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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #005012 it is the complementary color #FFAFED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #005012. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #005012 shade: #05500D, #166220, #277433, #388646 and #499859

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #005012. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #005012 shade: #005012, #003E00, #002C00, #001A00 and #000800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #005012 shade: #005212, #045200, #1A5200, #305200 and #465200

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #005012 shade: #005212, #005228, #00523E, #004F52 and #003952

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #005012 shade matches the following richer shades: #005212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #005012 shade: #005212, #074B16, #0D441A, #143E1D and #1A3721

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #005012 shade: #1A5200, #045200, #005212, #005227 and #00523D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #005012 shade: #000000, #002809, #005212, #007B1C and #00A425

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #005012 shade: #005012, #003052 and #52000F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #005012 shade: #005012, #120052 and #521200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #005012 shade: #005012, #003052, #520040 and #522200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #005012 shade: #005012, #001752, #520040 and #523A00

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 78 / 69

HEX #005012

RGB 0 80 18

HSL 133.5, 1%, 0.16%

LAB 28.85, -35.71, 29.06

 

Complementary color

CMYK 0 / 31 / 7 / 0

HEX #FFAFED

RGB 255 175 237

HSL 313.5, 1%, 0.84%

LAB 80.76, 38.43, -19.14

 

CMYK 94 / 0 / 84 / 69

HEX #05500D

RGB 5 80 13

HSL 126.4, 0.88%, 0.17%

LAB 28.9, -35.45, 31.22

 

CMYK 78 / 0 / 67 / 62

HEX #166220

RGB 22 98 32

HSL 127.89, 0.63%, 0.24%

LAB 36, -37.32, 30.32

 

CMYK 66 / 0 / 56 / 55

HEX #277433

RGB 39 116 51

HSL 129.35, 0.5%, 0.3%

LAB 43.01, -38.17, 28.86

 

CMYK 58 / 0 / 48 / 47

HEX #388646

RGB 56 134 70

HSL 130.77, 0.41%, 0.37%

LAB 49.9, -38.46, 27.34

 

CMYK 52 / 0 / 41 / 40

HEX #499859

RGB 73 152 89

HSL 132.15, 0.35%, 0.44%

LAB 56.68, -38.47, 25.91

 

CMYK 100 / 0 / 78 / 69

HEX #005012

RGB 0 80 18

HSL 133.5, 1%, 0.16%

LAB 28.85, -35.71, 29.06

 

CMYK 100 / 0 / 100 / 76

HEX #003E00

RGB 0 62 0

HSL 120, 1%, 0.12%

LAB 21.75, -31.36, 29.28

 

CMYK 100 / 0 / 100 / 83

HEX #002C00

RGB 0 44 0

HSL 120, 1%, 0.09%

LAB 14.41, -25.26, 20.55

 

CMYK 100 / 0 / 100 / 90

HEX #001A00

RGB 0 26 0

HSL 120, 1%, 0.05%

LAB 6.67, -13.63, 9.74

 

CMYK 100 / 0 / 100 / 97

HEX #000800

RGB 0 8 0

HSL 120, 1%, 0.02%

LAB 1.57, -3.2, 2.29

 

CMYK 100 / 0 / 78 / 68

HEX #005212

RGB 0 82 18

HSL 133.17, 1%, 0.16%

LAB 29.61, -36.39, 29.85

 

CMYK 95 / 0 / 100 / 68

HEX #045200

RGB 4 82 0

HSL 117.07, 1%, 0.16%

LAB 29.56, -37.21, 36.56

 

CMYK 68 / 0 / 100 / 68

HEX #1A5200

RGB 26 82 0

HSL 100.98, 1%, 0.16%

LAB 30.04, -33.03, 37.15

 

CMYK 41 / 0 / 100 / 68

HEX #305200

RGB 48 82 0

HSL 84.88, 1%, 0.16%

LAB 31.03, -25.43, 38.34

 

CMYK 15 / 0 / 100 / 68

HEX #465200

RGB 70 82 0

HSL 68.78, 1%, 0.16%

LAB 32.56, -15.42, 40.18

 

CMYK 100 / 0 / 78 / 68

HEX #005212

RGB 0 82 18

HSL 133.17, 1%, 0.16%

LAB 29.61, -36.39, 29.85

 

CMYK 100 / 0 / 51 / 68

HEX #005228

RGB 0 82 40

HSL 149.27, 1%, 0.16%

LAB 29.88, -33.01, 18.55

 

CMYK 100 / 0 / 24 / 68

HEX #00523E

RGB 0 82 62

HSL 165.37, 1%, 0.16%

LAB 30.36, -27.56, 5.62

 

CMYK 100 / 4 / 0 / 68

HEX #004F52

RGB 0 79 82

HSL 182.2, 1%, 0.16%

LAB 29.91, -19.48, -7.8

 

CMYK 100 / 30 / 0 / 68

HEX #003952

RGB 0 57 82

HSL 198.29, 1%, 0.16%

LAB 22.07, -6.33, -19.86

 

CMYK 100 / 0 / 78 / 68

HEX #005212

RGB 0 82 18

HSL 133.17, 1%, 0.16%

LAB 29.61, -36.39, 29.85

 

CMYK 100 / 0 / 78 / 68

HEX #005212

RGB 0 82 18

HSL 133.17, 1%, 0.16%

LAB 29.61, -36.39, 29.85

 

