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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14EC40 it is the complementary color #EB13BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14EC40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14EC40 shade: #19EC3B, #2AFE4E, #3BFF61, #4CFF74 and #5DFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14EC40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14EC40 shade: #14EC40, #03DA2D, #00C81A, #00B607 and #00A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14EC40 shade: #13EC3F, #21EC13, #5CEC13, #96EC13 and #D1EC13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14EC40 shade: #13EC3F, #13EC7A, #13ECB4, #13E9EC and #13AFEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14EC40 shade matches the following richer shades: #13EC3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14EC40 shade: #13EC3F, #28D74B, #3CC358, #51AE64 and #669970

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14EC40 shade: #5BEC13, #22EC13, #13EC3E, #13EC78 and #13ECB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14EC40 shade: #0DA02B, #10C635, #13EC3F, #39EF5E and #5FF27D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14EC40 shade: #14EC40, #1395EC and #EC133E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14EC40 shade: #14EC40, #3E13EC and #EC3E13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14EC40 shade: #14EC40, #1395EC, #EC13C1 and #EC6A13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14EC40 shade: #14EC40, #1354EC, #EC13C1 and #ECAB13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 73 / 7

HEX #14EC40

RGB 20 236 64

HSL 132.22, 0.85%, 0.5%

LAB 82.11, -77.96, 66.13

 

Complementary color

CMYK 0 / 92 / 19 / 8

HEX #EB13BF

RGB 235 19 191

HSL 312.22, 0.85%, 0.5%

LAB 53.91, 85.16, -34.99

 

CMYK 89 / 0 / 75 / 7

HEX #19EC3B

RGB 25 236 59

HSL 129.67, 0.85%, 0.51%

LAB 82.12, -78.06, 67.8

 

CMYK 83 / 0 / 69 / 0

HEX #2AFE4E

RGB 42 254 78

HSL 130.19, 0.99%, 0.58%

LAB 87.93, -80.38, 67.24

 

CMYK 77 / 0 / 62 / 0

HEX #3BFF61

RGB 59 255 97

HSL 131.63, 1%, 0.62%

LAB 88.6, -77.03, 60.6

 

CMYK 70 / 0 / 55 / 0

HEX #4CFF74

RGB 76 255 116

HSL 133.41, 1%, 0.65%

LAB 89.07, -72.38, 52.98

 

CMYK 64 / 0 / 47 / 0

HEX #5DFF87

RGB 93 255 135

HSL 135.56, 1%, 0.68%

LAB 89.67, -66.8, 44.98

 

CMYK 92 / 0 / 73 / 7

HEX #14EC40

RGB 20 236 64

HSL 132.22, 0.85%, 0.5%

LAB 82.11, -77.96, 66.13

 

CMYK 99 / 0 / 79 / 15

HEX #03DA2D

RGB 3 218 45

HSL 131.72, 0.97%, 0.43%

LAB 76.28, -74.95, 66.38

 

CMYK 100 / 0 / 87 / 22

HEX #00C81A

RGB 0 200 26

HSL 127.8, 1%, 0.39%

LAB 70.44, -71.1, 65.74

 

CMYK 100 / 0 / 96 / 29

HEX #00B607

RGB 0 182 7

HSL 122.31, 1%, 0.36%

LAB 64.54, -66.74, 63.71

 

CMYK 100 / 0 / 100 / 36

HEX #00A400

RGB 0 164 0

HSL 120, 1%, 0.32%

LAB 58.56, -61.94, 59.78

 

CMYK 92 / 0 / 73 / 7

HEX #13EC3F

RGB 19 236 63

HSL 132.17, 0.85%, 0.5%

LAB 82.1, -78.09, 66.46

 

CMYK 86 / 0 / 92 / 7

HEX #21EC13

RGB 33 236 19

HSL 116.13, 0.85%, 0.5%

LAB 82.03, -79.35, 76.88

 

CMYK 61 / 0 / 92 / 7

HEX #5CEC13

RGB 92 236 19

HSL 99.82, 0.85%, 0.5%

LAB 83.08, -70.31, 78.18

 

CMYK 36 / 0 / 92 / 7

HEX #96EC13

RGB 150 236 19

HSL 83.78, 0.85%, 0.5%

LAB 85.26, -53.56, 80.86

 

CMYK 11 / 0 / 92 / 7

HEX #D1EC13

RGB 209 236 19

HSL 67.47, 0.85%, 0.5%

LAB 88.73, -31.24, 85.09

 

CMYK 92 / 0 / 73 / 7

HEX #13EC3F

RGB 19 236 63

HSL 132.17, 0.85%, 0.5%

LAB 82.1, -78.09, 66.46

 

CMYK 92 / 0 / 48 / 7

HEX #13EC7A

RGB 19 236 122

HSL 148.48, 0.85%, 0.5%

LAB 82.67, -71.12, 42.16

 

CMYK 92 / 0 / 24 / 7

HEX #13ECB4

RGB 19 236 180

HSL 164.52, 0.85%, 0.5%

LAB 83.67, -59.63, 14.12

 

CMYK 92 / 1 / 0 / 7

HEX #13E9EC

RGB 19 233 236

HSL 180.83, 0.85%, 0.5%

LAB 84.21, -43.56, -14.54

 

CMYK 92 / 26 / 0 / 7

HEX #13AFEC

RGB 19 175 236

HSL 196.87, 0.85%, 0.5%

LAB 67.17, -15.28, -40.65

 

CMYK 92 / 0 / 73 / 7

HEX #13EC3F

RGB 19 236 63

HSL 132.17, 0.85%, 0.5%

LAB 82.1, -78.09, 66.46

 

