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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13EC7D it is the complementary color #EC1382. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13EC7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13EC7D shade: #18EC78, #29FE8B, #3AFF9E, #4BFFB1 and #5CFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13EC7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13EC7D shade: #13EC7D, #02DA6A, #00C857, #00B644 and #00A431

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13EC7D shade: #13EC7D, #13EC43, #1EEC13, #59EC13 and #93EC13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13EC7D shade: #13EC7D, #13ECB7, #13E6EC, #13ABEC and #1371EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13EC7D shade matches the following richer shades: #13EC7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13EC7D shade: #13EC7D, #28D77D, #3CC37E, #51AE7E and #66997F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13EC7D shade: #1EEC13, #13EC42, #13EC7C, #13ECB6 and #13E8EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13EC7D shade: #0DA055, #10C669, #13EC7D, #39EF92 and #5FF2A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13EC7D shade: #13EC7D, #1358EC and #EC2513

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13EC7D shade: #13EC7D, #7C13EC and #EC7C13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13EC7D shade: #13EC7D, #1358EC, #EC1383 and #ECA713

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13EC7D shade: #13EC7D, #1317EC, #EC1383 and #ECE813

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 47 / 7

HEX #13EC7D

RGB 19 236 125

HSL 149.31, 0.85%, 0.5%

LAB 82.71, -70.64, 40.76

 

Complementary color

CMYK 0 / 92 / 45 / 7

HEX #EC1382

RGB 236 19 130

HSL 329.31, 0.85%, 0.5%

LAB 51.74, 79.12, -2.18

 

CMYK 90 / 0 / 49 / 7

HEX #18EC78

RGB 24 236 120

HSL 147.17, 0.85%, 0.51%

LAB 82.67, -71.19, 43.14

 

CMYK 84 / 0 / 45 / 0

HEX #29FE8B

RGB 41 254 139

HSL 147.61, 0.99%, 0.58%

LAB 88.55, -72.81, 41.46

 

CMYK 77 / 0 / 38 / 0

HEX #3AFF9E

RGB 58 255 158

HSL 150.46, 1%, 0.61%

LAB 89.34, -68.21, 33.2

 

CMYK 71 / 0 / 31 / 0

HEX #4BFFB1

RGB 75 255 177

HSL 154, 1%, 0.65%

LAB 89.95, -62.41, 24.51

 

CMYK 64 / 0 / 23 / 0

HEX #5CFFC4

RGB 92 255 196

HSL 158.28, 1%, 0.68%

LAB 90.68, -55.83, 15.88

 

CMYK 92 / 0 / 47 / 7

HEX #13EC7D

RGB 19 236 125

HSL 149.31, 0.85%, 0.5%

LAB 82.71, -70.64, 40.76

 

CMYK 99 / 0 / 51 / 15

HEX #02DA6A

RGB 2 218 106

HSL 148.89, 0.98%, 0.43%

LAB 76.8, -68.5, 42.53

 

CMYK 100 / 0 / 57 / 22

HEX #00C857

RGB 0 200 87

HSL 146.1, 1%, 0.39%

LAB 70.87, -65.71, 44.36

 

CMYK 100 / 0 / 63 / 29

HEX #00B644

RGB 0 182 68

HSL 142.42, 1%, 0.36%

LAB 64.86, -62.63, 46.07

 

CMYK 100 / 0 / 70 / 36

HEX #00A431

RGB 0 164 49

HSL 137.93, 1%, 0.32%

LAB 58.76, -59.27, 47.49

 

CMYK 92 / 0 / 47 / 7

HEX #13EC7D

RGB 19 236 125

HSL 149.31, 0.85%, 0.5%

LAB 82.71, -70.64, 40.76

 

CMYK 92 / 0 / 72 / 7

HEX #13EC43

RGB 19 236 67

HSL 133.27, 0.85%, 0.5%

LAB 82.13, -77.77, 65.1

 

CMYK 87 / 0 / 92 / 7

HEX #1EEC13

RGB 30 236 19

HSL 116.96, 0.85%, 0.5%

LAB 82.01, -79.58, 76.85

 

CMYK 62 / 0 / 92 / 7

HEX #59EC13

RGB 89 236 19

HSL 100.65, 0.85%, 0.5%

LAB 83, -70.98, 78.08

 

CMYK 38 / 0 / 92 / 7

HEX #93EC13

RGB 147 236 19

HSL 84.61, 0.85%, 0.5%

LAB 85.12, -54.58, 80.69

 

CMYK 92 / 0 / 47 / 7

HEX #13EC7D

RGB 19 236 125

HSL 149.31, 0.85%, 0.5%

LAB 82.71, -70.64, 40.76

 

CMYK 92 / 0 / 22 / 7

HEX #13ECB7

RGB 19 236 183

HSL 165.35, 0.85%, 0.5%

LAB 83.73, -58.93, 12.65

 

CMYK 92 / 3 / 0 / 7

HEX #13E6EC

RGB 19 230 236

HSL 181.66, 0.85%, 0.5%

LAB 83.33, -42.22, -15.86

 

CMYK 92 / 28 / 0 / 7

HEX #13ABEC

RGB 19 171 236

HSL 197.97, 0.85%, 0.5%

LAB 66, -13.11, -42.49

 

CMYK 92 / 52 / 0 / 7

HEX #1371EC

RGB 19 113 236

HSL 214.01, 0.85%, 0.5%

LAB 49.5, 21.43, -68.81

 

CMYK 92 / 0 / 47 / 7

HEX #13EC7D

RGB 19 236 125

HSL 149.31, 0.85%, 0.5%

LAB 82.71, -70.64, 40.76

 

