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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #177DF5CE it is the complementary color #E8820ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #177DF5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #177DF5CE shade: #1C7DF0CE, #2D8FFFCE, #3EA1FFCE, #4FB3FFCE and #60C5FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #177DF5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #177DF5CE shade: #177DF5CE, #066BE2CE, #0059CFCE, #0047BCCE and #0035A9CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #177DF5CE shade: #197EF5, #1943F5, #2A19F5, #6619F5 and #A119F5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #177DF5CE shade: #197EF5, #1943F5 and #1919F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #177DF5CE shade matches the following richer shades: #197EF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #177DF5CE shade: #197EF5, #2C80E2, #4081CF, #5383BB and #6685A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #177DF5CE shade: #19F5F5, #19BBF5, #1980F5, #1945F5 and #2819F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #177DF5CE shade: #0857B4, #096ADC, #197EF5, #4094F7 and #68ABF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #177DF5CE shade: #177DF5, #BB19F5 and #D8F519

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #177DF5CE shade: #177DF5, #F51980 and #80F519

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #177DF5CE shade: #177DF5, #BB19F5, #F58F19 and #54F519

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #177DF5CE shade: #177DF5, #F519EE, #F58F19 and #19F520

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 40 / 0 / 3

HEX #177DF5CE

RGBA 23 125 245 0.81

HSLA 212.43, 0.92%, 0.53%, 0.81

LABA 53.43, 17.5, -67.47, 0.81

 

Complementary color

CMYK 0 / 36 / 78 / 7

HEX #E8820ACE

RGBA 232 130 10 0.81

HSLA 32.43, 0.92%, 0.47%, 0.81

LABA 64.28, 32.74, 69.22, 0.81

 

CMYK 72 / 39 / 0 / 5

HEX #1C7DF0CE

RGBA 28 125 240 0.81

HSLA 212.55, 0.88%, 0.53%, 0.81

LABA 53.17, 15.84, -65.1, 0.81

 

CMYK 67 / 36 / 0 / 0

HEX #2D8FFFCE

RGBA 45 143 255 0.81

HSLA 212, 1%, 0.59%, 0.81

LABA 59.36, 11.59, -63.41, 0.81

 

CMYK 61 / 30 / 0 / 0

HEX #3EA1FFCE

RGBA 62 161 255 0.81

HSLA 209.22, 1%, 0.62%, 0.81

LABA 64.75, 2.58, -54.79, 0.81

 

CMYK 56 / 24 / 0 / 0

HEX #4FB3FFCE

RGBA 79 179 255 0.81

HSLA 205.91, 1%, 0.65%, 0.81

LABA 70.26, -5.44, -46.05, 0.81

 

CMYK 51 / 18 / 0 / 0

HEX #60C5FFCE

RGBA 96 197 255 0.81

HSLA 201.89, 1%, 0.69%, 0.81

LABA 75.85, -12.53, -37.29, 0.81

 

CMYK 73 / 40 / 0 / 3

HEX #177DF5CE

RGBA 23 125 245 0.81

HSLA 212.43, 0.92%, 0.53%, 0.81

LABA 53.43, 17.5, -67.47, 0.81

 

CMYK 79 / 43 / 0 / 9

HEX #066BE2CE

RGBA 6 107 226 0.81

HSLA 212.45, 0.95%, 0.45%, 0.81

LABA 47.03, 20.97, -67.2, 0.81

 

CMYK 81 / 46 / 0 / 15

HEX #0059CFCE

RGBA 0 89 207 0.81

HSLA 214.2, 1%, 0.41%, 0.81

LABA 40.65, 25.01, -66.74, 0.81

 

CMYK 81 / 50 / 0 / 21

HEX #0047BCCE

RGBA 0 71 188 0.81

HSLA 217.34, 1%, 0.37%, 0.81

LABA 34.27, 29.41, -66.13, 0.81

 

