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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17F3C7 it is the complementary color #E80C38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17F3C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17F3C7 shade: #1CF3C2, #2DFFD5, #3EFFE8, #4FFFFB and #60FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17F3C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17F3C7 shade: #17F3C7, #06E1B4, #00CFA1, #00BD8E and #00AB7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17F3C7 shade: #16F3C7, #16F38B, #16F350, #18F316 and #54F316

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17F3C7 shade: #16F3C7, #16E3F3, #16A8F3, #166DF3 and #1631F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17F3C7 shade matches the following richer shades: #16F3C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17F3C7 shade: #16F3C7, #2ADFBB, #3ECBAF, #52B7A3 and #66A497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17F3C7 shade: #16F351, #16F38C, #16F3C7, #16E4F3 and #16A9F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17F3C7 shade: #09AE8D, #0BD5AC, #16F3C7, #3EF5D0 and #65F7DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17F3C7 shade: #17F3C7, #1616F3 and #F36F16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17F3C7 shade: #17F3C7, #C716F3 and #F3C716

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17F3C7 shade: #17F3C7, #1616F3, #F31643 and #F3F316

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17F3C7 shade: #17F3C7, #5916F3, #F31643 and #B1F316

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 18 / 5

HEX #17F3C7

RGB 23 243 199

HSL 168, 0.9%, 0.52%

LAB 86.21, -57.58, 7.83

 

Complementary color

CMYK 0 / 95 / 76 / 9

HEX #E80C38

RGB 232 12 56

HSL 348, 0.9%, 0.48%

LAB 49.14, 74.61, 39

 

CMYK 88 / 0 / 20 / 5

HEX #1CF3C2

RGB 28 243 194

HSL 166.33, 0.9%, 0.53%

LAB 86.13, -58.56, 10.33

 

CMYK 82 / 0 / 16 / 0

HEX #2DFFD5

RGB 45 255 213

HSL 168, 1%, 0.59%

LAB 90.27, -57.53, 6.42

 

CMYK 76 / 0 / 9 / 0

HEX #3EFFE8

RGB 62 255 232

HSL 172.85, 1%, 0.62%

LAB 90.95, -51.23, -2.4

 

CMYK 69 / 0 / 2 / 0

HEX #4FFFFB

RGB 79 255 251

HSL 178.64, 1%, 0.65%

LAB 91.75, -44.29, -11.04

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.88, -12.35

 

CMYK 91 / 0 / 18 / 5

HEX #17F3C7

RGB 23 243 199

HSL 168, 0.9%, 0.52%

LAB 86.21, -57.58, 7.83

 

CMYK 97 / 0 / 20 / 12

HEX #06E1B4

RGB 6 225 180

HSL 167.67, 0.95%, 0.45%

LAB 80.28, -55.82, 9.31

 

CMYK 100 / 0 / 22 / 19

HEX #00CFA1

RGB 0 207 161

HSL 166.67, 1%, 0.41%

LAB 74.32, -53.68, 10.93

 

CMYK 100 / 0 / 25 / 26

HEX #00BD8E

RGB 0 189 142

HSL 165.08, 1%, 0.37%

LAB 68.28, -51.32, 12.64

 

CMYK 100 / 0 / 28 / 33

HEX #00AB7B

RGB 0 171 123

HSL 163.16, 1%, 0.34%

LAB 62.13, -48.91, 14.43

 

CMYK 91 / 0 / 18 / 5

HEX #16F3C7

RGB 22 243 199

HSL 168.05, 0.9%, 0.52%

LAB 86.2, -57.62, 7.82

 

CMYK 91 / 0 / 43 / 5

HEX #16F38B

RGB 22 243 139

HSL 151.76, 0.9%, 0.52%

LAB 85.07, -70.41, 36.94

 

CMYK 91 / 0 / 67 / 5

HEX #16F350

RGB 22 243 80

HSL 135.75, 0.9%, 0.52%

LAB 84.41, -78.45, 62.69

 

CMYK 90 / 0 / 91 / 5

HEX #18F316

RGB 24 243 22

HSL 119.46, 0.9%, 0.52%

LAB 84.15, -81.78, 78.23

 

CMYK 65 / 0 / 91 / 5

HEX #54F316

RGB 84 243 22

HSL 103.17, 0.9%, 0.52%

LAB 85.02, -74.16, 79.31

 

CMYK 91 / 0 / 18 / 5

HEX #16F3C7

RGB 22 243 199

HSL 168.05, 0.9%, 0.52%

LAB 86.2, -57.62, 7.82

 

CMYK 91 / 7 / 0 / 5

HEX #16E3F3

RGB 22 227 243

HSL 184.34, 0.9%, 0.52%

LAB 82.69, -38.66, -20.53

 

CMYK 91 / 31 / 0 / 5

HEX #16A8F3

RGB 22 168 243

HSL 200.36, 0.9%, 0.52%

LAB 65.47, -8.82, -47.14

 

CMYK 91 / 55 / 0 / 5

HEX #166DF3

RGB 22 109 243

HSL 216.38, 0.9%, 0.52%

LAB 48.98, 26.8, -73.57

 

CMYK 91 / 80 / 0 / 5

HEX #1631F3

RGB 22 49 243

HSL 232.67, 0.9%, 0.52%

LAB 35.67, 62.31, -95.48

 

CMYK 91 / 0 / 18 / 5

HEX #16F3C7

RGB 22 243 199

HSL 168.05, 0.9%, 0.52%

LAB 86.2, -57.62, 7.82

 

CMYK 91 / 0 / 18 / 5

HEX #16F3C7

RGB 22 243 199

HSL 168.05, 0.9%, 0.52%

LAB 86.2, -57.62, 7.82

 

