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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #182293 it is the complementary color #E7DD6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #182293. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #182293: #1D228E, #2E34A1, #3F46B4, #5058C7 and #616ADA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #182293. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #182293: #182293, #071080, #00006D, #00005A and #000047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 77 / 0 / 42

HEX #182293

RGB 24 34 147

HSL 235.12, 0.72%, 0.34%

LAB 21.74, 38.75, -62.02

 

Complementary color

CMYK 0 / 4 / 53 / 9

HEX #E7DD6C

RGB 231 221 108

HSL 55.12, 0.72%, 0.66%

LAB 86.89, -10.99, 55.89

 

CMYK 80 / 76 / 0 / 44

HEX #1D228E

RGB 29 34 142

HSL 237.35, 0.66%, 0.34%

LAB 21.43, 37.34, -59.43

 

CMYK 71 / 68 / 0 / 37

HEX #2E34A1

RGB 46 52 161

HSL 236.87, 0.56%, 0.41%

LAB 28.41, 34.68, -59.57

 

CMYK 65 / 61 / 0 / 29

HEX #3F46B4

RGB 63 70 180

HSL 236.41, 0.48%, 0.48%

LAB 35.46, 32.3, -59.37

 

CMYK 60 / 56 / 0 / 22

HEX #5058C7

RGB 80 88 199

HSL 235.97, 0.52%, 0.55%

LAB 42.47, 30.26, -59.05

 

CMYK 56 / 51 / 0 / 15

HEX #616ADA

RGB 97 106 218

HSL 235.54, 0.62%, 0.62%

LAB 49.39, 28.55, -58.71

 

CMYK 84 / 77 / 0 / 42

HEX #182293

RGB 24 34 147

HSL 235.12, 0.72%, 0.34%

LAB 21.74, 38.75, -62.02

 

CMYK 95 / 88 / 0 / 50

HEX #071080

RGB 7 16 128

HSL 235.54, 0.9%, 0.26%

LAB 15.35, 41.2, -60.73

 

CMYK 100 / 100 / 0 / 57

HEX #00006D

RGB 0 0 109

HSL 240, 1%, 0.21%

LAB 9.83, 42.35, -57.68

 

CMYK 100 / 100 / 0 / 65

HEX #00005A

RGB 0 0 90

HSL 240, 1%, 0.18%

LAB 6.67, 36.68, -50.3

 

CMYK 100 / 100 / 0 / 72

HEX #000047

RGB 0 0 71

HSL 240, 1%, 0.14%

LAB 4.11, 27.68, -41.39

 

CMYK 84 / 77 / 0 / 42

HEX #182293

RGB 24 34 147

HSL 235.12, 0.72%, 0.34%

LAB 21.74, 38.75, -62.02

 

CMYK 77 / 84 / 0 / 42

HEX #221895

RGB 34 24 149

HSL 244.8, 0.72%, 0.34%

LAB 20.69, 45.4, -64.99

 

CMYK 63 / 84 / 0 / 42

HEX #371895

RGB 55 24 149

HSL 254.88, 0.72%, 0.34%

LAB 22.43, 47.16, -62.05

 

CMYK 49 / 84 / 0 / 42

HEX #4C1895

RGB 76 24 149

HSL 264.96, 0.72%, 0.34%

LAB 24.83, 49.63, -58.01

 

CMYK 35 / 84 / 0 / 42

HEX #611895

RGB 97 24 149

HSL 275.04, 0.72%, 0.34%

LAB 27.75, 52.71, -53.11

 

CMYK 84 / 77 / 0 / 42

HEX #182293

RGB 24 34 147

HSL 235.12, 0.72%, 0.34%

LAB 21.74, 38.75, -62.02

 

CMYK 84 / 77 / 0 / 22

HEX #202EC6

RGB 32 46 198

HSL 234.94, 0.72%, 0.45%

LAB 30.25, 49.83, -78.6

 

CMYK 84 / 77 / 0 / 2

HEX #293AF9

RGB 41 58 249

HSL 235.1, 0.95%, 0.57%

LAB 38.44, 60.37, -94.24

 

CMYK 84 / 78 / 0 / 82

HEX #070A2D

RGB 7 10 45

HSL 235.26, 0.73%, 0.1%

LAB 4.08, 9.85, -22.48

 

CMYK 83 / 77 / 0 / 62

HEX #101660

RGB 16 22 96

HSL 235.5, 0.71%, 0.22%

LAB 12.79, 26.8, -44.14

 

CMYK 84 / 77 / 0 / 42

HEX #182293

RGB 24 34 147

HSL 235.12, 0.72%, 0.34%

LAB 21.74, 38.75, -62.02

 

CMYK 0 / 84 / 10 / 42

HEX #951886

RGB 149 24 134

HSL 307.2, 0.72%, 0.34%

LAB 35.53, 59.75, -30.87

 

CMYK 44 / 0 / 84 / 42

HEX #549518

RGB 84 149 24

HSL 91.2, 0.72%, 0.34%

LAB 55.53, -40.73, 53.56

 

CMYK 84 / 77 / 0 / 42

HEX #182293

RGB 24 34 147

HSL 235.12, 0.72%, 0.34%

LAB 21.74, 38.75, -62.02

 

CMYK 0 / 84 / 77 / 42

HEX #951822

RGB 149 24 34

HSL 355.2, 0.72%, 0.34%

LAB 32.16, 50.07, 28.49

 

CMYK 77 / 0 / 84 / 42

HEX #229518

RGB 34 149 24

HSL 115.2, 0.72%, 0.34%

LAB 53.92, -53.57, 51.5

 

CMYK 84 / 77 / 0 / 42

HEX #182293

RGB 24 34 147

HSL 235.12, 0.72%, 0.34%

LAB 21.74, 38.75, -62.02

 

CMYK 0 / 84 / 10 / 42

HEX #951886

RGB 149 24 134

HSL 307.2, 0.72%, 0.34%

LAB 35.53, 59.75, -30.87

 

CMYK 0 / 7 / 84 / 42

HEX #958A18

RGB 149 138 24

HSL 54.72, 0.72%, 0.34%

LAB 56.72, -8.08, 56.34

 

CMYK 84 / 0 / 74 / 42

HEX #189526

RGB 24 149 38

HSL 126.72, 0.72%, 0.34%

LAB 53.85, -53.94, 46.75

 

CMYK 84 / 77 / 0 / 42

HEX #182293

RGB 24 34 147

HSL 235.12, 0.72%, 0.34%

LAB 21.74, 38.75, -62.02

 

CMYK 0 / 84 / 35 / 42

HEX #951861

RGB 149 24 97

HSL 324.96, 0.72%, 0.34%

LAB 33.79, 54.88, -10.19

 

CMYK 0 / 7 / 84 / 42

HEX #958A18

RGB 149 138 24

HSL 54.72, 0.72%, 0.34%

LAB 56.72, -8.08, 56.34

 

CMYK 84 / 0 / 49 / 42

HEX #18954C

RGB 24 149 76

HSL 144.96, 0.72%, 0.34%

LAB 54.25, -49.02, 29.49

 

Description

Color code: HEX #182293 | qconv.com Color code: HEX #182293 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 34 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 34 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 77 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 77% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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