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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #194ECA it is the complementary color #E6B135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #194ECA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #194ECA: #1E4EC5, #2F60D8, #4072EB, #5184FE and #6296FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #194ECA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #194ECA: #194ECA, #083CB7, #002AA4, #001891 and #00067E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 61 / 0 / 21

HEX #194ECA

RGB 25 78 202

HSL 222.03, 0.78%, 0.45%

LAB 37.7, 31.25, -68.67

 

Complementary color

CMYK 0 / 23 / 77 / 10

HEX #E6B135

RGB 230 177 53

HSL 42.03, 0.78%, 0.55%

LAB 75.15, 8.01, 66.47

 

CMYK 85 / 60 / 0 / 23

HEX #1E4EC5

RGB 30 78 197

HSL 222.75, 0.74%, 0.45%

LAB 37.4, 29.65, -66.24

 

CMYK 78 / 56 / 0 / 15

HEX #2F60D8

RGB 47 96 216

HSL 222.6, 0.68%, 0.52%

LAB 44.13, 26.62, -66.2

 

CMYK 73 / 51 / 0 / 8

HEX #4072EB

RGB 64 114 235

HSL 222.46, 0.81%, 0.59%

LAB 50.83, 24.09, -66.05

 

CMYK 68 / 48 / 0 / 0

HEX #5184FE

RGB 81 132 254

HSL 222.31, 0.99%, 0.66%

LAB 57.47, 21.98, -65.84

 

CMYK 62 / 41 / 0 / 0

HEX #6296FF

RGB 98 150 255

HSL 220.13, 1%, 0.69%

LAB 63.04, 14.24, -57.44

 

CMYK 88 / 61 / 0 / 21

HEX #194ECA

RGB 25 78 202

HSL 222.03, 0.78%, 0.45%

LAB 37.7, 31.25, -68.67

 

CMYK 96 / 67 / 0 / 28

HEX #083CB7

RGB 8 60 183

HSL 222.17, 0.92%, 0.37%

LAB 31.12, 35, -68.34

 

CMYK 100 / 74 / 0 / 36

HEX #002AA4

RGB 0 42 164

HSL 224.63, 1%, 0.32%

LAB 24.75, 39.07, -67.47

 

CMYK 100 / 83 / 0 / 43

HEX #001891

RGB 0 24 145

HSL 230.07, 1%, 0.28%

LAB 18.79, 42.7, -65.7

 

CMYK 100 / 95 / 0 / 51

HEX #00067E

RGB 0 6 126

HSL 237.14, 1%, 0.25%

LAB 13.45, 44.49, -62.63

 

CMYK 88 / 61 / 0 / 21

HEX #194ECA

RGB 25 78 202

HSL 222.03, 0.78%, 0.45%

LAB 37.7, 31.25, -68.67

 

CMYK 88 / 76 / 0 / 20

HEX #1931CC

RGB 25 49 204

HSL 231.96, 0.78%, 0.45%

LAB 31.26, 49.87, -80.43

 

CMYK 85 / 88 / 0 / 20

HEX #1F19CC

RGB 31 25 204

HSL 242.01, 0.78%, 0.45%

LAB 27.7, 61.16, -86.35

 

CMYK 70 / 88 / 0 / 20

HEX #3D19CC

RGB 61 25 204

HSL 252.07, 0.78%, 0.45%

LAB 29.53, 62.49, -83.25

 

CMYK 56 / 88 / 0 / 20

HEX #5A19CC

RGB 90 25 204

HSL 261.79, 0.78%, 0.45%

LAB 32.32, 64.67, -78.54

 

CMYK 88 / 61 / 0 / 21

HEX #194ECA

RGB 25 78 202

HSL 222.03, 0.78%, 0.45%

LAB 37.7, 31.25, -68.67

 

CMYK 88 / 61 / 0 / 1

HEX #1F62FD

RGB 31 98 253

HSL 221.89, 0.98%, 0.56%

LAB 47.13, 37.94, -82.16

 

CMYK 88 / 61 / 0 / 81

HEX #061331

RGB 6 19 49

HSL 221.86, 0.78%, 0.11%

LAB 6.56, 7.04, -21.51

 

CMYK 88 / 61 / 0 / 61

HEX #0C2764

RGB 12 39 100

HSL 221.59, 0.79%, 0.22%

LAB 17.69, 15.86, -38.76

 

CMYK 87 / 62 / 0 / 41

HEX #133A97

RGB 19 58 151

HSL 222.27, 0.78%, 0.33%

LAB 27.84, 24.21, -54.45

 

CMYK 88 / 61 / 0 / 21

HEX #194ECA

RGB 25 78 202

HSL 222.03, 0.78%, 0.45%

LAB 37.7, 31.25, -68.67

 

CMYK 9 / 88 / 0 / 20

HEX #BA19CC

RGB 186 25 204

HSL 293.97, 0.78%, 0.45%

LAB 46.3, 77.45, -55.13

 

CMYK 26 / 0 / 88 / 20

HEX #96CC19

RGB 150 204 25

HSL 78.1, 0.78%, 0.45%

LAB 75.91, -40.02, 72.29

 

CMYK 88 / 61 / 0 / 21

HEX #194ECA

RGB 25 78 202

HSL 222.03, 0.78%, 0.45%

LAB 37.7, 31.25, -68.67

 

CMYK 0 / 88 / 62 / 20

HEX #CC194E

RGB 204 25 78

HSL 342.23, 0.78%, 0.45%

LAB 44.35, 67.02, 18.5

 

CMYK 62 / 0 / 88 / 20

HEX #4ECC19

RGB 78 204 25

HSL 102.23, 0.78%, 0.45%

LAB 72.81, -62.83, 68.43

 

CMYK 88 / 61 / 0 / 21

HEX #194ECA

RGB 25 78 202

HSL 222.03, 0.78%, 0.45%

LAB 37.7, 31.25, -68.67

 

CMYK 9 / 88 / 0 / 20

HEX #BA19CC

RGB 186 25 204

HSL 293.97, 0.78%, 0.45%

LAB 46.3, 77.45, -55.13

 

CMYK 0 / 26 / 88 / 20

HEX #CC9619

RGB 204 150 25

HSL 41.9, 0.78%, 0.45%

LAB 65.53, 10.29, 65.64

 

CMYK 79 / 0 / 88 / 20

HEX #2BCC19

RGB 43 204 25

HSL 113.97, 0.78%, 0.45%

LAB 72.07, -69.12, 67.5

 

CMYK 88 / 61 / 0 / 21

HEX #194ECA

RGB 25 78 202

HSL 222.03, 0.78%, 0.45%

LAB 37.7, 31.25, -68.67

 

CMYK 0 / 88 / 18 / 20

HEX #CC19A8

RGB 204 25 168

HSL 312.07, 0.78%, 0.45%

LAB 47.44, 75.52, -32.04

 

CMYK 0 / 26 / 88 / 20

HEX #CC9619

RGB 204 150 25

HSL 41.9, 0.78%, 0.45%

LAB 65.53, 10.29, 65.64

 

CMYK 88 / 0 / 70 / 20

HEX #19CC3D

RGB 25 204 61

HSL 132.07, 0.78%, 0.45%

LAB 72.05, -68.68, 56.85

 

Description

Color code: HEX #194ECA | qconv.com Color code: HEX #194ECA | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 78 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 78 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 61 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 61% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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