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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13EC3E it is the complementary color #EC13C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13EC3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13EC3E shade: #18EC39, #29FE4C, #3AFF5F, #4BFF72 and #5CFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13EC3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13EC3E shade: #13EC3E, #02DA2B, #00C818, #00B605 and #00A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13EC3E shade: #13EC3E, #23EC13, #5DEC13, #98EC13 and #D2EC13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13EC3E shade: #13EC3E, #13EC79, #13ECB3, #13EAEC and #13B0EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13EC3E shade matches the following richer shades: #13EC3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13EC3E shade: #13EC3E, #28D74B, #3CC357, #51AE63 and #669970

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13EC3E shade: #5FEC13, #25EC13, #13EC3B, #13EC75 and #13ECAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13EC3E shade: #0DA02A, #10C634, #13EC3E, #39EF5D and #5FF27D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13EC3E shade: #13EC3E, #1399EC and #EC1342

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13EC3E shade: #13EC3E, #3B13EC and #EC3B13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13EC3E shade: #13EC3E, #1399EC, #EC13C4 and #EC6613

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13EC3E shade: #13EC3E, #1358EC, #EC13C4 and #ECA713

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 74 / 7

HEX #13EC3E

RGB 19 236 62

HSL 131.89, 0.85%, 0.5%

LAB 82.1, -78.16, 66.79

 

Complementary color

CMYK 0 / 92 / 18 / 7

HEX #EC13C1

RGB 236 19 193

HSL 311.89, 0.85%, 0.5%

LAB 54.18, 85.59, -35.71

 

CMYK 90 / 0 / 76 / 7

HEX #18EC39

RGB 24 236 57

HSL 129.34, 0.85%, 0.51%

LAB 82.1, -78.26, 68.42

 

CMYK 84 / 0 / 70 / 0

HEX #29FE4C

RGB 41 254 76

HSL 129.86, 0.99%, 0.58%

LAB 87.91, -80.64, 67.93

 

CMYK 77 / 0 / 63 / 0

HEX #3AFF5F

RGB 58 255 95

HSL 131.27, 1%, 0.61%

LAB 88.56, -77.36, 61.38

 

CMYK 71 / 0 / 55 / 0

HEX #4BFF72

RGB 75 255 114

HSL 133, 1%, 0.65%

LAB 89.03, -72.8, 53.83

 

CMYK 64 / 0 / 48 / 0

HEX #5CFF85

RGB 92 255 133

HSL 135.09, 1%, 0.68%

LAB 89.62, -67.29, 45.86

 

CMYK 92 / 0 / 74 / 7

HEX #13EC3E

RGB 19 236 62

HSL 131.89, 0.85%, 0.5%

LAB 82.1, -78.16, 66.79

 

CMYK 99 / 0 / 80 / 15

HEX #02DA2B

RGB 2 218 43

HSL 131.39, 0.98%, 0.43%

LAB 76.27, -75.1, 66.93

 

CMYK 100 / 0 / 88 / 22

HEX #00C818

RGB 0 200 24

HSL 127.2, 1%, 0.39%

LAB 70.44, -71.17, 66.13

 

CMYK 100 / 0 / 97 / 29

HEX #00B605

RGB 0 182 5

HSL 121.65, 1%, 0.36%

LAB 64.54, -66.79, 63.95

 

CMYK 100 / 0 / 100 / 36

HEX #00A400

RGB 0 164 0

HSL 120, 1%, 0.32%

LAB 58.56, -61.94, 59.78

 

CMYK 92 / 0 / 74 / 7

HEX #13EC3E

RGB 19 236 62

HSL 131.89, 0.85%, 0.5%

LAB 82.1, -78.16, 66.79

 

CMYK 85 / 0 / 92 / 7

HEX #23EC13

RGB 35 236 19

HSL 115.58, 0.85%, 0.5%

LAB 82.05, -79.19, 76.91

 

CMYK 61 / 0 / 92 / 7

HEX #5DEC13

RGB 93 236 19

HSL 99.54, 0.85%, 0.5%

LAB 83.11, -70.08, 78.21

 

CMYK 36 / 0 / 92 / 7

HEX #98EC13

RGB 152 236 19

HSL 83.23, 0.85%, 0.5%

LAB 85.36, -52.87, 80.98

 

CMYK 11 / 0 / 92 / 7

HEX #D2EC13

RGB 210 236 19

HSL 67.19, 0.85%, 0.5%

LAB 88.8, -30.84, 85.17

 

CMYK 92 / 0 / 74 / 7

HEX #13EC3E

RGB 19 236 62

HSL 131.89, 0.85%, 0.5%

LAB 82.1, -78.16, 66.79

 

CMYK 92 / 0 / 49 / 7

HEX #13EC79

RGB 19 236 121

HSL 148.2, 0.85%, 0.5%

LAB 82.65, -71.28, 42.63

 

CMYK 92 / 0 / 24 / 7

HEX #13ECB3

RGB 19 236 179

HSL 164.24, 0.85%, 0.5%

LAB 83.64, -59.87, 14.61

 

CMYK 92 / 1 / 0 / 7

HEX #13EAEC

RGB 19 234 236

HSL 180.55, 0.85%, 0.5%

LAB 84.5, -44, -14.1

 

CMYK 92 / 25 / 0 / 7

HEX #13B0EC

RGB 19 176 236

HSL 196.59, 0.85%, 0.5%

LAB 67.46, -15.81, -40.2

 

CMYK 92 / 0 / 74 / 7

HEX #13EC3E

RGB 19 236 62

HSL 131.89, 0.85%, 0.5%

LAB 82.1, -78.16, 66.79

 