CMYK 92 / 0 / 73 / 7

HEX #13EC3F

RGB 19 236 63

HSL 132.17, 0.85%, 0.5%

LAB 82.1, -78.09, 66.46

 

CMYK 81 / 0 / 65 / 16

HEX #28D74B

RGB 40 215 75

HSL 132, 0.69%, 0.5%

LAB 75.8, -69.26, 55.37

 

CMYK 69 / 0 / 55 / 24

HEX #3CC358

RGB 60 195 88

HSL 132.44, 0.53%, 0.5%

LAB 69.96, -58.32, 42.96

 

CMYK 53 / 0 / 43 / 32

HEX #51AE64

RGB 81 174 100

HSL 132.26, 0.36%, 0.5%

LAB 64.11, -43.87, 29.77

 

CMYK 33 / 0 / 27 / 40

HEX #669970

RGB 102 153 112

HSL 131.76, 0.2%, 0.5%

LAB 58.77, -25.9, 16.26

 

CMYK 61 / 0 / 92 / 7

HEX #5BEC13

RGB 91 236 19

HSL 100.09, 0.85%, 0.5%

LAB 83.05, -70.53, 78.14

 

CMYK 86 / 0 / 92 / 7

HEX #22EC13

RGB 34 236 19

HSL 115.85, 0.85%, 0.5%

LAB 82.04, -79.27, 76.9

 

CMYK 92 / 0 / 74 / 7

HEX #13EC3E

RGB 19 236 62

HSL 131.89, 0.85%, 0.5%

LAB 82.1, -78.16, 66.79

 

CMYK 92 / 0 / 49 / 7

HEX #13EC78

RGB 19 236 120

HSL 147.93, 0.85%, 0.5%

LAB 82.64, -71.44, 43.09

 

CMYK 92 / 0 / 25 / 7

HEX #13ECB2

RGB 19 236 178

HSL 163.96, 0.85%, 0.5%

LAB 83.62, -60.1, 15.11

 

CMYK 92 / 0 / 73 / 37

HEX #0DA02B

RGB 13 160 43

HSL 132.24, 0.85%, 0.34%

LAB 57.46, -57.91, 48.52

 

CMYK 92 / 0 / 73 / 22

HEX #10C635

RGB 16 198 53

HSL 132.2, 0.85%, 0.42%

LAB 70, -68.19, 57.67

 

CMYK 92 / 0 / 73 / 7

HEX #13EC3F

RGB 19 236 63

HSL 132.17, 0.85%, 0.5%

LAB 82.1, -78.09, 66.46

 

CMYK 76 / 0 / 61 / 6

HEX #39EF5E

RGB 57 239 94

HSL 132.2, 0.85%, 0.58%

LAB 83.66, -72.64, 56.26

 

CMYK 61 / 0 / 48 / 5

HEX #5FF27D

RGB 95 242 125

HSL 132.24, 0.85%, 0.66%

LAB 85.71, -63.19, 44.8

 

CMYK 92 / 0 / 73 / 7

HEX #14EC40

RGB 20 236 64

HSL 132.22, 0.85%, 0.5%

LAB 82.11, -77.96, 66.13

 

CMYK 92 / 37 / 0 / 7

HEX #1395EC

RGB 19 149 236

HSL 204.06, 0.85%, 0.5%

LAB 59.61, -0.67, -52.58

 

CMYK 0 / 92 / 74 / 7

HEX #EC133E

RGB 236 19 62

HSL 348.11, 0.85%, 0.5%

LAB 50.27, 75.09, 37.01

 

CMYK 92 / 0 / 73 / 7

HEX #14EC40

RGB 20 236 64

HSL 132.22, 0.85%, 0.5%

LAB 82.11, -77.96, 66.13

 

CMYK 74 / 92 / 0 / 7

HEX #3E13EC

RGB 62 19 236

HSL 251.89, 0.85%, 0.5%

LAB 33.02, 72.4, -95.88

 

CMYK 0 / 74 / 92 / 7

HEX #EC3E13

RGB 236 62 19

HSL 11.89, 0.85%, 0.5%

LAB 53.3, 64.48, 60.37

 

CMYK 92 / 0 / 73 / 7

HEX #14EC40

RGB 20 236 64

HSL 132.22, 0.85%, 0.5%

LAB 82.11, -77.96, 66.13

 

CMYK 92 / 37 / 0 / 7

HEX #1395EC

RGB 19 149 236

HSL 204.06, 0.85%, 0.5%

LAB 59.61, -0.67, -52.58

 

CMYK 0 / 92 / 18 / 7

HEX #EC13C1

RGB 236 19 193

HSL 311.89, 0.85%, 0.5%

LAB 54.18, 85.59, -35.71

 

CMYK 0 / 55 / 92 / 7

HEX #EC6A13

RGB 236 106 19

HSL 24.06, 0.85%, 0.5%

LAB 60.06, 46.43, 64.89

 

CMYK 92 / 0 / 73 / 7

HEX #14EC40

RGB 20 236 64

HSL 132.22, 0.85%, 0.5%

LAB 82.11, -77.96, 66.13

 

CMYK 92 / 64 / 0 / 7

HEX #1354EC

RGB 19 84 236

HSL 222.03, 0.85%, 0.5%

LAB 42.05, 39.94, -80.97

 

CMYK 0 / 92 / 18 / 7

HEX #EC13C1

RGB 236 19 193

HSL 311.89, 0.85%, 0.5%

LAB 54.18, 85.59, -35.71

 

CMYK 0 / 28 / 92 / 7

HEX #ECAB13

RGB 236 171 19

HSL 42.03, 0.85%, 0.5%

LAB 74.19, 12.9, 75.04

 

Description

Color code: HEX #14EC40 | qconv.com Color code: HEX #14EC40 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 236 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 236 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 73 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 73% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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