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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19638E it is the complementary color #E69C71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19638E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #19638E: #1E6389, #2F759C, #4087AF, #5199C2 and #62ABD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19638E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #19638E: #19638E, #08517B, #003F68, #002D55 and #001B42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 30 / 0 / 44

HEX #19638E

RGB 25 99 142

HSL 202.05, 0.7%, 0.33%

LAB 39.72, -6.15, -29.92

 

Complementary color

CMYK 0 / 32 / 51 / 10

HEX #E69C71

RGB 230 156 113

HSL 22.05, 0.7%, 0.67%

LAB 70.73, 22.97, 33.64

 

CMYK 78 / 28 / 0 / 46

HEX #1E6389

RGB 30 99 137

HSL 201.31, 0.64%, 0.33%

LAB 39.59, -7.47, -27.09

 

CMYK 70 / 25 / 0 / 39

HEX #2F759C

RGB 47 117 156

HSL 201.47, 0.54%, 0.4%

LAB 46.61, -8.79, -27.43

 

CMYK 63 / 23 / 0 / 31

HEX #4087AF

RGB 64 135 175

HSL 201.62, 0.46%, 0.47%

LAB 53.51, -9.75, -27.73

 

CMYK 58 / 21 / 0 / 24

HEX #5199C2

RGB 81 153 194

HSL 201.77, 0.48%, 0.54%

LAB 60.27, -10.46, -28

 

CMYK 54 / 20 / 0 / 16

HEX #62ABD5

RGB 98 171 213

HSL 201.91, 0.58%, 0.61%

LAB 66.92, -11, -28.27

 

CMYK 82 / 30 / 0 / 44

HEX #19638E

RGB 25 99 142

HSL 202.05, 0.7%, 0.33%

LAB 39.72, -6.15, -29.92

 

CMYK 93 / 34 / 0 / 52

HEX #08517B

RGB 8 81 123

HSL 201.91, 0.88%, 0.26%

LAB 32.63, -3.9, -29.49

 

CMYK 100 / 39 / 0 / 59

HEX #003F68

RGB 0 63 104

HSL 203.65, 1%, 0.2%

LAB 25.43, -0.73, -28.92

 

CMYK 100 / 47 / 0 / 67

HEX #002D55

RGB 0 45 85

HSL 208.24, 1%, 0.17%

LAB 18.07, 3.4, -28.22

 

CMYK 100 / 59 / 0 / 74

HEX #001B42

RGB 0 27 66

HSL 215.45, 1%, 0.13%

LAB 10.39, 8.1, -27.57

 

CMYK 82 / 30 / 0 / 44

HEX #19638E

RGB 25 99 142

HSL 202.05, 0.7%, 0.33%

LAB 39.72, -6.15, -29.92

 

CMYK 83 / 44 / 0 / 44

HEX #19508F

RGB 25 80 143

HSL 212.03, 0.7%, 0.33%

LAB 33.83, 6.39, -39.86

 

CMYK 83 / 58 / 0 / 44

HEX #193C8F

RGB 25 60 143

HSL 222.2, 0.7%, 0.33%

LAB 27.9, 20.09, -49.43

 

CMYK 83 / 72 / 0 / 44

HEX #19288F

RGB 25 40 143

HSL 232.37, 0.7%, 0.33%

LAB 22.68, 33.66, -57.99

 

CMYK 80 / 83 / 0 / 44

HEX #1D198F

RGB 29 25 143

HSL 242.03, 0.7%, 0.33%

LAB 19.8, 42.67, -62.75

 

CMYK 82 / 30 / 0 / 44

HEX #19638E

RGB 25 99 142

HSL 202.05, 0.7%, 0.33%

LAB 39.72, -6.15, -29.92

 

CMYK 82 / 30 / 0 / 24

HEX #2287C1

RGB 34 135 193

HSL 201.89, 0.7%, 0.45%

LAB 53.51, -7.53, -38.08

 

CMYK 82 / 30 / 0 / 4

HEX #2BAAF4

RGB 43 170 244

HSL 202.09, 0.9%, 0.56%

LAB 66.36, -8.27, -46.26

 

CMYK 83 / 30 / 0 / 84

HEX #071C28

RGB 7 28 40

HSL 201.82, 0.7%, 0.09%

LAB 9.23, -3.52, -10.64

 

CMYK 82 / 31 / 0 / 64

HEX #103F5B

RGB 16 63 91

HSL 202.4, 0.7%, 0.21%

LAB 25.02, -4.64, -21.13

 

CMYK 82 / 30 / 0 / 44

HEX #19638E

RGB 25 99 142

HSL 202.05, 0.7%, 0.33%

LAB 39.72, -6.15, -29.92

 

CMYK 36 / 83 / 0 / 44

HEX #5C198F

RGB 92 25 143

HSL 274.07, 0.7%, 0.33%

LAB 26.6, 50.18, -51.31

 

CMYK 0 / 3 / 83 / 44

HEX #8F8B19

RGB 143 139 25

HSL 57.97, 0.7%, 0.33%

LAB 56.46, -11.34, 55.62

 

CMYK 82 / 30 / 0 / 44

HEX #19638E

RGB 25 99 142

HSL 202.05, 0.7%, 0.33%

LAB 39.72, -6.15, -29.92

 

CMYK 0 / 83 / 31 / 44

HEX #8F1963

RGB 143 25 99

HSL 322.37, 0.7%, 0.33%

LAB 32.78, 53.35, -13.12

 

CMYK 31 / 0 / 83 / 44

HEX #638F19

RGB 99 143 25

HSL 82.37, 0.7%, 0.33%

LAB 54.42, -32.45, 52.57

 

CMYK 82 / 30 / 0 / 44

HEX #19638E

RGB 25 99 142

HSL 202.05, 0.7%, 0.33%

LAB 39.72, -6.15, -29.92

 

CMYK 36 / 83 / 0 / 44

HEX #5C198F

RGB 92 25 143

HSL 274.07, 0.7%, 0.33%

LAB 26.6, 50.18, -51.31

 

CMYK 0 / 52 / 83 / 44

HEX #8F4419

RGB 143 68 25

HSL 21.86, 0.7%, 0.33%

LAB 37.92, 28.91, 38.97

 

CMYK 47 / 0 / 83 / 44

HEX #4C8F19

RGB 76 143 25

HSL 94.07, 0.7%, 0.33%

LAB 53.22, -40.91, 51.04

 

CMYK 82 / 30 / 0 / 44

HEX #19638E

RGB 25 99 142

HSL 202.05, 0.7%, 0.33%

LAB 39.72, -6.15, -29.92

 

CMYK 11 / 83 / 0 / 44

HEX #7F198F

RGB 127 25 143

HSL 291.86, 0.7%, 0.33%

LAB 32.24, 56.51, -41.91

 

CMYK 0 / 52 / 83 / 44

HEX #8F4419

RGB 143 68 25

HSL 21.86, 0.7%, 0.33%

LAB 37.92, 28.91, 38.97

 

CMYK 72 / 0 / 83 / 44

HEX #288F19

RGB 40 143 25

HSL 112.37, 0.7%, 0.33%

LAB 52.02, -50.49, 49.5

 

Description

Color code: HEX #19638E | qconv.com Color code: HEX #19638E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 99 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 99 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 30 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 30% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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