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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19ABC9 it is the complementary color #E65436. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19ABC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19ABC9 shade: #1EABC4, #2FBDD7, #40CFEA, #51E1FD and #62F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19ABC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19ABC9 shade: #19ABC9, #0899B6, #0087A3, #007590 and #00637D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19ABC9 shade: #19AAC8, #197BC8, #194BC8, #191CC8 and #4419C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19ABC9 shade: #19AAC8, #197BC8, #194BC8, #191CC8 and #1919C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19ABC9 shade matches the following richer shades: #19AAC8 and #07B6DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19ABC9 shade: #19AAC8, #2B9EB6, #3D92A3, #4F8691 and #617A7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19ABC9 shade: #19C888, #19C8B6, #19ABC8, #197CC8 and #194DC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19ABC9 shade: #106B7E, #148BA3, #19AAC8, #26C4E4 and #4ACEE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19ABC9 shade: #19ABC9, #5919C8 and #C89F19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19ABC9 shade: #19ABC9, #C819AB and #ABC819

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19ABC9 shade: #19ABC9, #5919C8, #C83619 and #88C819

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19ABC9 shade: #19ABC9, #8D19C8, #C83619 and #53C819

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 15 / 0 / 21

HEX #19ABC9

RGB 25 171 201

HSL 190.23, 0.78%, 0.44%

LAB 64.6, -24.92, -25.35

 

Complementary color

CMYK 0 / 63 / 77 / 10

HEX #E65436

RGB 230 84 54

HSL 10.23, 0.78%, 0.56%

LAB 55.51, 55.09, 46.81

 

CMYK 85 / 13 / 0 / 23

HEX #1EABC4

RGB 30 171 196

HSL 189.04, 0.73%, 0.44%

LAB 64.47, -26.24, -22.77

 

CMYK 78 / 12 / 0 / 16

HEX #2FBDD7

RGB 47 189 215

HSL 189.29, 0.68%, 0.51%

LAB 70.81, -27.65, -23.53

 

CMYK 73 / 12 / 0 / 8

HEX #40CFEA

RGB 64 207 234

HSL 189.53, 0.8%, 0.58%

LAB 77.07, -28.76, -24.22

 

CMYK 68 / 11 / 0 / 1

HEX #51E1FD

RGB 81 225 253

HSL 189.77, 0.98%, 0.65%

LAB 83.28, -29.63, -24.84

 

CMYK 62 / 5 / 0 / 0

HEX #62F3FF

RGB 98 243 255

HSL 184.59, 1%, 0.69%

LAB 88.88, -35.08, -17.37

 

CMYK 88 / 15 / 0 / 21

HEX #19ABC9

RGB 25 171 201

HSL 190.23, 0.78%, 0.44%

LAB 64.6, -24.92, -25.35

 

CMYK 96 / 16 / 0 / 29

HEX #0899B6

RGB 8 153 182

HSL 190, 0.92%, 0.37%

LAB 58.24, -22.92, -24.5

 

CMYK 100 / 17 / 0 / 36

HEX #0087A3

RGB 0 135 163

HSL 190.31, 1%, 0.32%

LAB 51.81, -20.43, -23.53

 

CMYK 100 / 19 / 0 / 44

HEX #007590

RGB 0 117 144

HSL 191.25, 1%, 0.28%

LAB 45.27, -17.55, -22.49

 

CMYK 100 / 21 / 0 / 51

HEX #00637D

RGB 0 99 125

HSL 192.48, 1%, 0.25%

LAB 38.56, -14.56, -21.45

 

CMYK 88 / 15 / 0 / 22

HEX #19AAC8

RGB 25 170 200

HSL 190.29, 0.78%, 0.44%

LAB 64.26, -24.75, -25.32

 

CMYK 88 / 39 / 0 / 22

HEX #197BC8

RGB 25 123 200

HSL 206.4, 0.78%, 0.44%

LAB 50.15, 1.53, -47.4

 

