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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C819AB it is the complementary color #37E654. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C819AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C819AB shade: #CD19A6, #DE2BB9, #EF3DCC, #FF4FDF and #FF61F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C819AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C819AB shade: #C819AB, #B70798, #A60085, #950072 and #84005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C819AB shade: #C819AB, #C8197C, #C8194C, #C8191D and #C81919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C819AB shade: #C819AB, #B619C8, #8619C8, #5719C8 and #2819C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C819AB shade matches the following richer shades: #C819AB and #DA07B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C819AB shade: #C819AB, #B62B9F, #A33D92, #914F86 and #7F617A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C819AB shade: #8519C8, #B319C8, #C819AD, #C8197F and #C81950

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C819AB shade: #7E106C, #A3148B, #C819AB, #E426C5 and #E94ACE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C819AB shade: #C819AB, #C85619 and #19C89C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C819AB shade: #C819AB, #ADC819 and #19ADC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C819AB shade: #C819AB, #C85619, #19C833 and #198AC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C819AB shade: #C819AB, #C88A19, #19C833 and #1956C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 15 / 22

HEX #C819AB

RGB 200 25 171

HSL 309.94, 0.78%, 0.44%

LAB 46.86, 75.12, -34.78

 

Complementary color

CMYK 76 / 0 / 63 / 10

HEX #37E654

RGB 55 230 84

HSL 129.94, 0.78%, 0.56%

LAB 80.76, -71.17, 57.21

 

CMYK 0 / 88 / 19 / 20

HEX #CD19A6

RGB 205 25 166

HSL 313, 0.78%, 0.45%

LAB 47.53, 75.47, -30.7

 

CMYK 0 / 81 / 17 / 13

HEX #DE2BB9

RGB 222 43 185

HSL 312.4, 0.73%, 0.52%

LAB 52.69, 77.84, -33.59

 

CMYK 0 / 74 / 15 / 6

HEX #EF3DCC

RGB 239 61 204

HSL 311.8, 0.85%, 0.59%

LAB 58.08, 79.31, -35.89

 

CMYK 0 / 69 / 13 / 0

HEX #FF4FDF

RGB 255 79 223

HSL 310.91, 1%, 0.65%

LAB 63.49, 79.89, -37.99

 

CMYK 0 / 62 / 5 / 0

HEX #FF61F2

RGB 255 97 242

HSL 304.94, 1%, 0.69%

LAB 66.69, 76.15, -43.56

 

CMYK 0 / 88 / 15 / 22

HEX #C819AB

RGB 200 25 171

HSL 309.94, 0.78%, 0.44%

LAB 46.86, 75.12, -34.78

 

CMYK 0 / 96 / 17 / 28

HEX #B70798

RGB 183 7 152

HSL 310.57, 0.93%, 0.37%

LAB 41.98, 71.61, -31.3

 

CMYK 0 / 100 / 20 / 35

HEX #A60085

RGB 166 0 133

HSL 311.93, 1%, 0.33%

LAB 37.48, 66.67, -26.95

 

CMYK 0 / 100 / 23 / 42

HEX #950072

RGB 149 0 114

HSL 314.09, 1%, 0.29%

LAB 33.15, 60.94, -22.05

 

CMYK 0 / 100 / 28 / 48

HEX #84005F

RGB 132 0 95

HSL 316.82, 1%, 0.26%

LAB 28.73, 55.1, -16.94

 

CMYK 0 / 88 / 15 / 22

HEX #C819AB

RGB 200 25 171

HSL 309.94, 0.78%, 0.44%

LAB 46.86, 75.12, -34.78

 

CMYK 0 / 88 / 38 / 22

HEX #C8197C

RGB 200 25 124

HSL 326.06, 0.78%, 0.44%

LAB 44.84, 69.66, -9.52

 

CMYK 0 / 88 / 62 / 22

HEX #C8194C

RGB 200 25 76

HSL 342.51, 0.78%, 0.44%

LAB 43.5, 65.89, 18.47

 

CMYK 0 / 88 / 86 / 22

HEX #C8191D

RGB 200 25 29

HSL 358.63, 0.78%, 0.44%

LAB 42.86, 64.03, 45.42

 

CMYK 0 / 88 / 88 / 22

HEX #C81919

RGB 200 25 25

HSL 0, 0.78%, 0.44%

LAB 42.83, 63.95, 47.34

 

CMYK 0 / 88 / 15 / 22

HEX #C819AB

RGB 200 25 171

HSL 309.94, 0.78%, 0.44%

LAB 46.86, 75.12, -34.78

 

CMYK 9 / 88 / 0 / 22

HEX #B619C8

RGB 182 25 200

HSL 293.83, 0.78%, 0.44%

LAB 45.37, 76.13, -54.35

 

CMYK 33 / 88 / 0 / 22

HEX #8619C8

RGB 134 25 200

HSL 277.37, 0.78%, 0.44%

LAB 37.72, 68.8, -67.11

 

CMYK 57 / 88 / 0 / 22

HEX #5719C8

RGB 87 25 200

HSL 261.26, 0.78%, 0.44%

LAB 31.56, 63.41, -77.47

 

CMYK 80 / 88 / 0 / 22

HEX #2819C8

RGB 40 25 200

HSL 245.14, 0.78%, 0.44%

LAB 27.62, 60.35, -84.13

 

CMYK 0 / 88 / 15 / 22

HEX #C819AB

RGB 200 25 171

HSL 309.94, 0.78%, 0.44%

LAB 46.86, 75.12, -34.78

 

CMYK 0 / 97 / 16 / 15

HEX #DA07B7

RGB 218 7 183

HSL 309.95, 0.94%, 0.44%

LAB 50.07, 82.06, -36.58

 

