #19C99A

RGB 25 201 154

HSL 163.98, 0.78%, 0.44%

LAB 72.44, -52.02, 12.04

 

CMYK 88 / 80 / 0 / 22

HEX #1827C7

RGB 24 39 199

HSL 234.86, 0.78%, 0.44%

LAB 28.82, 53.46, -81.56

 

CMYK 0 / 60 / 88 / 22

HEX #C75018

RGB 199 80 24

HSL 19.2, 0.78%, 0.44%

LAB 49.43, 44.97, 52.9

 

CMYK 88 / 0 / 23 / 21

HEX #19C99A

RGB 25 201 154

HSL 163.98, 0.78%, 0.44%

LAB 72.44, -52.02, 12.04

 

CMYK 25 / 88 / 0 / 22

HEX #9618C7

RGB 150 24 199

HSL 283.2, 0.78%, 0.44%

LAB 40.02, 71.09, -62.68

 

CMYK 0 / 25 / 88 / 22

HEX #C79618

RGB 199 150 24

HSL 43.2, 0.78%, 0.44%

LAB 64.98, 8.05, 65.22

 

CMYK 88 / 0 / 23 / 21

HEX #19C99A

RGB 25 201 154

HSL 163.98, 0.78%, 0.44%

LAB 72.44, -52.02, 12.04

 

CMYK 88 / 80 / 0 / 22

HEX #1827C7

RGB 24 39 199

HSL 234.86, 0.78%, 0.44%

LAB 28.82, 53.46, -81.56

 

CMYK 0 / 88 / 63 / 22

HEX #C7184A

RGB 199 24 74

HSL 342.86, 0.78%, 0.44%

LAB 43.2, 65.7, 19.29

 

CMYK 0 / 7 / 88 / 22

HEX #C7B918

RGB 199 185 24

HSL 55.2, 0.78%, 0.44%

LAB 74.13, -10.49, 72.5

 

CMYK 88 / 0 / 23 / 21

HEX #19C99A

RGB 25 201 154

HSL 163.98, 0.78%, 0.44%

LAB 72.44, -52.02, 12.04

 

CMYK 69 / 88 / 0 / 22

HEX #3E18C7

RGB 62 24 199

HSL 253.03, 0.78%, 0.44%

LAB 28.9, 61.54, -81.36

 

CMYK 0 / 88 / 63 / 22

HEX #C7184A

RGB 199 24 74

HSL 342.86, 0.78%, 0.44%

LAB 43.2, 65.7, 19.29

 

CMYK 19 / 0 / 88 / 22

HEX #A1C718

RGB 161 199 24

HSL 73.03, 0.78%, 0.44%

LAB 75.13, -33.46, 72.11

 

Description

Color code: HEX #19C99A | qconv.com Color code: HEX #19C99A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 201 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 201 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 23 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 23% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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