CMYK 88 / 63 / 0 / 22

HEX #194BC8

RGB 25 75 200

HSL 222.86, 0.78%, 0.44%

LAB 36.76, 32.44, -69.04

 

CMYK 88 / 86 / 0 / 22

HEX #191CC8

RGB 25 28 200

HSL 238.97, 0.78%, 0.44%

LAB 27.32, 58.72, -84.65

 

CMYK 66 / 88 / 0 / 22

HEX #4419C8

RGB 68 25 200

HSL 254.74, 0.78%, 0.44%

LAB 29.65, 61.88, -80.7

 

CMYK 88 / 15 / 0 / 22

HEX #19AAC8

RGB 25 170 200

HSL 190.29, 0.78%, 0.44%

LAB 64.26, -24.75, -25.32

 

CMYK 88 / 39 / 0 / 22

HEX #197BC8

RGB 25 123 200

HSL 206.4, 0.78%, 0.44%

LAB 50.15, 1.53, -47.4

 

CMYK 88 / 63 / 0 / 22

HEX #194BC8

RGB 25 75 200

HSL 222.86, 0.78%, 0.44%

LAB 36.76, 32.44, -69.04

 

CMYK 88 / 86 / 0 / 22

HEX #191CC8

RGB 25 28 200

HSL 238.97, 0.78%, 0.44%

LAB 27.32, 58.72, -84.65

 

CMYK 88 / 88 / 0 / 22

HEX #1919C8

RGB 25 25 200

HSL 240, 0.78%, 0.44%

LAB 26.94, 59.86, -85.28

 

CMYK 88 / 15 / 0 / 22

HEX #19AAC8

RGB 25 170 200

HSL 190.29, 0.78%, 0.44%

LAB 64.26, -24.75, -25.32

 

CMYK 97 / 17 / 0 / 15

HEX #07B6DA

RGB 7 182 218

HSL 190.24, 0.94%, 0.44%

LAB 68.43, -25.52, -28.84

 

CMYK 88 / 15 / 0 / 22

HEX #19AAC8

RGB 25 170 200

HSL 190.29, 0.78%, 0.44%

LAB 64.26, -24.75, -25.32

 

CMYK 76 / 13 / 0 / 29

HEX #2B9EB6

RGB 43 158 182

HSL 190.36, 0.62%, 0.44%

LAB 60.2, -23.01, -21.45

 

CMYK 63 / 10 / 0 / 36

HEX #3D92A3

RGB 61 146 163

HSL 190, 0.46%, 0.44%

LAB 56.28, -20.16, -16.59

 

CMYK 46 / 8 / 0 / 43

HEX #4F8691

RGB 79 134 145

HSL 190, 0.29%, 0.44%

LAB 52.68, -15.1, -11.59

 

CMYK 24 / 4 / 0 / 50

HEX #617A7F

RGB 97 122 127

HSL 190, 0.13%, 0.44%

LAB 49.49, -7.82, -5.72

 

CMYK 88 / 0 / 32 / 22

HEX #19C888

RGB 25 200 136

HSL 158.06, 0.78%, 0.44%

LAB 71.75, -55.77, 20.72

 

CMYK 88 / 0 / 9 / 22

HEX #19C8B6

RGB 25 200 182

HSL 173.83, 0.78%, 0.44%

LAB 72.82, -44.32, -2.55

 

CMYK 88 / 15 / 0 / 22

HEX #19ABC8

RGB 25 171 200

HSL 189.94, 0.78%, 0.44%

LAB 64.57, -25.25, -24.85

 

CMYK 88 / 38 / 0 / 22

HEX #197CC8

RGB 25 124 200

HSL 206.06, 0.78%, 0.44%

LAB 50.44, 0.92, -46.93

 

CMYK 88 / 62 / 0 / 22

HEX #194DC8

RGB 25 77 200

HSL 222.17, 0.78%, 0.44%

LAB 37.27, 31.14, -68.21

 