CMYK 91 / 0 / 71 / 71

HEX #074B16

RGB 7 75 22

HSL 133.24, 0.83%, 0.16%

LAB 27.12, -32.38, 25.3

 

CMYK 81 / 0 / 62 / 73

HEX #0D441A

RGB 13 68 26

HSL 134.18, 0.68%, 0.16%

LAB 24.62, -28.01, 20.26

 

CMYK 68 / 0 / 53 / 76

HEX #143E1D

RGB 20 62 29

HSL 132.86, 0.51%, 0.16%

LAB 22.59, -23.15, 16.01

 

CMYK 53 / 0 / 40 / 78

HEX #1A3721

RGB 26 55 33

HSL 134.48, 0.36%, 0.16%

LAB 20.29, -16.86, 10.5

 

CMYK 68 / 0 / 100 / 68

HEX #1A5200

RGB 26 82 0

HSL 100.98, 1%, 0.16%

LAB 30.04, -33.03, 37.15

 

CMYK 95 / 0 / 100 / 68

HEX #045200

RGB 4 82 0

HSL 117.07, 1%, 0.16%

LAB 29.56, -37.21, 36.56

 

CMYK 100 / 0 / 78 / 68

HEX #005212

RGB 0 82 18

HSL 133.17, 1%, 0.16%

LAB 29.61, -36.39, 29.85

 

CMYK 100 / 0 / 52 / 68

HEX #005227

RGB 0 82 39

HSL 148.54, 1%, 0.16%

LAB 29.86, -33.21, 19.12

 

CMYK 100 / 0 / 26 / 68

HEX #00523D

RGB 0 82 61

HSL 164.63, 1%, 0.16%

LAB 30.33, -27.84, 6.21

 

CMYK 100 / 0 / 78 / 84

HEX #002809

RGB 0 40 9

HSL 133.5, 1%, 0.08%

LAB 12.84, -22.26, 14.81

 

CMYK 100 / 0 / 78 / 68

HEX #005212

RGB 0 82 18

HSL 133.17, 1%, 0.16%

LAB 29.61, -36.39, 29.85

 

CMYK 100 / 0 / 77 / 52

HEX #007B1C

RGB 0 123 28

HSL 133.66, 1%, 0.24%

LAB 44.59, -48.7, 41.09

 

CMYK 100 / 0 / 77 / 36

HEX #00A425

RGB 0 164 37

HSL 133.54, 1%, 0.32%

LAB 58.68, -60.32, 51.88

 

CMYK 100 / 0 / 78 / 69

HEX #005012

RGB 0 80 18

HSL 133.5, 1%, 0.16%

LAB 28.85, -35.71, 29.06

 

CMYK 100 / 41 / 0 / 68

HEX #003052

RGB 0 48 82

HSL 204.88, 1%, 0.16%

LAB 18.9, -0.16, -24.88

 

CMYK 0 / 100 / 82 / 68

HEX #52000F

RGB 82 0 15

HSL 349.02, 1%, 0.16%

LAB 14.56, 35.66, 16.28

 

CMYK 100 / 0 / 78 / 69

HEX #005012

RGB 0 80 18

HSL 133.5, 1%, 0.16%

LAB 28.85, -35.71, 29.06

 

CMYK 78 / 100 / 0 / 68

HEX #120052

RGB 18 0 82

HSL 253.17, 1%, 0.16%

LAB 6.66, 34.9, -44.8

 

CMYK 0 / 78 / 100 / 68

HEX #521200

RGB 82 18 0

HSL 13.17, 1%, 0.16%

LAB 16.63, 28.73, 25.32

 

CMYK 100 / 0 / 78 / 69

HEX #005012

RGB 0 80 18

HSL 133.5, 1%, 0.16%

LAB 28.85, -35.71, 29.06

 

CMYK 100 / 41 / 0 / 68

HEX #003052

RGB 0 48 82

HSL 204.88, 1%, 0.16%

LAB 18.9, -0.16, -24.88

 

CMYK 0 / 100 / 22 / 68

HEX #520040

RGB 82 0 64

HSL 313.17, 1%, 0.16%

LAB 16.33, 40.27, -16.06

 

CMYK 0 / 59 / 100 / 68

HEX #522200

RGB 82 34 0

HSL 24.88, 1%, 0.16%

LAB 19.79, 20.38, 29.07

 

CMYK 100 / 0 / 78 / 69

HEX #005012

RGB 0 80 18

HSL 133.5, 1%, 0.16%

LAB 28.85, -35.71, 29.06

 

CMYK 100 / 72 / 0 / 68

HEX #001752

RGB 0 23 82

HSL 223.17, 1%, 0.16%

LAB 10.72, 18.83, -38.12

 

CMYK 0 / 100 / 22 / 68

HEX #520040

RGB 82 0 64

HSL 313.17, 1%, 0.16%

LAB 16.33, 40.27, -16.06

 

CMYK 0 / 29 / 100 / 68

HEX #523A00

RGB 82 58 0

HSL 42.44, 1%, 0.16%

LAB 26.22, 5.29, 35.66

 

Description

Color code: HEX #005012 | qconv.com Color code: HEX #005012 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 80 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 80 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 78 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 78% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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