CMYK 92 / 0 / 47 / 7

HEX #13EC7D

RGB 19 236 125

HSL 149.31, 0.85%, 0.5%

LAB 82.71, -70.64, 40.76

 

CMYK 81 / 0 / 42 / 16

HEX #28D77D

RGB 40 215 125

HSL 149.14, 0.69%, 0.5%

LAB 76.4, -62.12, 32.68

 

CMYK 69 / 0 / 35 / 24

HEX #3CC37E

RGB 60 195 126

HSL 149.33, 0.53%, 0.5%

LAB 70.52, -51.97, 24.43

 

CMYK 53 / 0 / 28 / 32

HEX #51AE7E

RGB 81 174 126

HSL 149.03, 0.36%, 0.5%

LAB 64.59, -38.99, 16.42

 

CMYK 33 / 0 / 17 / 40

HEX #66997F

RGB 102 153 127

HSL 149.41, 0.2%, 0.5%

LAB 59.1, -22.89, 8.3

 

CMYK 87 / 0 / 92 / 7

HEX #1EEC13

RGB 30 236 19

HSL 116.96, 0.85%, 0.5%

LAB 82.01, -79.58, 76.85

 

CMYK 92 / 0 / 72 / 7

HEX #13EC42

RGB 19 236 66

HSL 133, 0.85%, 0.5%

LAB 82.12, -77.85, 65.45

 

CMYK 92 / 0 / 47 / 7

HEX #13EC7C

RGB 19 236 124

HSL 149.03, 0.85%, 0.5%

LAB 82.69, -70.8, 41.23

 

CMYK 92 / 0 / 23 / 7

HEX #13ECB6

RGB 19 236 182

HSL 165.07, 0.85%, 0.5%

LAB 83.71, -59.16, 13.14

 

CMYK 92 / 2 / 0 / 7

HEX #13E8EC

RGB 19 232 236

HSL 181.11, 0.85%, 0.5%

LAB 83.92, -43.11, -14.98

 

CMYK 92 / 0 / 47 / 37

HEX #0DA055

RGB 13 160 85

HSL 149.39, 0.85%, 0.34%

LAB 57.93, -52.24, 29.4

 

CMYK 92 / 0 / 47 / 22

HEX #10C669

RGB 16 198 105

HSL 149.34, 0.85%, 0.42%

LAB 70.54, -61.62, 35.19

 

CMYK 92 / 0 / 47 / 7

HEX #13EC7D

RGB 19 236 125

HSL 149.31, 0.85%, 0.5%

LAB 82.71, -70.64, 40.76

 

CMYK 76 / 0 / 39 / 6

HEX #39EF92

RGB 57 239 146

HSL 149.34, 0.85%, 0.58%

LAB 84.32, -64.9, 32.54

 

CMYK 61 / 0 / 31 / 5

HEX #5FF2A7

RGB 95 242 167

HSL 149.39, 0.85%, 0.66%

LAB 86.37, -56.08, 24.78

 

CMYK 92 / 0 / 47 / 7

HEX #13EC7D

RGB 19 236 125

HSL 149.31, 0.85%, 0.5%

LAB 82.71, -70.64, 40.76

 

CMYK 92 / 63 / 0 / 7

HEX #1358EC

RGB 19 88 236

HSL 220.92, 0.85%, 0.5%

LAB 43.02, 37.42, -79.38

 

CMYK 0 / 84 / 92 / 7

HEX #EC2513

RGB 236 37 19

HSL 4.98, 0.85%, 0.5%

LAB 50.92, 71.18, 58.86

 

CMYK 92 / 0 / 47 / 7

HEX #13EC7D

RGB 19 236 125

HSL 149.31, 0.85%, 0.5%

LAB 82.71, -70.64, 40.76

 

CMYK 47 / 92 / 0 / 7

HEX #7C13EC

RGB 124 19 236

HSL 269.03, 0.85%, 0.5%

LAB 39.25, 76.48, -85.35

 

CMYK 0 / 47 / 92 / 7

HEX #EC7C13

RGB 236 124 19

HSL 29.03, 0.85%, 0.5%

LAB 63.59, 37.54, 67.36

 

CMYK 92 / 0 / 47 / 7

HEX #13EC7D

RGB 19 236 125

HSL 149.31, 0.85%, 0.5%

LAB 82.71, -70.64, 40.76

 

CMYK 92 / 63 / 0 / 7

HEX #1358EC

RGB 19 88 236

HSL 220.92, 0.85%, 0.5%

LAB 43.02, 37.42, -79.38

 

CMYK 0 / 92 / 44 / 7

HEX #EC1383

RGB 236 19 131

HSL 329.03, 0.85%, 0.5%

LAB 51.77, 79.2, -2.74

 

CMYK 0 / 29 / 92 / 7

HEX #ECA713

RGB 236 167 19

HSL 40.92, 0.85%, 0.5%

LAB 73.23, 15.01, 74.33

 

CMYK 92 / 0 / 47 / 7

HEX #13EC7D

RGB 19 236 125

HSL 149.31, 0.85%, 0.5%

LAB 82.71, -70.64, 40.76

 

CMYK 92 / 90 / 0 / 7

HEX #1317EC

RGB 19 23 236

HSL 238.89, 0.85%, 0.5%

LAB 31.36, 70.27, -98.69

 

CMYK 0 / 92 / 44 / 7

HEX #EC1383

RGB 236 19 131

HSL 329.03, 0.85%, 0.5%

LAB 51.77, 79.2, -2.74

 

CMYK 0 / 2 / 92 / 7

HEX #ECE813

RGB 236 232 19

HSL 58.89, 0.85%, 0.5%

LAB 89.67, -18.22, 86.68

 

Description

Color code: HEX #13EC7D | qconv.com Color code: HEX #13EC7D | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 236 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 236 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 47 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 47% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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