CMYK 87 / 15 / 0 / 51

HEX #106B7E

RGB 16 107 126

HSL 190.36, 0.77%, 0.28%

LAB 41.43, -17.64, -17.62

 

CMYK 88 / 15 / 0 / 36

HEX #148BA3

RGB 20 139 163

HSL 190.07, 0.78%, 0.36%

LAB 53.23, -21.58, -21.33

 

CMYK 88 / 15 / 0 / 22

HEX #19AAC8

RGB 25 170 200

HSL 190.29, 0.78%, 0.44%

LAB 64.26, -24.75, -25.32

 

CMYK 83 / 14 / 0 / 11

HEX #26C4E4

RGB 38 196 228

HSL 190.11, 0.78%, 0.52%

LAB 73.22, -27.73, -26.92

 

CMYK 68 / 12 / 0 / 9

HEX #4ACEE9

RGB 74 206 233

HSL 190.19, 0.78%, 0.6%

LAB 76.97, -27.28, -23.82

 

CMYK 88 / 15 / 0 / 21

HEX #19ABC9

RGB 25 171 201

HSL 190.23, 0.78%, 0.44%

LAB 64.6, -24.92, -25.35

 

CMYK 56 / 88 / 0 / 22

HEX #5919C8

RGB 89 25 200

HSL 261.94, 0.78%, 0.44%

LAB 31.78, 63.6, -77.1

 

CMYK 0 / 21 / 88 / 22

HEX #C89F19

RGB 200 159 25

HSL 45.94, 0.78%, 0.44%

LAB 67.39, 3.65, 66.94

 

CMYK 88 / 15 / 0 / 21

HEX #19ABC9

RGB 25 171 201

HSL 190.23, 0.78%, 0.44%

LAB 64.6, -24.92, -25.35

 

CMYK 0 / 88 / 15 / 22

HEX #C819AB

RGB 200 25 171

HSL 309.94, 0.78%, 0.44%

LAB 46.86, 75.12, -34.78

 

CMYK 15 / 0 / 88 / 22

HEX #ABC819

RGB 171 200 25

HSL 69.94, 0.78%, 0.44%

LAB 76.09, -29.82, 72.99

 

CMYK 88 / 15 / 0 / 21

HEX #19ABC9

RGB 25 171 201

HSL 190.23, 0.78%, 0.44%

LAB 64.6, -24.92, -25.35

 

CMYK 56 / 88 / 0 / 22

HEX #5919C8

RGB 89 25 200

HSL 261.94, 0.78%, 0.44%

LAB 31.78, 63.6, -77.1

 

CMYK 0 / 73 / 88 / 22

HEX #C83619

RGB 200 54 25

HSL 9.94, 0.78%, 0.44%

LAB 45.62, 56.1, 49.56

 

CMYK 32 / 0 / 88 / 22

HEX #88C819

RGB 136 200 25

HSL 81.94, 0.78%, 0.44%

LAB 73.94, -43.57, 70.33

 

CMYK 88 / 15 / 0 / 21

HEX #19ABC9

RGB 25 171 201

HSL 190.23, 0.78%, 0.44%

LAB 64.6, -24.92, -25.35

 

CMYK 30 / 88 / 0 / 22

HEX #8D19C8

RGB 141 25 200

HSL 279.77, 0.78%, 0.44%

LAB 38.77, 69.77, -65.35

 

CMYK 0 / 73 / 88 / 22

HEX #C83619

RGB 200 54 25

HSL 9.94, 0.78%, 0.44%

LAB 45.62, 56.1, 49.56

 

CMYK 59 / 0 / 88 / 22

HEX #53C819

RGB 83 200 25

HSL 100.11, 0.78%, 0.44%

LAB 71.7, -60.27, 67.53

 

Description

Color code: HEX #19ABC9 | qconv.com Color code: HEX #19ABC9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 171 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 171 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 15 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 15% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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