CMYK 81 / 56 / 0 / 27

HEX #0035A9CE

RGBA 0 53 169 0.81

HSLA 221.18, 1%, 0.33%, 0.81

LABA 27.87, 33.91, -65.33, 0.81

 

CMYK 90 / 49 / 0 / 4

HEX #197EF5

RGB 25 126 245

HSL 212.45, 0.92%, 0.53%

LAB 53.73, 16.97, -66.98

 

CMYK 90 / 73 / 0 / 4

HEX #1943F5

RGB 25 67 245

HSL 228.55, 0.92%, 0.53%

LAB 39.26, 53.58, -90.64

 

CMYK 83 / 90 / 0 / 4

HEX #2A19F5

RGB 42 25 245

HSL 244.64, 0.92%, 0.53%

LAB 33.52, 72.53, -100.17

 

CMYK 58 / 90 / 0 / 4

HEX #6619F5

RGB 102 25 245

HSL 261, 0.92%, 0.53%

LAB 38.04, 75.48, -92.52

 

CMYK 34 / 90 / 0 / 4

HEX #A119F5

RGB 161 25 245

HSL 277.09, 0.92%, 0.53%

LAB 45.45, 81.25, -80.06

 

CMYK 90 / 49 / 0 / 4

HEX #197EF5

RGB 25 126 245

HSL 212.45, 0.92%, 0.53%

LAB 53.73, 16.97, -66.98

 

CMYK 90 / 73 / 0 / 4

HEX #1943F5

RGB 25 67 245

HSL 228.55, 0.92%, 0.53%

LAB 39.26, 53.58, -90.64

 

CMYK 90 / 90 / 0 / 4

HEX #1919F5

RGB 25 25 245

HSL 240, 0.92%, 0.53%

LAB 32.91, 72.17, -101.21

 

CMYK 90 / 49 / 0 / 4

HEX #197EF5

RGB 25 126 245

HSL 212.45, 0.92%, 0.53%

LAB 53.73, 16.97, -66.98

 

CMYK 90 / 49 / 0 / 4

HEX #197EF5

RGB 25 126 245

HSL 212.45, 0.92%, 0.53%

LAB 53.73, 16.97, -66.98

 

CMYK 81 / 43 / 0 / 11

HEX #2C80E2

RGB 44 128 226

HSL 212.31, 0.76%, 0.53%

LAB 53.45, 9.86, -56.81

 

CMYK 69 / 38 / 0 / 19

HEX #4081CF

RGB 64 129 207

HSL 212.73, 0.6%, 0.53%

LAB 53.27, 4.77, -46.36

 

CMYK 56 / 30 / 0 / 27

HEX #5383BB

RGB 83 131 187

HSL 212.31, 0.43%, 0.53%

LAB 53.66, 0.32, -34.3

 

CMYK 39 / 21 / 0 / 34

HEX #6685A8

RGB 102 133 168

HSL 211.82, 0.28%, 0.53%

LAB 54.48, -1.82, -22.05

 

CMYK 90 / 0 / 0 / 4

HEX #19F5F5

RGB 25 245 245

HSL 180, 0.92%, 0.53%

LAB 88.02, -45.98, -13.56

 

CMYK 90 / 24 / 0 / 4

HEX #19BBF5

RGB 25 187 245

HSL 195.82, 0.92%, 0.53%

LAB 71.1, -18.26, -39.4

 

CMYK 90 / 48 / 0 / 4

HEX #1980F5

RGB 25 128 245

HSL 211.91, 0.92%, 0.53%

LAB 54.28, 15.72, -66.1

 

CMYK 90 / 72 / 0 / 4

HEX #1945F5

RGB 25 69 245

HSL 228, 0.92%, 0.53%

LAB 39.67, 52.43, -89.97

 

CMYK 84 / 90 / 0 / 4

HEX #2819F5

RGB 40 25 245

HSL 244.09, 0.92%, 0.53%

LAB 33.43, 72.48, -100.32

 

