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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15D358 it is the complementary color #EA2CA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15D358. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15D358 shade: #1AD353, #2BE566, #3CF779, #4DFF8C and #5EFF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15D358. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15D358 shade: #15D358, #04C145, #00AF32, #009D1F and #008B0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15D358 shade: #15D157, #15D124, #38D115, #6BD115 and #9DD115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15D358 shade: #15D157, #15D18A, #15D1BD, #15B2D1 and #1580D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15D358 shade matches the following richer shades: #15D157 and #02E352

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15D358 shade: #15D157, #27BE5C, #3AAC62, #4C9967 and #5F876D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15D358 shade: #37D115, #15D124, #15D157, #15D189 and #15D1BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15D358 shade: #0D8638, #11AB47, #15D157, #25E96A and #4BED84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15D358 shade: #15D358, #1569D1 and #D1151E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15D358 shade: #15D358, #5715D1 and #D15715

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15D358 shade: #15D358, #1569D1, #D1158F and #D17C15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15D358 shade: #15D358, #1531D1, #D1158F and #D1B515

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 58 / 17

HEX #15D358

RGB 21 211 88

HSL 141.16, 0.82%, 0.45%

LAB 74.48, -68.08, 48.19

 

Complementary color

CMYK 0 / 81 / 29 / 8

HEX #EA2CA7

RGB 234 44 167

HSL 321.16, 0.82%, 0.55%

LAB 54.12, 78.03, -20.68

 

CMYK 88 / 0 / 61 / 17

HEX #1AD353

RGB 26 211 83

HSL 138.49, 0.78%, 0.46%

LAB 74.47, -68.38, 50.42

 

CMYK 81 / 0 / 55 / 10

HEX #2BE566

RGB 43 229 102

HSL 139.03, 0.78%, 0.53%

LAB 80.47, -70.11, 48.93

 

CMYK 76 / 0 / 51 / 3

HEX #3CF779

RGB 60 247 121

HSL 139.57, 0.92%, 0.6%

LAB 86.44, -71.34, 47.42

 

CMYK 70 / 0 / 45 / 0

HEX #4DFF8C

RGB 77 255 140

HSL 141.24, 1%, 0.65%

LAB 89.39, -68.78, 42.15

 

CMYK 63 / 0 / 38 / 0

HEX #5EFF9F

RGB 94 255 159

HSL 144.22, 1%, 0.68%

LAB 90.05, -62.74, 33.76

 

CMYK 90 / 0 / 58 / 17

HEX #15D358

RGB 21 211 88

HSL 141.16, 0.82%, 0.45%

LAB 74.48, -68.08, 48.19

 

CMYK 98 / 0 / 64 / 24

HEX #04C145

RGB 4 193 69

HSL 140.63, 0.96%, 0.39%

LAB 68.46, -65.68, 49.69

 

CMYK 100 / 0 / 71 / 31

HEX #00AF32

RGB 0 175 50

HSL 137.14, 1%, 0.34%

LAB 62.41, -62.46, 50.94

 

CMYK 100 / 0 / 80 / 38

HEX #009D1F

RGB 0 157 31

HSL 131.85, 1%, 0.31%

LAB 56.3, -58.7, 51.53

 

CMYK 100 / 0 / 91 / 45

HEX #008B0C

RGB 0 139 12

HSL 125.18, 1%, 0.27%

LAB 50.09, -54.47, 50.8

 

CMYK 90 / 0 / 58 / 18

HEX #15D157

RGB 21 209 87

HSL 141.06, 0.82%, 0.45%

LAB 73.84, -67.59, 47.89

 

CMYK 90 / 0 / 83 / 18

HEX #15D124

RGB 21 209 36

HSL 124.79, 0.82%, 0.45%

LAB 73.47, -72.16, 66.21

 

CMYK 73 / 0 / 90 / 18

HEX #38D115

RGB 56 209 21

HSL 108.83, 0.82%, 0.45%

LAB 73.87, -68.86, 69.84

 

CMYK 49 / 0 / 90 / 18

HEX #6BD115

RGB 107 209 21

HSL 92.55, 0.82%, 0.45%

LAB 75.31, -56.99, 71.64

 

CMYK 25 / 0 / 90 / 18

HEX #9DD115

RGB 157 209 21

HSL 76.6, 0.82%, 0.45%

LAB 77.77, -39.63, 74.67

 

CMYK 90 / 0 / 58 / 18

HEX #15D157

RGB 21 209 87

HSL 141.06, 0.82%, 0.45%

LAB 73.84, -67.59, 47.89

 

CMYK 90 / 0 / 34 / 18

HEX #15D18A

RGB 21 209 138

HSL 157.34, 0.82%, 0.45%

LAB 74.57, -58.89, 23.5

 

CMYK 90 / 0 / 10 / 18

HEX #15D1BD

RGB 21 209 189

HSL 173.62, 0.82%, 0.45%

LAB 75.72, -46.45, -2.09

 

CMYK 90 / 15 / 0 / 18

HEX #15B2D1

RGB 21 178 209

HSL 189.89, 0.82%, 0.45%

LAB 66.98, -26.01, -26.13

 

CMYK 90 / 39 / 0 / 18

HEX #1580D1

RGB 21 128 209

HSL 205.85, 0.82%, 0.45%

LAB 52.06, 1.7, -49.47

 

CMYK 90 / 0 / 58 / 18

HEX #15D157

RGB 21 209 87

HSL 141.06, 0.82%, 0.45%

LAB 73.84, -67.59, 47.89

 

CMYK 99 / 0 / 64 / 11

HEX #02E352

RGB 2 227 82

HSL 141.33, 0.98%, 0.45%

LAB 79.36, -74.37, 56.35

 