CMYK 81 / 0 / 16 / 13

HEX #2ADFBB

RGB 42 223 187

HSL 168.07, 0.74%, 0.52%

LAB 80.1, -51.41, 5.38

 

CMYK 69 / 0 / 14 / 20

HEX #3ECBAF

RGB 62 203 175

HSL 168.09, 0.58%, 0.52%

LAB 74.08, -43.81, 3.14

 

CMYK 55 / 0 / 11 / 28

HEX #52B7A3

RGB 82 183 163

HSL 168.12, 0.41%, 0.52%

LAB 68.24, -34.34, 1.27

 

CMYK 38 / 0 / 8 / 36

HEX #66A497

RGB 102 164 151

HSL 167.42, 0.25%, 0.52%

LAB 63.02, -23.08, 0.43

 

CMYK 91 / 0 / 67 / 5

HEX #16F351

RGB 22 243 81

HSL 136.02, 0.9%, 0.52%

LAB 84.41, -78.35, 62.32

 

CMYK 91 / 0 / 42 / 5

HEX #16F38C

RGB 22 243 140

HSL 152.04, 0.9%, 0.52%

LAB 85.08, -70.23, 36.46

 

CMYK 91 / 0 / 18 / 5

HEX #16F3C7

RGB 22 243 199

HSL 168.05, 0.9%, 0.52%

LAB 86.2, -57.62, 7.82

 

CMYK 91 / 6 / 0 / 5

HEX #16E4F3

RGB 22 228 243

HSL 184.07, 0.9%, 0.52%

LAB 82.98, -39.12, -20.09

 

CMYK 91 / 30 / 0 / 5

HEX #16A9F3

RGB 22 169 243

HSL 200.09, 0.9%, 0.52%

LAB 65.76, -9.38, -46.68

 

CMYK 95 / 0 / 19 / 32

HEX #09AE8D

RGB 9 174 141

HSL 168, 0.9%, 0.36%

LAB 63.55, -45.22, 6.49

 

CMYK 95 / 0 / 19 / 16

HEX #0BD5AC

RGB 11 213 172

HSL 167.82, 0.9%, 0.44%

LAB 76.46, -52.96, 8.1

 

CMYK 91 / 0 / 18 / 5

HEX #16F3C7

RGB 22 243 199

HSL 168.05, 0.9%, 0.52%

LAB 86.2, -57.62, 7.82

 

CMYK 75 / 0 / 15 / 4

HEX #3EF5D0

RGB 62 245 208

HSL 167.87, 0.9%, 0.6%

LAB 87.43, -53.18, 4.95

 

CMYK 59 / 0 / 12 / 3

HEX #65F7DA

RGB 101 247 218

HSL 168.08, 0.9%, 0.68%

LAB 89.09, -45.92, 2.25

 

CMYK 91 / 0 / 18 / 5

HEX #17F3C7

RGB 23 243 199

HSL 168, 0.9%, 0.52%

LAB 86.21, -57.58, 7.83

 

CMYK 91 / 91 / 0 / 5

HEX #1616F3

RGB 22 22 243

HSL 240, 0.9%, 0.52%

LAB 32.29, 72.42, -101.11

 

CMYK 0 / 54 / 91 / 5

HEX #F36F16

RGB 243 111 22

HSL 24.16, 0.9%, 0.52%

LAB 62.07, 46.72, 66.03

 

CMYK 91 / 0 / 18 / 5

HEX #17F3C7

RGB 23 243 199

HSL 168, 0.9%, 0.52%

LAB 86.21, -57.58, 7.83

 

CMYK 18 / 91 / 0 / 5

HEX #C716F3

RGB 199 22 243

HSL 288.05, 0.9%, 0.52%

LAB 50.91, 86.37, -69.8

 

CMYK 0 / 18 / 91 / 5

HEX #F3C716

RGB 243 199 22

HSL 48.05, 0.9%, 0.52%

LAB 81.82, 1.33, 80.57

 

CMYK 91 / 0 / 18 / 5

HEX #17F3C7

RGB 23 243 199

HSL 168, 0.9%, 0.52%

LAB 86.21, -57.58, 7.83

 

CMYK 91 / 91 / 0 / 5

HEX #1616F3

RGB 22 22 243

HSL 240, 0.9%, 0.52%

LAB 32.29, 72.42, -101.11

 

CMYK 0 / 91 / 72 / 5

HEX #F31643

RGB 243 22 67

HSL 347.78, 0.9%, 0.52%

LAB 51.88, 76.62, 36.3

 

CMYK 0 / 0 / 91 / 5

HEX #F3F316

RGB 243 243 22

HSL 60, 0.9%, 0.52%

LAB 93.11, -20.58, 89.19

 

CMYK 91 / 0 / 18 / 5

HEX #17F3C7

RGB 23 243 199

HSL 168, 0.9%, 0.52%

LAB 86.21, -57.58, 7.83

 

CMYK 63 / 91 / 0 / 5

HEX #5916F3

RGB 89 22 243

HSL 258.19, 0.9%, 0.52%

LAB 36.31, 74.8, -94.32

 

CMYK 0 / 91 / 72 / 5

HEX #F31643

RGB 243 22 67

HSL 347.78, 0.9%, 0.52%

LAB 51.88, 76.62, 36.3

 

CMYK 27 / 0 / 91 / 5

HEX #B1F316

RGB 177 243 22

HSL 77.92, 0.9%, 0.52%

LAB 88.69, -46.74, 83.83

 

Description

Color code: HEX #17F3C7 | qconv.com Color code: HEX #17F3C7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 243 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 243 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 18 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 18% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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