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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #181C2DCC it is the complementary color #E7E3D2CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #181C2DCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #181C2DCC: #1D1C28CC, #2E2E3BCC, #3F404ECC, #505261CC and #616474CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #181C2DCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #181C2DCC: #181C2DCC, #070A1ACC, #000007CC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 30 / 0 / 66

HEX #181C2DCC

RGBA 24 28 45 0.8

HSLA 228.57, 0.3%, 0.14%, 0.8

LABA 10.66, 3.59, -11.99, 0.8

 

Complementary color

CMYK 0 / 1 / 7 / 8

HEX #E7E3D2CC

RGBA 231 227 210 0.8

HSLA 48.57, 0.3%, 0.86%, 0.8

LABA 90.13, -1.54, 8.77, 0.8

 

CMYK 22 / 24 / 0 / 67

HEX #1D1C28CC

RGBA 29 28 40 0.8

HSLA 245, 0.18%, 0.13%, 0.8

LABA 10.88, 3.84, -7.95, 0.8

 

CMYK 18 / 18 / 0 / 61

HEX #2E2E3BCC

RGBA 46 46 59 0.8

HSLA 240, 0.12%, 0.21%, 0.8

LABA 19.44, 3.38, -8.23, 0.8

 

CMYK 15 / 14 / 0 / 56

HEX #3F404ECC

RGBA 63 64 78 0.8

HSLA 236, 0.11%, 0.28%, 0.8

LABA 27.5, 3.02, -8.59, 0.8

 

CMYK 14 / 12 / 0 / 50

HEX #505261CC

RGBA 80 82 97 0.8

HSLA 232.94, 0.1%, 0.35%, 0.8

LABA 35.21, 2.72, -8.97, 0.8

 

CMYK 13 / 11 / 0 / 44

HEX #616474CC

RGBA 97 100 116 0.8

HSLA 230.53, 0.09%, 0.42%, 0.8

LABA 42.64, 2.46, -9.37, 0.8

 

CMYK 37 / 30 / 0 / 66

HEX #181C2DCC

RGBA 24 28 45 0.8

HSLA 228.57, 0.3%, 0.14%, 0.8

LABA 10.66, 3.59, -11.99, 0.8

 

CMYK 58 / 49 / 0 / 72

HEX #070A1ACC

RGBA 7 10 26 0.8

HSLA 230.53, 0.58%, 0.06%, 0.8

LABA 3.04, 2.56, -9.36, 0.8

 

CMYK 80 / 80 / 0 / 78

HEX #000007CC

RGBA 0 0 7 0.8

HSLA 240, 1%, 0.01%, 0.8

LABA 0.14, 0.97, -2.65, 0.8

 

CMYK 37 / 30 / 0 / 66

HEX #181C2DCC

RGBA 24 28 45 0.8

HSLA 228.57, 0.3%, 0.14%, 0.8

LABA 10.66, 3.59, -11.99, 0.8

 

CMYK 38 / 37 / 0 / 66

HEX #18192ECC

RGBA 24 25 46 0.8

HSLA 237.27, 0.31%, 0.14%, 0.8

LABA 9.69, 6.24, -14.24, 0.8

 

CMYK 33 / 38 / 0 / 66

HEX #1B182ECC

RGBA 27 24 46 0.8

HSLA 248.18, 0.31%, 0.14%, 0.8

LABA 9.67, 8.06, -14.26, 0.8

 

CMYK 26 / 38 / 0 / 66

HEX #1F182ECC

RGBA 31 24 46 0.8

HSLA 259.09, 0.31%, 0.14%, 0.8

LABA 10.12, 9.53, -13.52, 0.8

 

CMYK 21 / 38 / 0 / 66

HEX #22182ECC

RGBA 34 24 46 0.8

HSLA 267.27, 0.31%, 0.14%, 0.8

LABA 10.49, 10.67, -12.92, 0.8

 

CMYK 37 / 30 / 0 / 66

HEX #181C2DCC

RGBA 24 28 45 0.8

HSLA 228.57, 0.3%, 0.14%, 0.8

LABA 10.66, 3.59, -11.99, 0.8

 

CMYK 38 / 30 / 0 / 50

HEX #333C60CC

RGBA 51 60 96 0.8

HSLA 228, 0.31%, 0.29%, 0.8

LABA 26.1, 7.03, -22.56, 0.8

 