CMYK 90 / 0 / 58 / 18

HEX #15D157

RGB 21 209 87

HSL 141.06, 0.82%, 0.45%

LAB 73.84, -67.59, 47.89

 

CMYK 79 / 0 / 52 / 25

HEX #27BE5C

RGB 39 190 92

HSL 141.06, 0.66%, 0.45%

LAB 68.04, -59.11, 38.6

 

CMYK 66 / 0 / 43 / 33

HEX #3AAC62

RGB 58 172 98

HSL 141.05, 0.5%, 0.45%

LAB 62.75, -48.62, 28.91

 

CMYK 50 / 0 / 33 / 40

HEX #4C9967

RGB 76 153 103

HSL 141.04, 0.34%, 0.45%

LAB 57.36, -35.51, 19.16

 

CMYK 30 / 0 / 19 / 47

HEX #5F876D

RGB 95 135 109

HSL 141, 0.17%, 0.45%

LAB 52.8, -19.66, 9.58

 

CMYK 74 / 0 / 90 / 18

HEX #37D115

RGB 55 209 21

HSL 109.15, 0.82%, 0.45%

LAB 73.85, -69.02, 69.81

 

CMYK 90 / 0 / 83 / 18

HEX #15D124

RGB 21 209 36

HSL 124.79, 0.82%, 0.45%

LAB 73.47, -72.16, 66.21

 

CMYK 90 / 0 / 58 / 18

HEX #15D157

RGB 21 209 87

HSL 141.06, 0.82%, 0.45%

LAB 73.84, -67.59, 47.89

 

CMYK 90 / 0 / 34 / 18

HEX #15D189

RGB 21 209 137

HSL 157.02, 0.82%, 0.45%

LAB 74.55, -59.1, 24

 

CMYK 90 / 0 / 11 / 18

HEX #15D1BB

RGB 21 209 187

HSL 172.98, 0.82%, 0.45%

LAB 75.67, -47, -1.09

 

CMYK 90 / 0 / 58 / 47

HEX #0D8638

RGB 13 134 56

HSL 141.32, 0.82%, 0.29%

LAB 48.79, -47.99, 33.1

 

CMYK 90 / 0 / 58 / 33

HEX #11AB47

RGB 17 171 71

HSL 141.04, 0.82%, 0.37%

LAB 61.39, -57.91, 40.7

 

CMYK 90 / 0 / 58 / 18

HEX #15D157

RGB 21 209 87

HSL 141.06, 0.82%, 0.45%

LAB 73.84, -67.59, 47.89

 

CMYK 84 / 0 / 55 / 9

HEX #25E96A

RGB 37 233 106

HSL 141.12, 0.82%, 0.53%

LAB 81.68, -71.39, 48.54

 

CMYK 68 / 0 / 44 / 7

HEX #4BED84

RGB 75 237 132

HSL 141.11, 0.82%, 0.61%

LAB 83.83, -64.05, 38.92

 

CMYK 90 / 0 / 58 / 17

HEX #15D358

RGB 21 211 88

HSL 141.16, 0.82%, 0.45%

LAB 74.48, -68.08, 48.19

 

CMYK 90 / 50 / 0 / 18

HEX #1569D1

RGB 21 105 209

HSL 213.19, 0.82%, 0.45%

LAB 45.45, 16.12, -60.09

 

CMYK 0 / 90 / 86 / 18

HEX #D1151E

RGB 209 21 30

HSL 357.13, 0.82%, 0.45%

LAB 44.5, 67.09, 47.06

 

CMYK 90 / 0 / 58 / 17

HEX #15D358

RGB 21 211 88

HSL 141.16, 0.82%, 0.45%

LAB 74.48, -68.08, 48.19

 

CMYK 58 / 90 / 0 / 18

HEX #5715D1

RGB 87 21 209

HSL 261.06, 0.82%, 0.45%

LAB 32.18, 66.7, -81.69

 

CMYK 0 / 58 / 90 / 18

HEX #D15715

RGB 209 87 21

HSL 21.06, 0.82%, 0.45%

LAB 52.32, 45.36, 56.85

 

CMYK 90 / 0 / 58 / 17

HEX #15D358

RGB 21 211 88

HSL 141.16, 0.82%, 0.45%

LAB 74.48, -68.08, 48.19

 

CMYK 90 / 50 / 0 / 18

HEX #1569D1

RGB 21 105 209

HSL 213.19, 0.82%, 0.45%

LAB 45.45, 16.12, -60.09

 

CMYK 0 / 90 / 32 / 18

HEX #D1158F

RGB 209 21 143

HSL 321.06, 0.82%, 0.45%

LAB 47.07, 74.23, -17.57

 

CMYK 0 / 41 / 90 / 18

HEX #D17C15

RGB 209 124 21

HSL 32.87, 0.82%, 0.45%

LAB 59.91, 26.47, 62.53

 

CMYK 90 / 0 / 58 / 17

HEX #15D358

RGB 21 211 88

HSL 141.16, 0.82%, 0.45%

LAB 74.48, -68.08, 48.19

 

CMYK 90 / 77 / 0 / 18

HEX #1531D1

RGB 21 49 209

HSL 231.06, 0.82%, 0.45%

LAB 31.71, 51.39, -82.59

 

CMYK 0 / 90 / 32 / 18

HEX #D1158F

RGB 209 21 143

HSL 321.06, 0.82%, 0.45%

LAB 47.07, 74.23, -17.57

 

CMYK 0 / 13 / 90 / 18

HEX #D1B515

RGB 209 181 21

HSL 51.06, 0.82%, 0.45%

LAB 73.97, -4.1, 73.31

 

Description

Color code: HEX #15D358 | qconv.com Color code: HEX #15D358 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 211 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 211 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 58 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 58% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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