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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #164146 it is the complementary color #E9BEB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #164146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #164146: #1B4141, #2C5354, #3D6567, #4E777A and #5F898D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #164146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #164146: #164146, #052F33, #001D20, #000B0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 7 / 0 / 73

HEX #164146

RGB 22 65 70

HSL 186.25, 0.52%, 0.18%

LAB 24.93, -12.87, -7.46

 

Complementary color

CMYK 0 / 18 / 21 / 9

HEX #E9BEB9

RGB 233 190 185

HSL 6.25, 0.52%, 0.82%

LAB 80.55, 14.61, 8.32

 

CMYK 58 / 0 / 0 / 75

HEX #1B4141

RGB 27 65 65

HSL 180, 0.41%, 0.18%

LAB 24.94, -13.4, -4.13

 

CMYK 48 / 1 / 0 / 67

HEX #2C5354

RGB 44 83 84

HSL 181.5, 0.31%, 0.25%

LAB 32.62, -13.48, -4.9

 

CMYK 41 / 2 / 0 / 60

HEX #3D6567

RGB 61 101 103

HSL 182.86, 0.26%, 0.32%

LAB 40.05, -13.46, -5.58

 

CMYK 36 / 2 / 0 / 52

HEX #4E777A

RGB 78 119 122

HSL 184.09, 0.22%, 0.39%

LAB 47.26, -13.41, -6.2

 

CMYK 33 / 3 / 0 / 45

HEX #5F898D

RGB 95 137 141

HSL 185.22, 0.19%, 0.46%

LAB 54.29, -13.34, -6.78

 

CMYK 69 / 7 / 0 / 73

HEX #164146

RGB 22 65 70

HSL 186.25, 0.52%, 0.18%

LAB 24.93, -12.87, -7.46

 

CMYK 90 / 8 / 0 / 80

HEX #052F33

RGB 5 47 51

HSL 185.22, 0.82%, 0.11%

LAB 17.01, -12.12, -6.61

 

CMYK 100 / 9 / 0 / 87

HEX #001D20

RGB 0 29 32

HSL 185.63, 1%, 0.06%

LAB 8.85, -9.46, -5.31

 

CMYK 100 / 15 / 0 / 95

HEX #000B0D

RGB 0 11 13

HSL 189.23, 1%, 0.03%

LAB 2.42, -2.57, -1.86

 

CMYK 69 / 7 / 0 / 73

HEX #164146

RGB 22 65 70

HSL 186.25, 0.52%, 0.18%

LAB 24.93, -12.87, -7.46

 

CMYK 68 / 17 / 0 / 73

HEX #163945

RGB 22 57 69

HSL 195.32, 0.52%, 0.18%

LAB 22.04, -8.3, -11.19

 

CMYK 68 / 29 / 0 / 73

HEX #163145

RGB 22 49 69

HSL 205.53, 0.52%, 0.18%

LAB 19.21, -3.01, -15.56

 

CMYK 68 / 41 / 0 / 73

HEX #162945

RGB 22 41 69

HSL 215.74, 0.52%, 0.18%

LAB 16.44, 2.64, -19.91

 

CMYK 68 / 52 / 0 / 73

HEX #162145

RGB 22 33 69

HSL 225.96, 0.52%, 0.18%

LAB 13.76, 8.59, -24.18

 

CMYK 69 / 7 / 0 / 73

HEX #164146

RGB 22 65 70

HSL 186.25, 0.52%, 0.18%

LAB 24.93, -12.87, -7.46

 

CMYK 69 / 7 / 0 / 53

HEX #267079

RGB 38 112 121

HSL 186.51, 0.52%, 0.31%

LAB 43.33, -19.35, -11.66

 

CMYK 69 / 7 / 0 / 33

HEX #36A0AC

RGB 54 160 172

HSL 186.1, 0.52%, 0.44%

LAB 60.7, -25.76, -15.03

 

CMYK 69 / 7 / 0 / 13

HEX #46CFDF

RGB 70 207 223

HSL 186.27, 0.71%, 0.57%

LAB 76.83, -31.29, -18.66

 

CMYK 68 / 5 / 0 / 93

HEX #061213

RGB 6 18 19

HSL 184.62, 0.52%, 0.05%

LAB 4.68, -3.43, -1.86

 

CMYK 69 / 7 / 0 / 73

HEX #164146

RGB 22 65 70

HSL 186.25, 0.52%, 0.18%

LAB 24.93, -12.87, -7.46

 

CMYK 48 / 68 / 0 / 73

HEX #241645

RGB 36 22 69

HSL 257.87, 0.52%, 0.18%

LAB 11.81, 20.16, -27.24

 

CMYK 0 / 20 / 68 / 73

HEX #453716

RGB 69 55 22

HSL 42.13, 0.52%, 0.18%

LAB 23.85, 1.63, 22.62

 

CMYK 69 / 7 / 0 / 73

HEX #164146

RGB 22 65 70

HSL 186.25, 0.52%, 0.18%

LAB 24.93, -12.87, -7.46

 

CMYK 0 / 68 / 7 / 73

HEX #451640

RGB 69 22 64

HSL 306.38, 0.52%, 0.18%

LAB 16.55, 28.65, -15.9

 

CMYK 7 / 0 / 68 / 73

HEX #404516

RGB 64 69 22

HSL 66.38, 0.52%, 0.18%

LAB 27.86, -9.68, 26.93

 

CMYK 69 / 7 / 0 / 73

HEX #164146

RGB 22 65 70

HSL 186.25, 0.52%, 0.18%

LAB 24.93, -12.87, -7.46

 

CMYK 48 / 68 / 0 / 73

HEX #241645

RGB 36 22 69

HSL 257.87, 0.52%, 0.18%

LAB 11.81, 20.16, -27.24

 

CMYK 0 / 62 / 68 / 73

HEX #451A16

RGB 69 26 22

HSL 5.11, 0.52%, 0.18%

LAB 15.81, 20.35, 12.95

 

CMYK 20 / 0 / 68 / 73

HEX #374516

RGB 55 69 22

HSL 77.87, 0.52%, 0.18%

LAB 27.09, -14.05, 25.87

 

CMYK 69 / 7 / 0 / 73

HEX #164146

RGB 22 65 70

HSL 186.25, 0.52%, 0.18%

LAB 24.93, -12.87, -7.46

 

CMYK 28 / 68 / 0 / 73

HEX #321645

RGB 50 22 69

HSL 275.74, 0.52%, 0.18%

LAB 13.72, 24.02, -24.07

 

CMYK 0 / 62 / 68 / 73

HEX #451A16

RGB 69 26 22

HSL 5.11, 0.52%, 0.18%

LAB 15.81, 20.35, 12.95

 

CMYK 41 / 0 / 68 / 73

HEX #294516

RGB 41 69 22

HSL 95.74, 0.52%, 0.18%

LAB 26.11, -20.29, 24.51

 

Description

Color code: HEX #164146 | qconv.com Color code: HEX #164146 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 65 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 65 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 7 magenta, none yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 7% 0% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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