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Color name
HEX #D15715

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D15715 it is the complementary color #2EA8EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D15715. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D15715 shade: #D65710, #E76923, #F87B36, #FF8D49 and #FF9F5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D15715. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D15715 shade: #D15715, #C04502, #AF3300, #9E2100 and #8D0F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D15715 shade: #D15715, #D12415 and #D11515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D15715 shade: #D15715, #D18915, #D1BC15, #B3D115 and #80D115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D15715 shade matches the following richer shades: #D15715 and #E35102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D15715 shade: #D15715, #BE5C27, #AC623A, #99674C and #876D5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D15715 shade: #D11537, #D12415, #D15715, #D18915 and #D1BB15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D15715 shade: #86380D, #AB4711, #D15715, #E96A25 and #ED844B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D15715 shade: #D15715, #69D115 and #151ED1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D15715 shade: #D15715, #15D157 and #5715D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D15715 shade: #D15715, #69D115, #158FD1 and #7C15D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D15715 shade: #D15715, #31D115, #158FD1 and #B515D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 90 / 18

HEX #D15715

RGB 209 87 21

HSL 21.06, 0.82%, 0.45%

LAB 52.32, 45.36, 56.85

 

Complementary color

CMYK 80 / 28 / 0 / 8

HEX #2EA8EA

RGB 46 168 234

HSL 201.06, 0.82%, 0.55%

LAB 65.38, -10.41, -42.34

 

CMYK 0 / 59 / 93 / 16

HEX #D65710

RGB 214 87 16

HSL 21.52, 0.86%, 0.45%

LAB 53.11, 47.13, 59.25

 

CMYK 0 / 55 / 85 / 9

HEX #E76923

RGB 231 105 35

HSL 21.43, 0.8%, 0.52%

LAB 59.17, 45.33, 58.84

 

CMYK 0 / 50 / 78 / 3

HEX #F87B36

RGB 248 123 54

HSL 21.34, 0.93%, 0.59%

LAB 65.27, 43.57, 57.49

 

CMYK 0 / 45 / 71 / 0

HEX #FF8D49

RGB 255 141 73

HSL 22.42, 1%, 0.64%

LAB 70.03, 38.04, 53.96

 

CMYK 0 / 38 / 64 / 0

HEX #FF9F5C

RGB 255 159 92

HSL 24.66, 1%, 0.68%

LAB 74.08, 29.81, 49.26

 

CMYK 0 / 58 / 90 / 18

HEX #D15715

RGB 209 87 21

HSL 21.06, 0.82%, 0.45%

LAB 52.32, 45.36, 56.85

 

CMYK 0 / 64 / 99 / 25

HEX #C04502

RGB 192 69 2

HSL 21.16, 0.98%, 0.38%

LAB 46.27, 47.1, 56.56

 

CMYK 0 / 71 / 100 / 31

HEX #AF3300

RGB 175 51 0

HSL 17.49, 1%, 0.34%

LAB 40.38, 48.63, 52.43

 

CMYK 0 / 79 / 100 / 38

HEX #9E2100

RGB 158 33 0

HSL 12.53, 1%, 0.31%

LAB 34.72, 49.45, 47.82

 

CMYK 0 / 89 / 100 / 45

HEX #8D0F00

RGB 141 15 0

HSL 6.38, 1%, 0.28%

LAB 29.42, 49.01, 42.56

 

CMYK 0 / 58 / 90 / 18

HEX #D15715

RGB 209 87 21

HSL 21.06, 0.82%, 0.45%

LAB 52.32, 45.36, 56.85

 

CMYK 0 / 83 / 90 / 18

HEX #D12415

RGB 209 36 21

HSL 4.79, 0.82%, 0.45%

LAB 45.46, 64.03, 51.87

 

CMYK 0 / 90 / 90 / 18

HEX #D11515

RGB 209 21 21

HSL 0, 0.82%, 0.45%

LAB 44.44, 66.93, 51.15

 

CMYK 0 / 58 / 90 / 18

HEX #D15715

RGB 209 87 21

HSL 21.06, 0.82%, 0.45%

LAB 52.32, 45.36, 56.85

 

CMYK 0 / 34 / 90 / 18

HEX #D18915

RGB 209 137 21

HSL 37.02, 0.82%, 0.45%

LAB 62.93, 19.45, 64.82

 

CMYK 0 / 10 / 90 / 18

HEX #D1BC15

RGB 209 188 21

HSL 53.3, 0.82%, 0.45%

LAB 75.81, -7.73, 74.74

 

CMYK 14 / 0 / 90 / 18

HEX #B3D115

RGB 179 209 21

HSL 69.57, 0.82%, 0.45%

LAB 79.18, -30.85, 76.39

 

CMYK 39 / 0 / 90 / 18

HEX #80D115

RGB 128 209 21

HSL 85.85, 0.82%, 0.45%

LAB 76.22, -50.25, 72.76

 

CMYK 0 / 58 / 90 / 18

HEX #D15715

RGB 209 87 21

HSL 21.06, 0.82%, 0.45%

LAB 52.32, 45.36, 56.85

 

CMYK 0 / 64 / 99 / 11

HEX #E35102

RGB 227 81 2

HSL 21.07, 0.98%, 0.45%

LAB 54.26, 54.28, 64.13

 

CMYK 0 / 58 / 90 / 18

HEX #D15715

RGB 209 87 21

HSL 21.06, 0.82%, 0.45%

LAB 52.32, 45.36, 56.85

 

