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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15864B it is the complementary color #EA79B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15864B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15864B shade: #1A8646, #2B9859, #3CAA6C, #4DBC7F and #5ECE92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15864B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15864B shade: #15864B, #047438, #006225, #005012 and #003E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15864B shade: #15844A, #15842C, #1C8415, #3A8415 and #588415

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15864B shade: #15844A, #158468, #158284, #156484 and #154684

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15864B shade matches the following richer shades: #15844A and #089149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15864B shade: #15844A, #21784B, #2D6C4B, #3A5F4C and #46534C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15864B shade: #1C8415, #15842B, #158449, #158467 and #158484

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15864B shade: #0A3D22, #0F6136, #15844A, #1AA85E and #20CC72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15864B shade: #15864B, #153A84 and #841C15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15864B shade: #15864B, #491584 and #844915

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15864B shade: #15864B, #153A84, #841550 and #845F15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15864B shade: #15864B, #151884, #841550 and #848115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 44 / 47

HEX #15864B

RGB 21 134 75

HSL 148.67, 0.73%, 0.3%

LAB 49.15, -43.97, 23.49

 

Complementary color

CMYK 0 / 48 / 23 / 8

HEX #EA79B4

RGB 234 121 180

HSL 328.67, 0.73%, 0.7%

LAB 65.33, 50.39, -11.2

 

CMYK 81 / 0 / 48 / 47

HEX #1A8646

RGB 26 134 70

HSL 144.44, 0.68%, 0.31%

LAB 49.14, -44.31, 26.23

 

CMYK 72 / 0 / 41 / 40

HEX #2B9859

RGB 43 152 89

HSL 145.32, 0.56%, 0.38%

LAB 55.78, -45.15, 24.56

 

CMYK 65 / 0 / 36 / 33

HEX #3CAA6C

RGB 60 170 108

HSL 146.18, 0.48%, 0.45%

LAB 62.33, -45.57, 23.03

 

CMYK 59 / 0 / 32 / 26

HEX #4DBC7F

RGB 77 188 127

HSL 147.03, 0.45%, 0.52%

LAB 68.81, -45.72, 21.65

 

CMYK 54 / 0 / 29 / 19

HEX #5ECE92

RGB 94 206 146

HSL 147.86, 0.53%, 0.59%

LAB 75.2, -45.72, 20.38

 

CMYK 84 / 0 / 44 / 47

HEX #15864B

RGB 21 134 75

HSL 148.67, 0.73%, 0.3%

LAB 49.15, -43.97, 23.49

 

CMYK 97 / 0 / 52 / 55

HEX #047438

RGB 4 116 56

HSL 147.86, 0.93%, 0.24%

LAB 42.46, -42.32, 25.36

 

CMYK 100 / 0 / 62 / 62

HEX #006225

RGB 0 98 37

HSL 142.65, 1%, 0.19%

LAB 35.73, -39.43, 27.38

 

CMYK 100 / 0 / 78 / 69

HEX #005012

RGB 0 80 18

HSL 133.5, 1%, 0.16%

LAB 28.85, -35.71, 29.06

 

CMYK 100 / 0 / 100 / 76

HEX #003E00

RGB 0 62 0

HSL 120, 1%, 0.12%

LAB 21.75, -31.36, 29.28

 

CMYK 84 / 0 / 44 / 48

HEX #15844A

RGB 21 132 74

HSL 148.65, 0.73%, 0.3%

LAB 48.46, -43.4, 23.14

 

CMYK 84 / 0 / 67 / 48

HEX #15842C

RGB 21 132 44

HSL 132.43, 0.73%, 0.3%

LAB 48.06, -48.11, 38.08

 

CMYK 79 / 0 / 84 / 48

HEX #1C8415

RGB 28 132 21

HSL 116.22, 0.73%, 0.3%

LAB 48.01, -49.16, 46.86

 

CMYK 56 / 0 / 84 / 48

HEX #3A8415

RGB 58 132 21

HSL 100, 0.73%, 0.3%

LAB 48.83, -42.37, 47.91

 

CMYK 33 / 0 / 84 / 48

HEX #588415

RGB 88 132 21

HSL 83.78, 0.73%, 0.3%

LAB 50.25, -31.91, 49.73

 

CMYK 84 / 0 / 44 / 48

HEX #15844A

RGB 21 132 74

HSL 148.65, 0.73%, 0.3%

LAB 48.46, -43.4, 23.14

 

CMYK 84 / 0 / 21 / 48

HEX #158468

RGB 21 132 104

HSL 164.86, 0.73%, 0.3%

LAB 49.08, -36.43, 6.84

 

CMYK 84 / 2 / 0 / 48

HEX #158284

RGB 21 130 132

HSL 181.08, 0.73%, 0.3%

LAB 49.24, -27.24, -9.34

 

CMYK 84 / 24 / 0 / 48

HEX #156484

RGB 21 100 132

HSL 197.3, 0.73%, 0.3%

LAB 39.48, -10.97, -24.26

 

CMYK 84 / 47 / 0 / 48

HEX #154684

RGB 21 70 132

HSL 213.51, 0.73%, 0.3%

LAB 29.93, 8.22, -39.37

 

CMYK 84 / 0 / 44 / 48

HEX #15844A

RGB 21 132 74

HSL 148.65, 0.73%, 0.3%

LAB 48.46, -43.4, 23.14

 

CMYK 94 / 0 / 50 / 43

HEX #089149

RGB 8 145 73

HSL 148.47, 0.9%, 0.3%

LAB 52.71, -49.39, 29.11

 