CMYK 92 / 0 / 74 / 7

HEX #13EC3E

RGB 19 236 62

HSL 131.89, 0.85%, 0.5%

LAB 82.1, -78.16, 66.79

 

CMYK 81 / 0 / 65 / 16

HEX #28D74B

RGB 40 215 75

HSL 132, 0.69%, 0.5%

LAB 75.8, -69.26, 55.37

 

CMYK 69 / 0 / 55 / 24

HEX #3CC357

RGB 60 195 87

HSL 132, 0.53%, 0.5%

LAB 69.95, -58.45, 43.42

 

CMYK 53 / 0 / 43 / 32

HEX #51AE63

RGB 81 174 99

HSL 131.61, 0.36%, 0.5%

LAB 64.1, -44.03, 30.27

 

CMYK 33 / 0 / 27 / 40

HEX #669970

RGB 102 153 112

HSL 131.76, 0.2%, 0.5%

LAB 58.77, -25.9, 16.26

 

CMYK 60 / 0 / 92 / 7

HEX #5FEC13

RGB 95 236 19

HSL 98.99, 0.85%, 0.5%

LAB 83.16, -69.62, 78.28

 

CMYK 84 / 0 / 92 / 7

HEX #25EC13

RGB 37 236 19

HSL 115.02, 0.85%, 0.5%

LAB 82.07, -79.01, 76.93

 

CMYK 92 / 0 / 75 / 7

HEX #13EC3B

RGB 19 236 59

HSL 131.06, 0.85%, 0.5%

LAB 82.08, -78.39, 67.76

 

CMYK 92 / 0 / 50 / 7

HEX #13EC75

RGB 19 236 117

HSL 147.1, 0.85%, 0.5%

LAB 82.6, -71.9, 44.48

 

CMYK 92 / 0 / 26 / 7

HEX #13ECAE

RGB 19 236 174

HSL 162.86, 0.85%, 0.5%

LAB 83.54, -61.02, 17.07

 

CMYK 92 / 0 / 74 / 37

HEX #0DA02A

RGB 13 160 42

HSL 131.84, 0.85%, 0.34%

LAB 57.46, -57.99, 48.89

 

CMYK 92 / 0 / 74 / 22

HEX #10C634

RGB 16 198 52

HSL 131.87, 0.85%, 0.42%

LAB 70, -68.28, 58.02

 

CMYK 92 / 0 / 74 / 7

HEX #13EC3E

RGB 19 236 62

HSL 131.89, 0.85%, 0.5%

LAB 82.1, -78.16, 66.79

 

CMYK 76 / 0 / 61 / 6

HEX #39EF5D

RGB 57 239 93

HSL 131.87, 0.85%, 0.58%

LAB 83.65, -72.75, 56.67

 

CMYK 61 / 0 / 48 / 5

HEX #5FF27D

RGB 95 242 125

HSL 132.24, 0.85%, 0.66%

LAB 85.71, -63.19, 44.8

 

CMYK 92 / 0 / 74 / 7

HEX #13EC3E

RGB 19 236 62

HSL 131.89, 0.85%, 0.5%

LAB 82.1, -78.16, 66.79

 

CMYK 92 / 35 / 0 / 7

HEX #1399EC

RGB 19 153 236

HSL 202.95, 0.85%, 0.5%

LAB 60.76, -3, -50.75

 

CMYK 0 / 92 / 72 / 7

HEX #EC1342

RGB 236 19 66

HSL 347, 0.85%, 0.5%

LAB 50.32, 75.24, 34.71

 

CMYK 92 / 0 / 74 / 7

HEX #13EC3E

RGB 19 236 62

HSL 131.89, 0.85%, 0.5%

LAB 82.1, -78.16, 66.79

 

CMYK 75 / 92 / 0 / 7

HEX #3B13EC

RGB 59 19 236

HSL 251.06, 0.85%, 0.5%

LAB 32.81, 72.28, -96.23

 

CMYK 0 / 75 / 92 / 7

HEX #EC3B13

RGB 236 59 19

HSL 11.06, 0.85%, 0.5%

LAB 52.96, 65.44, 60.15

 

CMYK 92 / 0 / 74 / 7

HEX #13EC3E

RGB 19 236 62

HSL 131.89, 0.85%, 0.5%

LAB 82.1, -78.16, 66.79

 

CMYK 92 / 35 / 0 / 7

HEX #1399EC

RGB 19 153 236

HSL 202.95, 0.85%, 0.5%

LAB 60.76, -3, -50.75

 

CMYK 0 / 92 / 17 / 7

HEX #EC13C4

RGB 236 19 196

HSL 311.06, 0.85%, 0.5%

LAB 54.33, 85.95, -37.22

 

CMYK 0 / 57 / 92 / 7

HEX #EC6613

RGB 236 102 19

HSL 22.95, 0.85%, 0.5%

LAB 59.33, 48.32, 64.39

 

CMYK 92 / 0 / 74 / 7

HEX #13EC3E

RGB 19 236 62

HSL 131.89, 0.85%, 0.5%

LAB 82.1, -78.16, 66.79

 

CMYK 92 / 63 / 0 / 7

HEX #1358EC

RGB 19 88 236

HSL 220.92, 0.85%, 0.5%

LAB 43.02, 37.42, -79.38

 

CMYK 0 / 92 / 17 / 7

HEX #EC13C4

RGB 236 19 196

HSL 311.06, 0.85%, 0.5%

LAB 54.33, 85.95, -37.22

 

CMYK 0 / 29 / 92 / 7

HEX #ECA713

RGB 236 167 19

HSL 40.92, 0.85%, 0.5%

LAB 73.23, 15.01, 74.33

 

Description

Color code: HEX #13EC3E | qconv.com Color code: HEX #13EC3E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 236 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 236 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 74 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 74% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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