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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17B486 it is the complementary color #E84B79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17B486. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17B486 shade: #1CB481, #2DC694, #3ED8A7, #4FEABA and #60FCCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17B486. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17B486 shade: #17B486, #06A273, #009060, #007E4D and #006C3A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17B486 shade: #17B587, #17B55C, #17B532, #27B517 and #52B517

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17B486 shade: #17B587, #17B5B1, #178EB5, #1763B5 and #1739B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17B486 shade matches the following richer shades: #17B587 and #07C58D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17B486 shade: #17B587, #28A480, #389479, #498372 and #59736B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17B486 shade: #17B532, #17B55C, #17B585, #17B5AF and #1790B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17B486 shade: #0E6C50, #13906B, #17B587, #1CD9A2 and #39E5B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17B486 shade: #17B486, #1727B5 and #B54717

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17B486 shade: #17B486, #8517B5 and #B58517

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17B486 shade: #17B486, #1727B5, #B51747 and #B5A517

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17B486 shade: #17B486, #3717B5, #B51747 and #95B517

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 26 / 29

HEX #17B486

RGB 23 180 134

HSL 162.42, 0.77%, 0.4%

LAB 65.39, -48.67, 12.97

 

Complementary color

CMYK 0 / 68 / 48 / 9

HEX #E84B79

RGB 232 75 121

HSL 342.42, 0.77%, 0.6%

LAB 55.65, 63.48, 8.78

 

CMYK 84 / 0 / 28 / 29

HEX #1CB481

RGB 28 180 129

HSL 159.87, 0.73%, 0.41%

LAB 65.34, -49.46, 15.64

 

CMYK 77 / 0 / 25 / 22

HEX #2DC694

RGB 45 198 148

HSL 160.39, 0.63%, 0.48%

LAB 71.61, -50.5, 14.14

 

CMYK 71 / 0 / 23 / 15

HEX #3ED8A7

RGB 62 216 167

HSL 160.91, 0.66%, 0.55%

LAB 77.83, -51.2, 12.79

 

CMYK 66 / 0 / 21 / 8

HEX #4FEABA

RGB 79 234 186

HSL 161.42, 0.79%, 0.61%

LAB 83.99, -51.65, 11.56

 

CMYK 62 / 0 / 19 / 1

HEX #60FCCD

RGB 96 252 205

HSL 161.92, 0.96%, 0.68%

LAB 90.1, -51.94, 10.43

 

CMYK 87 / 0 / 26 / 29

HEX #17B486

RGB 23 180 134

HSL 162.42, 0.77%, 0.4%

LAB 65.39, -48.67, 12.97

 

CMYK 96 / 0 / 29 / 36

HEX #06A273

RGB 6 162 115

HSL 161.92, 0.93%, 0.33%

LAB 59.08, -47.04, 14.63

 

CMYK 100 / 0 / 33 / 44

HEX #009060

RGB 0 144 96

HSL 160, 1%, 0.28%

LAB 52.72, -44.79, 16.49

 

CMYK 100 / 0 / 39 / 51

HEX #007E4D

RGB 0 126 77

HSL 156.67, 1%, 0.25%

LAB 46.25, -42.14, 18.5

 

CMYK 100 / 0 / 46 / 58

HEX #006C3A

RGB 0 108 58

HSL 152.22, 1%, 0.21%

LAB 39.63, -39.32, 20.63

 

CMYK 87 / 0 / 25 / 29

HEX #17B587

RGB 23 181 135

HSL 162.53, 0.77%, 0.4%

LAB 65.73, -48.83, 12.9

 

CMYK 87 / 0 / 49 / 29

HEX #17B55C

RGB 23 181 92

HSL 146.2, 0.77%, 0.4%

LAB 64.96, -57.61, 34.72

 

CMYK 87 / 0 / 72 / 29

HEX #17B532

RGB 23 181 50

HSL 130.25, 0.77%, 0.4%

LAB 64.53, -62.93, 53.18

 

CMYK 78 / 0 / 87 / 29

HEX #27B517

RGB 39 181 23

HSL 113.92, 0.77%, 0.4%

LAB 64.6, -62.87, 61.35

 

CMYK 55 / 0 / 87 / 29

HEX #52B517

RGB 82 181 23

HSL 97.59, 0.77%, 0.4%

LAB 65.67, -53.86, 62.71

 

CMYK 87 / 0 / 25 / 29

HEX #17B587

RGB 23 181 135

HSL 162.53, 0.77%, 0.4%

LAB 65.73, -48.83, 12.9

 

CMYK 87 / 0 / 2 / 29

HEX #17B5B1

RGB 23 181 177

HSL 178.48, 0.77%, 0.4%

LAB 66.83, -37.46, -8.68

 

CMYK 87 / 22 / 0 / 29

HEX #178EB5

RGB 23 142 181

HSL 194.81, 0.77%, 0.4%

LAB 54.93, -16.67, -29.03

 

CMYK 87 / 45 / 0 / 29

HEX #1763B5

RGB 23 99 181

HSL 211.14, 0.77%, 0.4%

LAB 41.91, 9.03, -49.6

 

CMYK 87 / 69 / 0 / 29

HEX #1739B5

RGB 23 57 181

HSL 227.09, 0.77%, 0.4%

LAB 30.51, 36.81, -68.15

 

CMYK 87 / 0 / 25 / 29

HEX #17B587

RGB 23 181 135

HSL 162.53, 0.77%, 0.4%

LAB 65.73, -48.83, 12.9

 

CMYK 96 / 0 / 28 / 23

HEX #07C58D

RGB 7 197 141

HSL 162.32, 0.93%, 0.4%

LAB 70.8, -54.38, 16.72

 

