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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16F38C it is the complementary color #E90C73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16F38C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16F38C shade: #1BF387, #2CFF9A, #3DFFAD, #4EFFC0 and #5FFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16F38C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16F38C shade: #16F38C, #05E179, #00CF66, #00BD53 and #00AB40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16F38C shade: #16F38C, #16F351, #18F316, #53F316 and #8EF316

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16F38C shade: #16F38C, #16F3C8, #16E3F3, #16A7F3 and #166CF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16F38C shade matches the following richer shades: #16F38C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16F38C shade: #16F38C, #2ADF8B, #3ECB89, #52B788 and #66A487

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16F38C shade: #16F316, #16F351, #16F38C, #16F3C7 and #16E4F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16F38C shade: #09AE61, #0BD577, #16F38C, #3EF59F and #65F7B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16F38C shade: #16F38C, #1651F3 and #F33416

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16F38C shade: #16F38C, #8C16F3 and #F38C16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16F38C shade: #16F38C, #1651F3, #F3167D and #F3B816

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16F38C shade: #16F38C, #1E16F3, #F3167D and #EBF316

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 42 / 5

HEX #16F38C

RGB 22 243 140

HSL 152.04, 0.9%, 0.52%

LAB 85.08, -70.23, 36.46

 

Complementary color

CMYK 0 / 95 / 51 / 9

HEX #E90C73

RGB 233 12 115

HSL 332.04, 0.9%, 0.48%

LAB 50.48, 77.97, 5.04

 

CMYK 89 / 0 / 44 / 5

HEX #1BF387

RGB 27 243 135

HSL 150, 0.9%, 0.53%

LAB 85.04, -70.84, 38.87

 

CMYK 83 / 0 / 40 / 0

HEX #2CFF9A

RGB 44 255 154

HSL 151.28, 1%, 0.59%

LAB 89.11, -70.31, 34.84

 

CMYK 76 / 0 / 32 / 0

HEX #3DFFAD

RGB 61 255 173

HSL 154.64, 1%, 0.62%

LAB 89.64, -64.99, 26.08

 

CMYK 69 / 0 / 25 / 0

HEX #4EFFC0

RGB 78 255 192

HSL 158.64, 1%, 0.65%

LAB 90.3, -58.85, 17.35

 

CMYK 63 / 0 / 17 / 0

HEX #5FFFD3

RGB 95 255 211

HSL 163.5, 1%, 0.69%

LAB 91.08, -51.99, 8.73

 

CMYK 91 / 0 / 42 / 5

HEX #16F38C

RGB 22 243 140

HSL 152.04, 0.9%, 0.52%

LAB 85.08, -70.23, 36.46

 

CMYK 98 / 0 / 46 / 12

HEX #05E179

RGB 5 225 121

HSL 151.64, 0.96%, 0.45%

LAB 79.19, -68.23, 38.24

 

CMYK 100 / 0 / 51 / 19

HEX #00CF66

RGB 0 207 102

HSL 149.57, 1%, 0.41%

LAB 73.28, -65.69, 40.11

 

CMYK 100 / 0 / 56 / 26

HEX #00BD53

RGB 0 189 83

HSL 146.35, 1%, 0.37%

LAB 67.29, -62.82, 41.97

 

CMYK 100 / 0 / 63 / 33

HEX #00AB40

RGB 0 171 64

HSL 142.46, 1%, 0.34%

LAB 61.22, -59.73, 43.72

 

CMYK 91 / 0 / 42 / 5

HEX #16F38C

RGB 22 243 140

HSL 152.04, 0.9%, 0.52%

LAB 85.08, -70.23, 36.46

 

CMYK 91 / 0 / 67 / 5

HEX #16F351

RGB 22 243 81

HSL 136.02, 0.9%, 0.52%

LAB 84.41, -78.35, 62.32

 

CMYK 90 / 0 / 91 / 5

HEX #18F316

RGB 24 243 22

HSL 119.46, 0.9%, 0.52%

LAB 84.15, -81.78, 78.23

 

CMYK 66 / 0 / 91 / 5

HEX #53F316

RGB 83 243 22

HSL 103.44, 0.9%, 0.52%

LAB 85, -74.36, 79.28

 

CMYK 42 / 0 / 91 / 5

HEX #8EF316

RGB 142 243 22

HSL 87.42, 0.9%, 0.52%

LAB 86.95, -58.88, 81.7

 

CMYK 91 / 0 / 42 / 5

HEX #16F38C

RGB 22 243 140

HSL 152.04, 0.9%, 0.52%

LAB 85.08, -70.23, 36.46

 

CMYK 91 / 0 / 18 / 5

HEX #16F3C8

RGB 22 243 200

HSL 168.33, 0.9%, 0.52%

LAB 86.23, -57.37, 7.34

 

CMYK 91 / 7 / 0 / 5

HEX #16E3F3

RGB 22 227 243

HSL 184.34, 0.9%, 0.52%

LAB 82.69, -38.66, -20.53

 

CMYK 91 / 31 / 0 / 5

HEX #16A7F3

RGB 22 167 243

HSL 200.63, 0.9%, 0.52%

LAB 65.18, -8.26, -47.59

 

CMYK 91 / 56 / 0 / 5

HEX #166CF3

RGB 22 108 243

HSL 216.65, 0.9%, 0.52%

LAB 48.72, 27.43, -74

 

CMYK 91 / 0 / 42 / 5

HEX #16F38C

RGB 22 243 140

HSL 152.04, 0.9%, 0.52%

LAB 85.08, -70.23, 36.46

 

CMYK 91 / 0 / 42 / 5

HEX #16F38C

RGB 22 243 140

HSL 152.04, 0.9%, 0.52%

LAB 85.08, -70.23, 36.46

 

