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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #143AA5 it is the complementary color #EBC55A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #143AA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #143AA5: #193AA0, #2A4CB3, #3B5EC6, #4C70D9 and #5D82EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #143AA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #143AA5: #143AA5, #032892, #00167F, #00046C and #000059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 65 / 0 / 35

HEX #143AA5

RGB 20 58 165

HSL 224.28, 0.78%, 0.36%

LAB 29.14, 29.85, -60.83

 

Complementary color

CMYK 0 / 16 / 62 / 8

HEX #EBC55A

RGB 235 197 90

HSL 44.28, 0.78%, 0.64%

LAB 80.92, 1.57, 57.39

 

CMYK 84 / 64 / 0 / 37

HEX #193AA0

RGB 25 58 160

HSL 225.33, 0.73%, 0.36%

LAB 28.83, 28.24, -58.31

 

CMYK 77 / 58 / 0 / 30

HEX #2A4CB3

RGB 42 76 179

HSL 225.11, 0.62%, 0.43%

LAB 35.82, 25.19, -58.24

 

CMYK 70 / 53 / 0 / 22

HEX #3B5EC6

RGB 59 94 198

HSL 224.89, 0.55%, 0.5%

LAB 42.78, 22.7, -58.02

 

CMYK 65 / 48 / 0 / 15

HEX #4C70D9

RGB 76 112 217

HSL 224.68, 0.65%, 0.57%

LAB 49.66, 20.69, -57.77

 

CMYK 61 / 45 / 0 / 7

HEX #5D82EC

RGB 93 130 236

HSL 224.48, 0.79%, 0.65%

LAB 56.44, 19.03, -57.52

 

CMYK 88 / 65 / 0 / 35

HEX #143AA5

RGB 20 58 165

HSL 224.28, 0.78%, 0.36%

LAB 29.14, 29.85, -60.83

 

CMYK 98 / 73 / 0 / 43

HEX #032892

RGB 3 40 146

HSL 224.48, 0.96%, 0.29%

LAB 22.35, 33.63, -60.42

 

CMYK 100 / 83 / 0 / 50

HEX #00167F

RGB 0 22 127

HSL 229.61, 1%, 0.25%

LAB 16.03, 37.53, -58.96

 

CMYK 100 / 96 / 0 / 58

HEX #00046C

RGB 0 4 108

HSL 237.78, 1%, 0.21%

LAB 10.33, 40.01, -56.19

 

CMYK 100 / 100 / 0 / 65

HEX #000059

RGB 0 0 89

HSL 240, 1%, 0.17%

LAB 6.52, 36.3, -49.87

 

CMYK 88 / 65 / 0 / 35

HEX #143AA5

RGB 20 58 165

HSL 224.28, 0.78%, 0.36%

LAB 29.14, 29.85, -60.83

 

CMYK 88 / 79 / 0 / 36

HEX #1422A3

RGB 20 34 163

HSL 234.13, 0.78%, 0.36%

LAB 23.46, 44.09, -68.99

 

CMYK 82 / 88 / 0 / 36

HEX #1D14A3

RGB 29 20 163

HSL 243.78, 0.78%, 0.36%

LAB 21.6, 51.12, -72.07

 

CMYK 67 / 88 / 0 / 36

HEX #3514A3

RGB 53 20 163

HSL 253.85, 0.78%, 0.36%

LAB 23.34, 52.51, -69.12

 

CMYK 53 / 88 / 0 / 36

HEX #4D14A3

RGB 77 20 163

HSL 263.92, 0.78%, 0.36%

LAB 25.93, 54.7, -64.76

 

CMYK 88 / 65 / 0 / 35

HEX #143AA5

RGB 20 58 165

HSL 224.28, 0.78%, 0.36%

LAB 29.14, 29.85, -60.83

 

CMYK 88 / 65 / 0 / 15

HEX #1A4CD8

RGB 26 76 216

HSL 224.21, 0.79%, 0.47%

LAB 38.46, 37.88, -75.5

 

CMYK 92 / 67 / 0 / 95

HEX #01040C

RGB 1 4 12

HSL 223.64, 0.85%, 0.03%

LAB 1.08, 0.34, -3.35

 

CMYK 87 / 65 / 0 / 75

HEX #08163F

RGB 8 22 63

HSL 224.73, 0.77%, 0.14%

LAB 8.86, 11.93, -27.91

 

CMYK 88 / 65 / 0 / 55

HEX #0E2872

RGB 14 40 114

HSL 224.4, 0.78%, 0.25%

LAB 19.33, 21.29, -45.18

 

CMYK 88 / 65 / 0 / 35

HEX #143AA5

RGB 20 58 165

HSL 224.28, 0.78%, 0.36%

LAB 29.14, 29.85, -60.83

 

CMYK 6 / 88 / 0 / 36

HEX #9914A3

RGB 153 20 163

HSL 295.8, 0.78%, 0.36%

LAB 37.69, 65.95, -45.09

 

CMYK 29 / 0 / 88 / 36

HEX #73A314

RGB 115 163 20

HSL 80.14, 0.78%, 0.36%

LAB 61.56, -35.46, 60.42

 

CMYK 88 / 65 / 0 / 35

HEX #143AA5

RGB 20 58 165

HSL 224.28, 0.78%, 0.36%

LAB 29.14, 29.85, -60.83

 

CMYK 0 / 88 / 64 / 36

HEX #A3143A

RGB 163 20 58

HSL 344.06, 0.78%, 0.36%

LAB 35.19, 56.12, 17.54

 

CMYK 64 / 0 / 88 / 36

HEX #3AA314

RGB 58 163 20

HSL 104.06, 0.78%, 0.36%

LAB 59.11, -53.73, 57.34

 

CMYK 88 / 65 / 0 / 35

HEX #143AA5

RGB 20 58 165

HSL 224.28, 0.78%, 0.36%

LAB 29.14, 29.85, -60.83

 

CMYK 6 / 88 / 0 / 36

HEX #9914A3

RGB 153 20 163

HSL 295.8, 0.78%, 0.36%

LAB 37.69, 65.95, -45.09

 

CMYK 0 / 23 / 88 / 36

HEX #A37D14

RGB 163 125 20

HSL 44.06, 0.78%, 0.36%

LAB 54.56, 5.47, 56.2

 

CMYK 82 / 0 / 88 / 36

HEX #1DA314

RGB 29 163 20

HSL 116.22, 0.78%, 0.36%

LAB 58.51, -58.83, 56.59

 

CMYK 88 / 65 / 0 / 35

HEX #143AA5

RGB 20 58 165

HSL 224.28, 0.78%, 0.36%

LAB 29.14, 29.85, -60.83

 

CMYK 0 / 88 / 21 / 36

HEX #A31481

RGB 163 20 129

HSL 314.27, 0.78%, 0.36%

LAB 37.61, 62.89, -24.31

 

CMYK 0 / 23 / 88 / 36

HEX #A37D14

RGB 163 125 20

HSL 44.06, 0.78%, 0.36%

LAB 54.56, 5.47, 56.2

 

CMYK 88 / 0 / 67 / 36

HEX #14A335

RGB 20 163 53

HSL 133.85, 0.78%, 0.36%

LAB 58.6, -57.33, 45.69

 

Description

Color code: HEX #143AA5 | qconv.com Color code: HEX #143AA5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 58 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 58 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 65 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 65% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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