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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #189DA4 it is the complementary color #E7625B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #189DA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #189DA4: #1D9D9F, #2EAFB2, #3FC1C5, #50D3D8 and #61E5EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #189DA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #189DA4: #189DA4, #078B91, #00797E, #00676B and #005558

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 4 / 0 / 36

HEX #189DA4

RGB 24 157 164

HSL 183, 0.74%, 0.37%

LAB 58.96, -30.08, -13.18

 

Complementary color

CMYK 0 / 58 / 61 / 9

HEX #E7625B

RGB 231 98 91

HSL 3, 0.74%, 0.63%

LAB 58.49, 51.14, 30.09

 

CMYK 82 / 1 / 0 / 38

HEX #1D9D9F

RGB 29 157 159

HSL 180.92, 0.69%, 0.37%

LAB 58.86, -31.24, -10.49

 

CMYK 74 / 2 / 0 / 30

HEX #2EAFB2

RGB 46 175 178

HSL 181.36, 0.59%, 0.44%

LAB 65.32, -32.35, -11.45

 

CMYK 68 / 2 / 0 / 23

HEX #3FC1C5

RGB 63 193 197

HSL 181.79, 0.54%, 0.51%

LAB 71.71, -33.15, -12.31

 

CMYK 63 / 2 / 0 / 15

HEX #50D3D8

RGB 80 211 216

HSL 182.21, 0.64%, 0.58%

LAB 78.02, -33.74, -13.09

 

CMYK 59 / 3 / 0 / 8

HEX #61E5EB

RGB 97 229 235

HSL 182.61, 0.78%, 0.65%

LAB 84.27, -34.16, -13.8

 

CMYK 85 / 4 / 0 / 36

HEX #189DA4

RGB 24 157 164

HSL 183, 0.74%, 0.37%

LAB 58.96, -30.08, -13.18

 

CMYK 95 / 4 / 0 / 43

HEX #078B91

RGB 7 139 145

HSL 182.61, 0.91%, 0.3%

LAB 52.46, -28.34, -12.1

 

CMYK 100 / 4 / 0 / 51

HEX #00797E

RGB 0 121 126

HSL 182.38, 1%, 0.25%

LAB 45.88, -26.03, -10.86

 

CMYK 100 / 4 / 0 / 58

HEX #00676B

RGB 0 103 107

HSL 182.24, 1%, 0.21%

LAB 39.18, -23.33, -9.5

 

CMYK 100 / 3 / 0 / 65

HEX #005558

RGB 0 85 88

HSL 182.05, 1%, 0.17%

LAB 32.26, -20.55, -8.09

 

CMYK 85 / 4 / 0 / 36

HEX #189DA4

RGB 24 157 164

HSL 183, 0.74%, 0.37%

LAB 58.96, -30.08, -13.18

 

CMYK 85 / 19 / 0 / 36

HEX #1885A4

RGB 24 133 164

HSL 193.29, 0.74%, 0.37%

LAB 51.44, -17.72, -24.66

 

CMYK 85 / 33 / 0 / 36

HEX #186EA4

RGB 24 110 164

HSL 203.14, 0.74%, 0.37%

LAB 44.27, -4.48, -35.85

 

CMYK 85 / 47 / 0 / 36

HEX #1857A4

RGB 24 87 164

HSL 213, 0.74%, 0.37%

LAB 37.28, 10.14, -46.99

 

CMYK 85 / 61 / 0 / 36

HEX #1840A4

RGB 24 64 164

HSL 222.86, 0.74%, 0.37%

LAB 30.74, 25.68, -57.6

 

CMYK 85 / 4 / 0 / 36

HEX #189DA4

RGB 24 157 164

HSL 183, 0.74%, 0.37%

LAB 58.96, -30.08, -13.18

 

CMYK 86 / 4 / 0 / 16

HEX #1FCED7

RGB 31 206 215

HSL 182.93, 0.75%, 0.48%

LAB 75.66, -37.05, -16.18

 

CMYK 82 / 0 / 0 / 96

HEX #020B0B

RGB 2 11 11

HSL 180, 0.69%, 0.03%

LAB 2.5, -2.36, -0.83

 

CMYK 85 / 5 / 0 / 76

HEX #093B3E

RGB 9 59 62

HSL 183.4, 0.75%, 0.14%

LAB 22.07, -14.47, -6.49

 

CMYK 85 / 4 / 0 / 56

HEX #116C71

RGB 17 108 113

HSL 183.13, 0.74%, 0.25%

LAB 41.27, -22.63, -9.98

 

CMYK 85 / 4 / 0 / 36

HEX #189DA4

RGB 24 157 164

HSL 183, 0.74%, 0.37%

LAB 58.96, -30.08, -13.18

 

CMYK 64 / 85 / 0 / 36

HEX #3B18A4

RGB 59 24 164

HSL 255, 0.74%, 0.37%

LAB 24.52, 51.79, -67.76

 

CMYK 0 / 30 / 85 / 36

HEX #A47318

RGB 164 115 24

HSL 39, 0.74%, 0.37%

LAB 52.08, 11.68, 53.03

 

CMYK 85 / 4 / 0 / 36

HEX #189DA4

RGB 24 157 164

HSL 183, 0.74%, 0.37%

LAB 58.96, -30.08, -13.18

 

CMYK 0 / 85 / 4 / 36

HEX #A4189D

RGB 164 24 157

HSL 303, 0.74%, 0.37%

LAB 39.55, 66.27, -38.4

 

CMYK 4 / 0 / 85 / 36

HEX #9DA418

RGB 157 164 24

HSL 63, 0.74%, 0.37%

LAB 64.79, -18.16, 63.43

 

CMYK 85 / 4 / 0 / 36

HEX #189DA4

RGB 24 157 164

HSL 183, 0.74%, 0.37%

LAB 58.96, -30.08, -13.18

 

CMYK 64 / 85 / 0 / 36

HEX #3B18A4

RGB 59 24 164

HSL 255, 0.74%, 0.37%

LAB 24.52, 51.79, -67.76

 

CMYK 0 / 81 / 85 / 36

HEX #A41F18

RGB 164 31 24

HSL 3, 0.74%, 0.37%

LAB 35.87, 52.32, 38.97

 

CMYK 21 / 0 / 85 / 36

HEX #81A418

RGB 129 164 24

HSL 75, 0.74%, 0.37%

LAB 62.75, -30.15, 60.88

 

CMYK 85 / 4 / 0 / 36

HEX #189DA4

RGB 24 157 164

HSL 183, 0.74%, 0.37%

LAB 58.96, -30.08, -13.18

 

CMYK 38 / 85 / 0 / 36

HEX #6518A4

RGB 101 24 164

HSL 273, 0.74%, 0.37%

LAB 29.66, 56.72, -59.11

 

CMYK 0 / 81 / 85 / 36

HEX #A41F18

RGB 164 31 24

HSL 3, 0.74%, 0.37%

LAB 35.87, 52.32, 38.97

 

CMYK 47 / 0 / 85 / 36

HEX #57A418

RGB 87 164 24

HSL 93, 0.74%, 0.37%

LAB 60.47, -45.85, 58.01

 

Description

Color code: HEX #189DA4 | qconv.com Color code: HEX #189DA4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 157 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 157 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 4 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 4% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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