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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #188BA1 it is the complementary color #E7745E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #188BA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #188BA1: #1D8B9C, #2E9DAF, #3FAFC2, #50C1D5 and #61D3E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #188BA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #188BA1: #188BA1, #07798E, #00677B, #005568 and #004355

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 14 / 0 / 37

HEX #188BA1

RGB 24 139 161

HSL 189.64, 0.74%, 0.36%

LAB 53.2, -21.97, -20.21

 

Complementary color

CMYK 0 / 50 / 59 / 9

HEX #E7745E

RGB 231 116 94

HSL 9.64, 0.74%, 0.64%

LAB 61.9, 42.68, 32.74

 

CMYK 81 / 11 / 0 / 39

HEX #1D8B9C

RGB 29 139 156

HSL 188.03, 0.69%, 0.36%

LAB 53.09, -23.22, -17.5

 

CMYK 74 / 10 / 0 / 31

HEX #2E9DAF

RGB 46 157 175

HSL 188.37, 0.58%, 0.43%

LAB 59.7, -24.39, -18.26

 

CMYK 68 / 10 / 0 / 24

HEX #3FAFC2

RGB 63 175 194

HSL 188.7, 0.52%, 0.5%

LAB 66.22, -25.25, -18.94

 

CMYK 62 / 9 / 0 / 16

HEX #50C1D5

RGB 80 193 213

HSL 189.02, 0.61%, 0.57%

LAB 72.66, -25.87, -19.55

 

CMYK 58 / 9 / 0 / 9

HEX #61D3E8

RGB 97 211 232

HSL 189.33, 0.75%, 0.65%

LAB 79.02, -26.34, -20.11

 

CMYK 85 / 14 / 0 / 37

HEX #188BA1

RGB 24 139 161

HSL 189.64, 0.74%, 0.36%

LAB 53.2, -21.97, -20.21

 

CMYK 95 / 15 / 0 / 44

HEX #07798E

RGB 7 121 142

HSL 189.33, 0.91%, 0.29%

LAB 46.54, -20.1, -19.34

 

CMYK 100 / 16 / 0 / 52

HEX #00677B

RGB 0 103 123

HSL 189.76, 1%, 0.24%

LAB 39.8, -17.58, -18.32

 

CMYK 100 / 18 / 0 / 59

HEX #005568

RGB 0 85 104

HSL 190.96, 1%, 0.2%

LAB 32.91, -14.58, -17.19

 

CMYK 100 / 21 / 0 / 67

HEX #004355

RGB 0 67 85

HSL 192.71, 1%, 0.17%

LAB 25.77, -11.42, -16.07

 

CMYK 85 / 14 / 0 / 37

HEX #188BA1

RGB 24 139 161

HSL 189.64, 0.74%, 0.36%

LAB 53.2, -21.97, -20.21

 

CMYK 86 / 27 / 0 / 38

HEX #17749F

RGB 23 116 159

HSL 198.97, 0.75%, 0.36%

LAB 45.87, -10.03, -30.39

 

CMYK 86 / 41 / 0 / 38

HEX #175E9F

RGB 23 94 159

HSL 208.68, 0.75%, 0.36%

LAB 39.05, 3.47, -41.17

 

CMYK 86 / 55 / 0 / 38

HEX #17479F

RGB 23 71 159

HSL 218.82, 0.75%, 0.36%

LAB 32.24, 18.82, -52.14

 

CMYK 86 / 70 / 0 / 38

HEX #17309F

RGB 23 48 159

HSL 228.97, 0.75%, 0.36%

LAB 26.16, 34.35, -62.1

 

CMYK 85 / 14 / 0 / 37

HEX #188BA1

RGB 24 139 161

HSL 189.64, 0.74%, 0.36%

LAB 53.2, -21.97, -20.21

 

CMYK 85 / 14 / 0 / 17

HEX #20B7D4

RGB 32 183 212

HSL 189.67, 0.74%, 0.48%

LAB 68.7, -26.88, -25.13

 

CMYK 88 / 13 / 0 / 97

HEX #010708

RGB 1 7 8

HSL 188.57, 0.78%, 0.02%

LAB 1.59, -1.43, -0.93

 

CMYK 85 / 14 / 0 / 77

HEX #09333B

RGB 9 51 59

HSL 189.6, 0.74%, 0.13%

LAB 18.98, -10.78, -9.13

 

CMYK 85 / 14 / 0 / 57

HEX #105F6E

RGB 16 95 110

HSL 189.57, 0.75%, 0.25%

LAB 36.78, -16.73, -14.96

 

CMYK 85 / 14 / 0 / 37

HEX #188BA1

RGB 24 139 161

HSL 189.64, 0.74%, 0.36%

LAB 53.2, -21.97, -20.21

 

CMYK 55 / 86 / 0 / 38

HEX #47179F

RGB 71 23 159

HSL 261.18, 0.75%, 0.36%

LAB 25.12, 52.01, -63.68

 

CMYK 0 / 21 / 86 / 38

HEX #9F7D17

RGB 159 125 23

HSL 45, 0.75%, 0.36%

LAB 54.13, 3.7, 54.83

 

CMYK 85 / 14 / 0 / 37

HEX #188BA1

RGB 24 139 161

HSL 189.64, 0.74%, 0.36%

LAB 53.2, -21.97, -20.21

 

CMYK 0 / 86 / 13 / 38

HEX #9F178B

RGB 159 23 139

HSL 308.82, 0.75%, 0.36%

LAB 37.57, 62.81, -30.62

 

CMYK 13 / 0 / 86 / 38

HEX #8B9F17

RGB 139 159 23

HSL 68.82, 0.75%, 0.36%

LAB 61.95, -23.52, 60.71

 

CMYK 85 / 14 / 0 / 37

HEX #188BA1

RGB 24 139 161

HSL 189.64, 0.74%, 0.36%

LAB 53.2, -21.97, -20.21

 

CMYK 55 / 86 / 0 / 38

HEX #47179F

RGB 71 23 159

HSL 261.18, 0.75%, 0.36%

LAB 25.12, 52.01, -63.68

 

CMYK 0 / 72 / 86 / 38

HEX #9F2C17

RGB 159 44 23

HSL 9.26, 0.75%, 0.36%

LAB 36.43, 46.31, 39.6

 

CMYK 30 / 0 / 86 / 38

HEX #709F17

RGB 112 159 23

HSL 80.74, 0.75%, 0.36%

LAB 60.16, -34.73, 58.47

 

CMYK 85 / 14 / 0 / 37

HEX #188BA1

RGB 24 139 161

HSL 189.64, 0.74%, 0.36%

LAB 53.2, -21.97, -20.21

 

CMYK 30 / 86 / 0 / 38

HEX #70179F

RGB 112 23 159

HSL 279.26, 0.75%, 0.36%

LAB 30.79, 57.57, -54.18

 

CMYK 0 / 72 / 86 / 38

HEX #9F2C17

RGB 159 44 23

HSL 9.26, 0.75%, 0.36%

LAB 36.43, 46.31, 39.6

 

CMYK 55 / 0 / 86 / 38

HEX #479F17

RGB 71 159 23

HSL 98.82, 0.75%, 0.36%

LAB 58.22, -48.83, 56.03

 

Description

Color code: HEX #188BA1 | qconv.com Color code: HEX #188BA1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 139 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 139 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 14 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 14% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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