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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #389479 it is the complementary color #C76B86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #389479. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #389479 shade: #3D9474, #4EA687, #5FB89A, #70CAAD and #81DCC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #389479. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #389479 shade: #389479, #278266, #167053, #055E40 and #004C2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #389479 shade: #389479, #389460, #389447, #429438 and #5A9438

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #389479 shade: #389479, #389492, #387D94, #386594 and #384C94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #389479 shade matches the following richer shades: #389479, #28A480, #17B587 and #07C58D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #389479 shade: #389479, #498372, #59736B, #6A6265 and #7A525E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #389479 shade: #389447, #389460, #389478, #389491 and #387E94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #389479 shade: #215848, #2D7660, #389479, #43B291 and #5DC2A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #389479 shade: #389479, #384194 and #945438

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #389479 shade: #389479, #783894 and #947838

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #389479 shade: #389479, #384194, #943854 and #948B38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #389479 shade: #389479, #4A3894, #943854 and #829438

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 18 / 42

HEX #389479

RGB 56 148 121

HSL 162.39, 0.45%, 0.4%

LAB 55.48, -33.94, 6.28

 

Complementary color

CMYK 0 / 46 / 33 / 22

HEX #C76B86

RGB 199 107 134

HSL 342.39, 0.45%, 0.6%

LAB 56.47, 39.48, 1.64

 

CMYK 59 / 0 / 22 / 42

HEX #3D9474

RGB 61 148 116

HSL 157.93, 0.42%, 0.41%

LAB 55.52, -34.11, 9.2

 

CMYK 53 / 0 / 19 / 35

HEX #4EA687

RGB 78 166 135

HSL 158.86, 0.36%, 0.48%

LAB 62.2, -34.09, 8.07

 

CMYK 48 / 0 / 16 / 28

HEX #5FB89A

RGB 95 184 154

HSL 159.78, 0.39%, 0.55%

LAB 68.79, -33.98, 7.06

 

CMYK 45 / 0 / 14 / 21

HEX #70CAAD

RGB 112 202 173

HSL 160.67, 0.46%, 0.62%

LAB 75.27, -33.83, 6.13

 

CMYK 41 / 0 / 13 / 14

HEX #81DCC0

RGB 129 220 192

HSL 161.54, 0.57%, 0.68%

LAB 81.65, -33.66, 5.26

 

CMYK 62 / 0 / 18 / 42

HEX #389479

RGB 56 148 121

HSL 162.39, 0.45%, 0.4%

LAB 55.48, -33.94, 6.28

 

CMYK 70 / 0 / 22 / 49

HEX #278266

RGB 39 130 102

HSL 161.54, 0.54%, 0.33%

LAB 48.71, -33.64, 7.52

 

CMYK 80 / 0 / 26 / 56

HEX #167053

RGB 22 112 83

HSL 160.67, 0.67%, 0.26%

LAB 41.82, -33, 8.95

 

CMYK 95 / 0 / 32 / 63

HEX #055E40

RGB 5 94 64

HSL 159.78, 0.9%, 0.19%

LAB 34.82, -31.81, 10.63

 

CMYK 100 / 0 / 41 / 70

HEX #004C2D

RGB 0 76 45

HSL 155.53, 1%, 0.15%

LAB 27.73, -29.47, 12.7

 

CMYK 62 / 0 / 18 / 42

HEX #389479

RGB 56 148 121

HSL 162.39, 0.45%, 0.4%

LAB 55.48, -33.94, 6.28

 

CMYK 62 / 0 / 35 / 42

HEX #389460

RGB 56 148 96

HSL 146.09, 0.45%, 0.4%

LAB 54.93, -39.62, 19.64

 

CMYK 62 / 0 / 52 / 42

HEX #389447

RGB 56 148 71

HSL 129.78, 0.45%, 0.4%

LAB 54.53, -44.04, 32.6

 