CMYK 84 / 0 / 44 / 48

HEX #15844A

RGB 21 132 74

HSL 148.65, 0.73%, 0.3%

LAB 48.46, -43.4, 23.14

 

CMYK 73 / 0 / 38 / 53

HEX #21784B

RGB 33 120 75

HSL 148.97, 0.57%, 0.3%

LAB 44.61, -36.66, 17.52

 

CMYK 58 / 0 / 31 / 58

HEX #2D6C4B

RGB 45 108 75

HSL 148.57, 0.41%, 0.3%

LAB 40.88, -28.69, 12.51

 

CMYK 39 / 0 / 20 / 63

HEX #3A5F4C

RGB 58 95 76

HSL 149.19, 0.24%, 0.3%

LAB 37.13, -18, 6.74

 

CMYK 16 / 0 / 8 / 67

HEX #46534C

RGB 70 83 76

HSL 147.69, 0.08%, 0.3%

LAB 34, -6.72, 2.38

 

CMYK 79 / 0 / 84 / 48

HEX #1C8415

RGB 28 132 21

HSL 116.22, 0.73%, 0.3%

LAB 48.01, -49.16, 46.86

 

CMYK 84 / 0 / 67 / 48

HEX #15842B

RGB 21 132 43

HSL 131.89, 0.73%, 0.3%

LAB 48.05, -48.22, 38.53

 

CMYK 84 / 0 / 45 / 48

HEX #158449

RGB 21 132 73

HSL 148.11, 0.73%, 0.3%

LAB 48.44, -43.59, 23.67

 

CMYK 84 / 0 / 22 / 48

HEX #158467

RGB 21 132 103

HSL 164.32, 0.73%, 0.3%

LAB 49.06, -36.7, 7.39

 

CMYK 84 / 0 / 0 / 48

HEX #158484

RGB 21 132 132

HSL 180, 0.73%, 0.3%

LAB 49.89, -28.23, -8.37

 

CMYK 84 / 0 / 44 / 76

HEX #0A3D22

RGB 10 61 34

HSL 148.24, 0.72%, 0.14%

LAB 22.01, -23.91, 12.04

 

CMYK 85 / 0 / 44 / 62

HEX #0F6136

RGB 15 97 54

HSL 148.54, 0.73%, 0.22%

LAB 35.82, -34.33, 18.02

 

CMYK 84 / 0 / 44 / 48

HEX #15844A

RGB 21 132 74

HSL 148.65, 0.73%, 0.3%

LAB 48.46, -43.4, 23.14

 

CMYK 85 / 0 / 44 / 34

HEX #1AA85E

RGB 26 168 94

HSL 148.73, 0.73%, 0.38%

LAB 60.81, -52.44, 28.39

 

CMYK 84 / 0 / 44 / 20

HEX #20CC72

RGB 32 204 114

HSL 148.6, 0.73%, 0.46%

LAB 72.7, -61, 33.44

 

CMYK 84 / 0 / 44 / 47

HEX #15864B

RGB 21 134 75

HSL 148.67, 0.73%, 0.3%

LAB 49.15, -43.97, 23.49

 

CMYK 84 / 56 / 0 / 48

HEX #153A84

RGB 21 58 132

HSL 220, 0.73%, 0.3%

LAB 26.31, 16.58, -45.21

 

CMYK 0 / 79 / 84 / 48

HEX #841C15

RGB 132 28 21

HSL 3.78, 0.73%, 0.3%

LAB 28.88, 43.13, 31.7

 

CMYK 84 / 0 / 44 / 47

HEX #15864B

RGB 21 134 75

HSL 148.67, 0.73%, 0.3%

LAB 49.15, -43.97, 23.49

 

CMYK 45 / 84 / 0 / 48

HEX #491584

RGB 73 21 132

HSL 268.11, 0.73%, 0.3%

LAB 22.37, 45.99, -51.47

 

CMYK 0 / 45 / 84 / 48

HEX #844915

RGB 132 73 21

HSL 28.11, 0.73%, 0.3%

LAB 37.34, 21.14, 39.63

 

CMYK 84 / 0 / 44 / 47

HEX #15864B

RGB 21 134 75

HSL 148.67, 0.73%, 0.3%

LAB 49.15, -43.97, 23.49

 

CMYK 84 / 56 / 0 / 48

HEX #153A84

RGB 21 58 132

HSL 220, 0.73%, 0.3%

LAB 26.31, 16.58, -45.21

 

CMYK 0 / 84 / 39 / 48

HEX #841550

RGB 132 21 80

HSL 328.11, 0.73%, 0.3%

LAB 29.47, 49.39, -5.93

 

CMYK 0 / 28 / 84 / 48

HEX #845F15

RGB 132 95 21

HSL 40, 0.73%, 0.3%

LAB 42.98, 8.21, 44.68

 

CMYK 84 / 0 / 44 / 47

HEX #15864B

RGB 21 134 75

HSL 148.67, 0.73%, 0.3%

LAB 49.15, -43.97, 23.49

 

CMYK 84 / 82 / 0 / 48

HEX #151884

RGB 21 24 132

HSL 238.38, 0.73%, 0.3%

LAB 17.82, 39.04, -59.14

 

CMYK 0 / 84 / 39 / 48

HEX #841550

RGB 132 21 80

HSL 328.11, 0.73%, 0.3%

LAB 29.47, 49.39, -5.93

 

CMYK 0 / 2 / 84 / 48

HEX #848115

RGB 132 129 21

HSL 58.38, 0.73%, 0.3%

LAB 52.58, -11.13, 53.02

 

Description

Color code: HEX #15864B | qconv.com Color code: HEX #15864B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 134 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 134 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 44 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 44% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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