CMYK 38 / 30 / 0 / 34

HEX #4E5B93CC

RGBA 78 91 147 0.8

HSLA 228.7, 0.31%, 0.44%, 0.8

LABA 39.93, 10.79, -32.44, 0.8

 

CMYK 37 / 30 / 0 / 18

HEX #6A7BC6CC

RGBA 106 123 198 0.8

HSLA 228.91, 0.45%, 0.6%, 0.8

LABA 53.28, 13.93, -41.08, 0.8

 

CMYK 37 / 30 / 0 / 2

HEX #859BF9CC

RGBA 133 155 249 0.8

HSLA 228.62, 0.91%, 0.75%, 0.8

LABA 65.96, 16.66, -49.4, 0.8

 

CMYK 37 / 30 / 0 / 66

HEX #181C2DCC

RGBA 24 28 45 0.8

HSLA 228.57, 0.3%, 0.14%, 0.8

LABA 10.66, 3.59, -11.99, 0.8

 

CMYK 0 / 38 / 0 / 66

HEX #2E182ECC

RGBA 46 24 46 0.8

HSLA 300, 0.31%, 0.14%, 0.8

LABA 12.16, 15.4, -10.18, 0.8

 

CMYK 16 / 0 / 38 / 66

HEX #252E18CC

RGBA 37 46 24 0.8

HSLA 84.55, 0.31%, 0.14%, 0.8

LABA 17.52, -8.68, 12.93, 0.8

 

CMYK 37 / 30 / 0 / 66

HEX #181C2DCC

RGBA 24 28 45 0.8

HSLA 228.57, 0.3%, 0.14%, 0.8

LABA 10.66, 3.59, -11.99, 0.8

 

CMYK 0 / 38 / 30 / 66

HEX #2E181DCC

RGBA 46 24 29 0.8

HSLA 346.36, 0.31%, 0.14%, 0.8

LABA 11.43, 11.87, 1.25, 0.8

 

CMYK 30 / 0 / 38 / 66

HEX #1D2E18CC

RGBA 29 46 24 0.8

HSLA 106.36, 0.31%, 0.14%, 0.8

LABA 16.9, -12.38, 12, 0.8

 

CMYK 37 / 30 / 0 / 66

HEX #181C2DCC

RGBA 24 28 45 0.8

HSLA 228.57, 0.3%, 0.14%, 0.8

LABA 10.66, 3.59, -11.99, 0.8

 

CMYK 0 / 38 / 0 / 66

HEX #2E182ECC

RGBA 46 24 46 0.8

HSLA 300, 0.31%, 0.14%, 0.8

LABA 12.16, 15.4, -10.18, 0.8

 

CMYK 0 / 7 / 38 / 66

HEX #2E2A18CC

RGBA 46 42 24 0.8

HSLA 49.09, 0.31%, 0.14%, 0.8

LABA 17, -1.51, 12.43, 0.8

 

CMYK 38 / 0 / 38 / 66

HEX #182E18CC

RGBA 24 46 24 0.8

HSLA 120, 0.31%, 0.14%, 0.8

LABA 16.57, -14.47, 11.51, 0.8

 

CMYK 37 / 30 / 0 / 66

HEX #181C2DCC

RGBA 24 28 45 0.8

HSLA 228.57, 0.3%, 0.14%, 0.8

LABA 10.66, 3.59, -11.99, 0.8

 

CMYK 0 / 38 / 12 / 66

HEX #2E1827CC

RGBA 46 24 39 0.8

HSLA 319.09, 0.31%, 0.14%, 0.8

LABA 11.83, 13.81, -5.57, 0.8

 

CMYK 0 / 7 / 38 / 66

HEX #2E2A18CC

RGBA 46 42 24 0.8

HSLA 49.09, 0.31%, 0.14%, 0.8

LABA 17, -1.51, 12.43, 0.8

 

CMYK 38 / 0 / 26 / 66

HEX #182E1FCC

RGBA 24 46 31 0.8

HSLA 139.09, 0.31%, 0.14%, 0.8

LABA 16.73, -12.92, 6.99, 0.8

 

Description

Color code: HEX #181C2DCC | qconv.com Color code: HEX #181C2DCC | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 28 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 28 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 30 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 30% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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