CMYK 55 / 0 / 62 / 42

HEX #429438

RGB 66 148 56

HSL 113.48, 0.45%, 0.4%

LAB 54.68, -43.46, 40.27

 

CMYK 39 / 0 / 62 / 42

HEX #5A9438

RGB 90 148 56

HSL 97.83, 0.45%, 0.4%

LAB 55.72, -35.87, 41.73

 

CMYK 62 / 0 / 18 / 42

HEX #389479

RGB 56 148 121

HSL 162.39, 0.45%, 0.4%

LAB 55.48, -33.94, 6.28

 

CMYK 62 / 0 / 1 / 42

HEX #389492

RGB 56 148 146

HSL 178.7, 0.45%, 0.4%

LAB 56.18, -27.18, -7.01

 

CMYK 62 / 16 / 0 / 42

HEX #387D94

RGB 56 125 148

HSL 195, 0.45%, 0.4%

LAB 49.06, -14.46, -18.92

 

CMYK 62 / 32 / 0 / 42

HEX #386594

RGB 56 101 148

HSL 210.65, 0.45%, 0.4%

LAB 41.67, -0.34, -30.39

 

CMYK 62 / 49 / 0 / 42

HEX #384C94

RGB 56 76 148

HSL 226.96, 0.45%, 0.4%

LAB 34.29, 15.77, -42.1

 

CMYK 62 / 0 / 18 / 42

HEX #389479

RGB 56 148 121

HSL 162.39, 0.45%, 0.4%

LAB 55.48, -33.94, 6.28

 

CMYK 76 / 0 / 22 / 36

HEX #28A480

RGB 40 164 128

HSL 162.58, 0.61%, 0.4%

LAB 60.39, -41.89, 9.27

 

CMYK 87 / 0 / 25 / 29

HEX #17B587

RGB 23 181 135

HSL 162.53, 0.77%, 0.4%

LAB 65.73, -48.83, 12.9

 

CMYK 96 / 0 / 28 / 23

HEX #07C58D

RGB 7 197 141

HSL 162.32, 0.93%, 0.4%

LAB 70.8, -54.38, 16.72

 

CMYK 62 / 0 / 18 / 42

HEX #389479

RGB 56 148 121

HSL 162.39, 0.45%, 0.4%

LAB 55.48, -33.94, 6.28

 

CMYK 44 / 0 / 13 / 49

HEX #498372

RGB 73 131 114

HSL 162.41, 0.28%, 0.4%

LAB 50.53, -23.32, 3.28

 

CMYK 23 / 0 / 7 / 55

HEX #59736B

RGB 89 115 107

HSL 161.54, 0.13%, 0.4%

LAB 46.24, -11.29, 1.31

 

CMYK 0 / 8 / 5 / 58

HEX #6A6265

RGB 106 98 101

HSL 337.5, 0.04%, 0.4%

LAB 42.37, 3.77, -0.56

 

CMYK 0 / 33 / 23 / 52

HEX #7A525E

RGB 122 82 94

HSL 342, 0.2%, 0.4%

LAB 39.55, 18.61, -0.17

 

CMYK 62 / 0 / 52 / 42

HEX #389447

RGB 56 148 71

HSL 129.78, 0.45%, 0.4%

LAB 54.53, -44.04, 32.6

 

CMYK 62 / 0 / 35 / 42

HEX #389460

RGB 56 148 96

HSL 146.09, 0.45%, 0.4%

LAB 54.93, -39.62, 19.64

 

CMYK 62 / 0 / 19 / 42

HEX #389478

RGB 56 148 120

HSL 161.74, 0.45%, 0.4%

LAB 55.46, -34.19, 6.82

 

CMYK 62 / 0 / 2 / 42

HEX #389491

RGB 56 148 145

HSL 178.04, 0.45%, 0.4%

LAB 56.15, -27.47, -6.49

 