CMYK 96 / 52 / 0 / 29

HEX #0857B4

RGB 8 87 180

HSL 212.44, 0.91%, 0.37%

LAB 38.13, 15.72, -55.11

 

CMYK 96 / 52 / 0 / 14

HEX #096ADC

RGB 9 106 220

HSL 212.42, 0.92%, 0.45%

LAB 46.36, 19.33, -64.9

 

CMYK 90 / 49 / 0 / 4

HEX #197EF5

RGB 25 126 245

HSL 212.45, 0.92%, 0.53%

LAB 53.73, 16.97, -66.98

 

CMYK 74 / 40 / 0 / 3

HEX #4094F7

RGB 64 148 247

HSL 212.46, 0.92%, 0.61%

LAB 60.77, 7.6, -56.74

 

CMYK 58 / 31 / 0 / 2

HEX #68ABF9

RGB 104 171 249

HSL 212.28, 0.92%, 0.69%

LAB 68.68, 1.28, -45.21

 

CMYK 91 / 49 / 0 / 4

HEX #177DF5

RGB 23 125 245

HSL 212.43, 0.92%, 0.53%

LAB 53.43, 17.5, -67.47

 

CMYK 24 / 90 / 0 / 4

HEX #BB19F5

RGB 187 25 245

HSL 284.18, 0.92%, 0.53%

LAB 49.32, 84.6, -73.59

 

CMYK 12 / 0 / 90 / 4

HEX #D8F519

RGB 216 245 25

HSL 67.91, 0.92%, 0.53%

LAB 91.67, -32.48, 86.83

 

CMYK 91 / 49 / 0 / 4

HEX #177DF5

RGB 23 125 245

HSL 212.43, 0.92%, 0.53%

LAB 53.43, 17.5, -67.47

 

CMYK 0 / 90 / 48 / 4

HEX #F51980

RGB 245 25 128

HSL 331.91, 0.92%, 0.53%

LAB 53.67, 80.23, 2.06

 

CMYK 48 / 0 / 90 / 4

HEX #80F519

RGB 128 245 25

HSL 91.91, 0.92%, 0.53%

LAB 86.98, -63.86, 81.07

 

CMYK 91 / 49 / 0 / 4

HEX #177DF5

RGB 23 125 245

HSL 212.43, 0.92%, 0.53%

LAB 53.43, 17.5, -67.47

 

CMYK 24 / 90 / 0 / 4

HEX #BB19F5

RGB 187 25 245

HSL 284.18, 0.92%, 0.53%

LAB 49.32, 84.6, -73.59

 

CMYK 0 / 42 / 90 / 4

HEX #F58F19

RGB 245 143 25

HSL 32.18, 0.92%, 0.53%

LAB 68.84, 31.51, 70.34

 

CMYK 66 / 0 / 90 / 4

HEX #54F519

RGB 84 245 25

HSL 103.91, 0.92%, 0.53%

LAB 85.63, -74.7, 79.4

 

CMYK 91 / 49 / 0 / 4

HEX #177DF5

RGB 23 125 245

HSL 212.43, 0.92%, 0.53%

LAB 53.43, 17.5, -67.47

 

CMYK 0 / 90 / 3 / 4

HEX #F519EE

RGB 245 25 238

HSL 301.91, 0.92%, 0.53%

LAB 58.3, 92.4, -54.7

 

CMYK 0 / 42 / 90 / 4

HEX #F58F19

RGB 245 143 25

HSL 32.18, 0.92%, 0.53%

LAB 68.84, 31.51, 70.34

 

CMYK 90 / 0 / 87 / 4

HEX #19F520

RGB 25 245 32

HSL 121.91, 0.92%, 0.53%

LAB 84.8, -81.95, 77.17

 

Description

Color code: HEX #177DF5CE | qconv.com Color code: HEX #177DF5CE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 125 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 125 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 40 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 40% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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