CMYK 0 / 88 / 15 / 22

HEX #C819AB

RGB 200 25 171

HSL 309.94, 0.78%, 0.44%

LAB 46.86, 75.12, -34.78

 

CMYK 0 / 76 / 13 / 29

HEX #B62B9F

RGB 182 43 159

HSL 309.93, 0.62%, 0.44%

LAB 44.48, 65.58, -31.6

 

CMYK 0 / 63 / 10 / 36

HEX #A33D92

RGB 163 61 146

HSL 310, 0.46%, 0.44%

LAB 43.06, 52.24, -26.23

 

CMYK 0 / 46 / 8 / 43

HEX #914F86

RGB 145 79 134

HSL 310, 0.29%, 0.44%

LAB 43.26, 35.77, -18.87

 

CMYK 0 / 24 / 4 / 50

HEX #7F617A

RGB 127 97 122

HSL 310, 0.13%, 0.44%

LAB 44.89, 16.67, -9.33

 

CMYK 34 / 88 / 0 / 22

HEX #8519C8

RGB 133 25 200

HSL 277.03, 0.78%, 0.44%

LAB 37.58, 68.66, -67.36

 

CMYK 11 / 88 / 0 / 22

HEX #B319C8

RGB 179 25 200

HSL 292.8, 0.78%, 0.44%

LAB 44.87, 75.64, -55.18

 

CMYK 0 / 88 / 14 / 22

HEX #C819AD

RGB 200 25 173

HSL 309.26, 0.78%, 0.44%

LAB 46.96, 75.39, -35.81

 

CMYK 0 / 88 / 37 / 22

HEX #C8197F

RGB 200 25 127

HSL 325.03, 0.78%, 0.44%

LAB 44.95, 69.96, -11.2

 

CMYK 0 / 88 / 60 / 22

HEX #C81950

RGB 200 25 80

HSL 341.14, 0.78%, 0.44%

LAB 43.59, 66.13, 16.08

 

CMYK 0 / 87 / 14 / 51

HEX #7E106C

RGB 126 16 108

HSL 309.82, 0.77%, 0.28%

LAB 29.13, 52.74, -24.83

 

CMYK 0 / 88 / 15 / 36

HEX #A3148B

RGB 163 20 139

HSL 310.07, 0.78%, 0.36%

LAB 38.11, 64.23, -29.71

 

CMYK 0 / 88 / 15 / 22

HEX #C819AB

RGB 200 25 171

HSL 309.94, 0.78%, 0.44%

LAB 46.86, 75.12, -34.78

 

CMYK 0 / 83 / 14 / 11

HEX #E426C5

RGB 228 38 197

HSL 309.79, 0.78%, 0.52%

LAB 53.93, 81.7, -38.51

 

CMYK 0 / 68 / 12 / 9

HEX #E94ACE

RGB 233 74 206

HSL 310.19, 0.78%, 0.6%

LAB 58.67, 74.06, -36.17

 

CMYK 0 / 88 / 15 / 22

HEX #C819AB

RGB 200 25 171

HSL 309.94, 0.78%, 0.44%

LAB 46.86, 75.12, -34.78

 

CMYK 0 / 57 / 88 / 22

HEX #C85619

RGB 200 86 25

HSL 20.91, 0.78%, 0.44%

LAB 50.69, 42.52, 53.6

 

CMYK 88 / 0 / 22 / 22

HEX #19C89C

RGB 25 200 156

HSL 164.91, 0.78%, 0.44%

LAB 72.17, -51.14, 10.59

 

CMYK 0 / 88 / 15 / 22

HEX #C819AB

RGB 200 25 171

HSL 309.94, 0.78%, 0.44%

LAB 46.86, 75.12, -34.78

 

CMYK 14 / 0 / 88 / 22

HEX #ADC819

RGB 173 200 25

HSL 69.26, 0.78%, 0.44%

LAB 76.23, -29, 73.16

 

CMYK 88 / 14 / 0 / 22

HEX #19ADC8

RGB 25 173 200

HSL 189.26, 0.78%, 0.44%

LAB 65.17, -26.26, -23.93

 

CMYK 0 / 88 / 15 / 22

HEX #C819AB

RGB 200 25 171

HSL 309.94, 0.78%, 0.44%

LAB 46.86, 75.12, -34.78

 

CMYK 0 / 57 / 88 / 22

HEX #C85619

RGB 200 86 25

HSL 20.91, 0.78%, 0.44%

LAB 50.69, 42.52, 53.6

 

CMYK 88 / 0 / 75 / 22

HEX #19C833

RGB 25 200 51

HSL 128.91, 0.78%, 0.44%

LAB 70.7, -68.34, 59.1

 

CMYK 88 / 31 / 0 / 22

HEX #198AC8

RGB 25 138 200

HSL 201.26, 0.78%, 0.44%

LAB 54.61, -7.38, -40.34

 

CMYK 0 / 88 / 15 / 22

HEX #C819AB

RGB 200 25 171

HSL 309.94, 0.78%, 0.44%

LAB 46.86, 75.12, -34.78

 

CMYK 0 / 31 / 88 / 22

HEX #C88A19

RGB 200 138 25

HSL 38.74, 0.78%, 0.44%

LAB 62.11, 15.05, 62.72

 

CMYK 88 / 0 / 75 / 22

HEX #19C833

RGB 25 200 51

HSL 128.91, 0.78%, 0.44%

LAB 70.7, -68.34, 59.1

 

CMYK 88 / 57 / 0 / 22

HEX #1956C8

RGB 25 86 200

HSL 219.09, 0.78%, 0.44%

LAB 39.63, 25.22, -64.34

 

Description

Color code: HEX #C819AB | qconv.com Color code: HEX #C819AB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 25 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 25 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 15 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 15% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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