CMYK 62 / 15 / 0 / 42

HEX #387E94

RGB 56 126 148

HSL 194.35, 0.45%, 0.4%

LAB 49.38, -15.01, -18.45

 

CMYK 63 / 0 / 18 / 65

HEX #215848

RGB 33 88 72

HSL 162.55, 0.45%, 0.24%

LAB 33.5, -22.5, 3.9

 

CMYK 62 / 0 / 19 / 54

HEX #2D7660

RGB 45 118 96

HSL 161.92, 0.45%, 0.32%

LAB 44.74, -28.39, 5.43

 

CMYK 62 / 0 / 18 / 42

HEX #389479

RGB 56 148 121

HSL 162.39, 0.45%, 0.4%

LAB 55.48, -33.94, 6.28

 

CMYK 62 / 0 / 19 / 30

HEX #43B291

RGB 67 178 145

HSL 162.16, 0.45%, 0.48%

LAB 65.81, -39.5, 7.63

 

CMYK 52 / 0 / 15 / 24

HEX #5DC2A4

RGB 93 194 164

HSL 162.18, 0.45%, 0.56%

LAB 71.95, -36.77, 6.14

 

CMYK 62 / 0 / 18 / 42

HEX #389479

RGB 56 148 121

HSL 162.39, 0.45%, 0.4%

LAB 55.48, -33.94, 6.28

 

CMYK 62 / 56 / 0 / 42

HEX #384194

RGB 56 65 148

HSL 234.13, 0.45%, 0.4%

LAB 31.25, 23.09, -46.99

 

CMYK 0 / 43 / 62 / 42

HEX #945438

RGB 148 84 56

HSL 18.26, 0.45%, 0.4%

LAB 42.65, 23.85, 27.69

 

CMYK 62 / 0 / 18 / 42

HEX #389479

RGB 56 148 121

HSL 162.39, 0.45%, 0.4%

LAB 55.48, -33.94, 6.28

 

CMYK 19 / 62 / 0 / 42

HEX #783894

RGB 120 56 148

HSL 281.74, 0.45%, 0.4%

LAB 35.91, 43.46, -39.16

 

CMYK 0 / 19 / 62 / 42

HEX #947838

RGB 148 120 56

HSL 41.74, 0.45%, 0.4%

LAB 51.85, 3.14, 38.55

 

CMYK 62 / 0 / 18 / 42

HEX #389479

RGB 56 148 121

HSL 162.39, 0.45%, 0.4%

LAB 55.48, -33.94, 6.28

 

CMYK 62 / 56 / 0 / 42

HEX #384194

RGB 56 65 148

HSL 234.13, 0.45%, 0.4%

LAB 31.25, 23.09, -46.99

 

CMYK 0 / 62 / 43 / 42

HEX #943854

RGB 148 56 84

HSL 341.74, 0.45%, 0.4%

LAB 37.42, 41.32, 3.49

 

CMYK 0 / 6 / 62 / 42

HEX #948B38

RGB 148 139 56

HSL 54.13, 0.45%, 0.4%

LAB 57.12, -7.44, 44.42

 

CMYK 62 / 0 / 18 / 42

HEX #389479

RGB 56 148 121

HSL 162.39, 0.45%, 0.4%

LAB 55.48, -33.94, 6.28

 

CMYK 50 / 62 / 0 / 42

HEX #4A3894

RGB 74 56 148

HSL 251.74, 0.45%, 0.4%

LAB 30.45, 32.49, -48.22

 

CMYK 0 / 62 / 43 / 42

HEX #943854

RGB 148 56 84

HSL 341.74, 0.45%, 0.4%

LAB 37.42, 41.32, 3.49

 

CMYK 12 / 0 / 62 / 42

HEX #829438

RGB 130 148 56

HSL 71.74, 0.45%, 0.4%

LAB 58.24, -20.09, 45.22

 

Description

Color code: HEX #389479 | qconv.com Color code: HEX #389479 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 148 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 148 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 18 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 18% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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