CMYK 0 / 52 / 79 / 25

HEX #BE5C27

RGB 190 92 39

HSL 21.06, 0.66%, 0.45%

LAB 50.39, 36.01, 46.9

 

CMYK 0 / 43 / 66 / 33

HEX #AC623A

RGB 172 98 58

HSL 21.05, 0.5%, 0.45%

LAB 49.27, 26.34, 35.28

 

CMYK 0 / 33 / 50 / 40

HEX #99674C

RGB 153 103 76

HSL 21.04, 0.34%, 0.45%

LAB 48.25, 16.89, 23.34

 

CMYK 0 / 19 / 30 / 47

HEX #876D5F

RGB 135 109 95

HSL 21, 0.17%, 0.45%

LAB 48.15, 8.07, 11.7

 

CMYK 0 / 90 / 74 / 18

HEX #D11537

RGB 209 21 55

HSL 349.15, 0.82%, 0.45%

LAB 44.76, 67.83, 33.36

 

CMYK 0 / 83 / 90 / 18

HEX #D12415

RGB 209 36 21

HSL 4.79, 0.82%, 0.45%

LAB 45.46, 64.03, 51.87

 

CMYK 0 / 58 / 90 / 18

HEX #D15715

RGB 209 87 21

HSL 21.06, 0.82%, 0.45%

LAB 52.32, 45.36, 56.85

 

CMYK 0 / 34 / 90 / 18

HEX #D18915

RGB 209 137 21

HSL 37.02, 0.82%, 0.45%

LAB 62.93, 19.45, 64.82

 

CMYK 0 / 11 / 90 / 18

HEX #D1BB15

RGB 209 187 21

HSL 52.98, 0.82%, 0.45%

LAB 75.54, -7.21, 74.54

 

CMYK 0 / 58 / 90 / 47

HEX #86380D

RGB 134 56 13

HSL 21.32, 0.82%, 0.29%

LAB 33.83, 31.22, 40.03

 

CMYK 0 / 58 / 90 / 33

HEX #AB4711

RGB 171 71 17

HSL 21.04, 0.82%, 0.37%

LAB 43.07, 38.5, 48.47

 

CMYK 0 / 58 / 90 / 18

HEX #D15715

RGB 209 87 21

HSL 21.06, 0.82%, 0.45%

LAB 52.32, 45.36, 56.85

 

CMYK 0 / 55 / 84 / 9

HEX #E96A25

RGB 233 106 37

HSL 21.12, 0.82%, 0.53%

LAB 59.68, 45.65, 58.62

 

CMYK 0 / 44 / 68 / 7

HEX #ED844B

RGB 237 132 75

HSL 21.11, 0.82%, 0.61%

LAB 65.76, 35.68, 47.61

 

CMYK 0 / 58 / 90 / 18

HEX #D15715

RGB 209 87 21

HSL 21.06, 0.82%, 0.45%

LAB 52.32, 45.36, 56.85

 

CMYK 50 / 0 / 90 / 18

HEX #69D115

RGB 105 209 21

HSL 93.19, 0.82%, 0.45%

LAB 75.24, -57.59, 71.54

 

CMYK 90 / 86 / 0 / 18

HEX #151ED1

RGB 21 30 209

HSL 237.13, 0.82%, 0.45%

LAB 28.62, 60.45, -87.74

 

CMYK 0 / 58 / 90 / 18

HEX #D15715

RGB 209 87 21

HSL 21.06, 0.82%, 0.45%

LAB 52.32, 45.36, 56.85

 

CMYK 90 / 0 / 58 / 18

HEX #15D157

RGB 21 209 87

HSL 141.06, 0.82%, 0.45%

LAB 73.84, -67.59, 47.89

 

CMYK 58 / 90 / 0 / 18

HEX #5715D1

RGB 87 21 209

HSL 261.06, 0.82%, 0.45%

LAB 32.18, 66.7, -81.69

 

CMYK 0 / 58 / 90 / 18

HEX #D15715

RGB 209 87 21

HSL 21.06, 0.82%, 0.45%

LAB 52.32, 45.36, 56.85

 

CMYK 50 / 0 / 90 / 18

HEX #69D115

RGB 105 209 21

HSL 93.19, 0.82%, 0.45%

LAB 75.24, -57.59, 71.54

 

CMYK 90 / 32 / 0 / 18

HEX #158FD1

RGB 21 143 209

HSL 201.06, 0.82%, 0.45%

LAB 56.49, -7.16, -42.45

 

CMYK 41 / 90 / 0 / 18

HEX #7C15D1

RGB 124 21 209

HSL 272.87, 0.82%, 0.45%

LAB 36.79, 70.29, -73.93

 

CMYK 0 / 58 / 90 / 18

HEX #D15715

RGB 209 87 21

HSL 21.06, 0.82%, 0.45%

LAB 52.32, 45.36, 56.85

 

CMYK 77 / 0 / 90 / 18

HEX #31D115

RGB 49 209 21

HSL 111.06, 0.82%, 0.45%

LAB 73.74, -69.92, 69.69

 

CMYK 90 / 32 / 0 / 18

HEX #158FD1

RGB 21 143 209

HSL 201.06, 0.82%, 0.45%

LAB 56.49, -7.16, -42.45

 

CMYK 13 / 90 / 0 / 18

HEX #B515D1

RGB 181 21 209

HSL 291.06, 0.82%, 0.45%

LAB 45.58, 78.1, -59.22

 

Description

Color code: HEX #D15715 | qconv.com Color code: HEX #D15715 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 87 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 87 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 90 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 90% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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