CMYK 81 / 0 / 38 / 13

HEX #2ADF8B

RGB 42 223 139

HSL 152.15, 0.74%, 0.52%

LAB 79.12, -62.14, 29.14

 

CMYK 69 / 0 / 33 / 20

HEX #3ECB89

RGB 62 203 137

HSL 151.91, 0.58%, 0.52%

LAB 73.25, -52.56, 22.32

 

CMYK 55 / 0 / 26 / 28

HEX #52B788

RGB 82 183 136

HSL 152.08, 0.41%, 0.52%

LAB 67.6, -40.62, 15.16

 

CMYK 38 / 0 / 18 / 36

HEX #66A487

RGB 102 164 135

HSL 151.94, 0.25%, 0.52%

LAB 62.61, -26.69, 8.8

 

CMYK 91 / 0 / 91 / 5

HEX #16F316

RGB 22 243 22

HSL 120, 0.9%, 0.52%

LAB 84.14, -81.89, 78.22

 

CMYK 91 / 0 / 67 / 5

HEX #16F351

RGB 22 243 81

HSL 136.02, 0.9%, 0.52%

LAB 84.41, -78.35, 62.32

 

CMYK 91 / 0 / 42 / 5

HEX #16F38C

RGB 22 243 140

HSL 152.04, 0.9%, 0.52%

LAB 85.08, -70.23, 36.46

 

CMYK 91 / 0 / 18 / 5

HEX #16F3C7

RGB 22 243 199

HSL 168.05, 0.9%, 0.52%

LAB 86.2, -57.62, 7.82

 

CMYK 91 / 6 / 0 / 5

HEX #16E4F3

RGB 22 228 243

HSL 184.07, 0.9%, 0.52%

LAB 82.98, -39.12, -20.09

 

CMYK 95 / 0 / 44 / 32

HEX #09AE61

RGB 9 174 97

HSL 152, 0.9%, 0.36%

LAB 62.67, -55.16, 29.2

 

CMYK 95 / 0 / 44 / 16

HEX #0BD577

RGB 11 213 119

HSL 152.08, 0.9%, 0.44%

LAB 75.45, -64.42, 34.43

 

CMYK 91 / 0 / 42 / 5

HEX #16F38C

RGB 22 243 140

HSL 152.04, 0.9%, 0.52%

LAB 85.08, -70.23, 36.46

 

CMYK 75 / 0 / 35 / 4

HEX #3EF59F

RGB 62 245 159

HSL 151.8, 0.9%, 0.6%

LAB 86.42, -63.99, 28.8

 

CMYK 59 / 0 / 28 / 3

HEX #65F7B3

RGB 101 247 179

HSL 152.05, 0.9%, 0.68%

LAB 88.23, -54.54, 21.21

 

CMYK 91 / 0 / 42 / 5

HEX #16F38C

RGB 22 243 140

HSL 152.04, 0.9%, 0.52%

LAB 85.08, -70.23, 36.46

 

CMYK 91 / 67 / 0 / 5

HEX #1651F3

RGB 22 81 243

HSL 223.98, 0.9%, 0.52%

LAB 42.04, 44.47, -84.94

 

CMYK 0 / 79 / 91 / 5

HEX #F33416

RGB 243 52 22

HSL 8.14, 0.9%, 0.52%

LAB 53.57, 69.57, 60.2

 

CMYK 91 / 0 / 42 / 5

HEX #16F38C

RGB 22 243 140

HSL 152.04, 0.9%, 0.52%

LAB 85.08, -70.23, 36.46

 

CMYK 42 / 91 / 0 / 5

HEX #8C16F3

RGB 140 22 243

HSL 272.04, 0.9%, 0.52%

LAB 42.19, 79.02, -84.41

 

CMYK 0 / 42 / 91 / 5

HEX #F38C16

RGB 243 140 22

HSL 32.04, 0.9%, 0.52%

LAB 67.92, 32.2, 70.24

 

CMYK 91 / 0 / 42 / 5

HEX #16F38C

RGB 22 243 140

HSL 152.04, 0.9%, 0.52%

LAB 85.08, -70.23, 36.46

 

CMYK 91 / 67 / 0 / 5

HEX #1651F3

RGB 22 81 243

HSL 223.98, 0.9%, 0.52%

LAB 42.04, 44.47, -84.94

 

CMYK 0 / 91 / 49 / 5

HEX #F3167D

RGB 243 22 125

HSL 332.04, 0.9%, 0.52%

LAB 53.07, 79.93, 2.95

 

CMYK 0 / 24 / 91 / 5

HEX #F3B816

RGB 243 184 22

HSL 43.98, 0.9%, 0.52%

LAB 78.11, 9.11, 77.77

 

CMYK 91 / 0 / 42 / 5

HEX #16F38C

RGB 22 243 140

HSL 152.04, 0.9%, 0.52%

LAB 85.08, -70.23, 36.46

 

CMYK 88 / 91 / 0 / 5

HEX #1E16F3

RGB 30 22 243

HSL 242.17, 0.9%, 0.52%

LAB 32.53, 72.55, -100.71

 

CMYK 0 / 91 / 49 / 5

HEX #F3167D

RGB 243 22 125

HSL 332.04, 0.9%, 0.52%

LAB 53.07, 79.93, 2.95

 

CMYK 3 / 0 / 91 / 5

HEX #EBF316

RGB 235 243 22

HSL 62.17, 0.9%, 0.52%

LAB 92.5, -23.87, 88.45

 

Description

Color code: HEX #16F38C | qconv.com Color code: HEX #16F38C | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 243 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 243 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 42 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 42% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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