CMYK 87 / 0 / 25 / 29

HEX #17B587

RGB 23 181 135

HSL 162.53, 0.77%, 0.4%

LAB 65.73, -48.83, 12.9

 

CMYK 76 / 0 / 22 / 36

HEX #28A480

RGB 40 164 128

HSL 162.58, 0.61%, 0.4%

LAB 60.39, -41.89, 9.27

 

CMYK 62 / 0 / 18 / 42

HEX #389479

RGB 56 148 121

HSL 162.39, 0.45%, 0.4%

LAB 55.48, -33.94, 6.28

 

CMYK 44 / 0 / 13 / 49

HEX #498372

RGB 73 131 114

HSL 162.41, 0.28%, 0.4%

LAB 50.53, -23.32, 3.28

 

CMYK 23 / 0 / 7 / 55

HEX #59736B

RGB 89 115 107

HSL 161.54, 0.13%, 0.4%

LAB 46.24, -11.29, 1.31

 

CMYK 87 / 0 / 72 / 29

HEX #17B532

RGB 23 181 50

HSL 130.25, 0.77%, 0.4%

LAB 64.53, -62.93, 53.18

 

CMYK 87 / 0 / 49 / 29

HEX #17B55C

RGB 23 181 92

HSL 146.2, 0.77%, 0.4%

LAB 64.96, -57.61, 34.72

 

CMYK 87 / 0 / 27 / 29

HEX #17B585

RGB 23 181 133

HSL 161.77, 0.77%, 0.4%

LAB 65.69, -49.31, 13.94

 

CMYK 87 / 0 / 3 / 29

HEX #17B5AF

RGB 23 181 175

HSL 177.72, 0.77%, 0.4%

LAB 66.77, -38.05, -7.66

 

CMYK 87 / 20 / 0 / 29

HEX #1790B5

RGB 23 144 181

HSL 194.05, 0.77%, 0.4%

LAB 55.55, -17.76, -28.07

 

CMYK 87 / 0 / 26 / 58

HEX #0E6C50

RGB 14 108 80

HSL 162.13, 0.77%, 0.24%

LAB 40.24, -32.92, 8.51

 

CMYK 87 / 0 / 26 / 44

HEX #13906B

RGB 19 144 107

HSL 162.24, 0.77%, 0.32%

LAB 53.11, -40.96, 10.81

 

CMYK 87 / 0 / 25 / 29

HEX #17B587

RGB 23 181 135

HSL 162.53, 0.77%, 0.4%

LAB 65.73, -48.83, 12.9

 

CMYK 87 / 0 / 25 / 15

HEX #1CD9A2

RGB 28 217 162

HSL 162.54, 0.77%, 0.48%

LAB 77.57, -56.15, 15

 

CMYK 75 / 0 / 22 / 10

HEX #39E5B3

RGB 57 229 179

HSL 162.56, 0.77%, 0.56%

LAB 81.93, -54.26, 12.24

 

CMYK 87 / 0 / 26 / 29

HEX #17B486

RGB 23 180 134

HSL 162.42, 0.77%, 0.4%

LAB 65.39, -48.67, 12.97

 

CMYK 87 / 78 / 0 / 29

HEX #1727B5

RGB 23 39 181

HSL 233.92, 0.77%, 0.4%

LAB 26.65, 47.56, -74.53

 

CMYK 0 / 61 / 87 / 29

HEX #B54717

RGB 181 71 23

HSL 18.23, 0.77%, 0.4%

LAB 44.79, 42.45, 48.29

 

CMYK 87 / 0 / 26 / 29

HEX #17B486

RGB 23 180 134

HSL 162.42, 0.77%, 0.4%

LAB 65.39, -48.67, 12.97

 

CMYK 27 / 87 / 0 / 29

HEX #8517B5

RGB 133 23 181

HSL 281.77, 0.77%, 0.4%

LAB 35.86, 65.29, -58.98

 

CMYK 0 / 27 / 87 / 29

HEX #B58517

RGB 181 133 23

HSL 41.77, 0.77%, 0.4%

LAB 58.66, 9.29, 59.56

 

CMYK 87 / 0 / 26 / 29

HEX #17B486

RGB 23 180 134

HSL 162.42, 0.77%, 0.4%

LAB 65.39, -48.67, 12.97

 

CMYK 87 / 78 / 0 / 29

HEX #1727B5

RGB 23 39 181

HSL 233.92, 0.77%, 0.4%

LAB 26.65, 47.56, -74.53

 

CMYK 0 / 87 / 61 / 29

HEX #B51747

RGB 181 23 71

HSL 341.77, 0.77%, 0.4%

LAB 39.4, 61.07, 15.46

 

CMYK 0 / 9 / 87 / 29

HEX #B5A517

RGB 181 165 23

HSL 53.92, 0.77%, 0.4%

LAB 67.12, -8.06, 66.41

 

CMYK 87 / 0 / 26 / 29

HEX #17B486

RGB 23 180 134

HSL 162.42, 0.77%, 0.4%

LAB 65.39, -48.67, 12.97

 

CMYK 70 / 87 / 0 / 29

HEX #3717B5

RGB 55 23 181

HSL 252.15, 0.77%, 0.4%

LAB 26.04, 56.56, -75.48

 

CMYK 0 / 87 / 61 / 29

HEX #B51747

RGB 181 23 71

HSL 341.77, 0.77%, 0.4%

LAB 39.4, 61.07, 15.46

 

CMYK 18 / 0 / 87 / 29

HEX #95B517

RGB 149 181 23

HSL 72.15, 0.77%, 0.4%

LAB 69.11, -29.97, 67

 

Description

Color code: HEX #17B486 | qconv.com Color code: HEX #17B486 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 180 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 180 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 26 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 26% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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