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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 92 / 44 / 7 it is the complementary color CMYK 92 / 0 / 48 / 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 92 / 44 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 92 / 44 / 7: CMYK 0 / 92 / 47 / 5, CMYK 0 / 85 / 42 / 0, CMYK 0 / 78 / 35 / 0, CMYK 0 / 71 / 27 / 0 and CMYK 0 / 64 / 20 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 92 / 44 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 92 / 44 / 7: CMYK 0 / 92 / 44 / 7, CMYK 0 / 100 / 48 / 14, CMYK 0 / 100 / 53 / 20, CMYK 0 / 100 / 59 / 27 and CMYK 0 / 100 / 66 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 44 / 7

HEX #ED1385

RGB 237 19 133

HSL 328.62, 0.86%, 0.5%

LAB 52.02, 79.59, -3.54

 

Complementary color

CMYK 92 / 0 / 48 / 7

HEX #12EC7A

RGB 18 236 122

HSL 148.62, 0.86%, 0.5%

LAB 82.66, -71.17, 42.15

 

CMYK 0 / 92 / 47 / 5

HEX #F21380

RGB 242 19 128

HSL 330.67, 0.9%, 0.51%

LAB 52.84, 80.28, 0.79

 

CMYK 0 / 85 / 42 / 0

HEX #FF2593

RGB 255 37 147

HSL 329.72, 1%, 0.57%

LAB 56.77, 82.19, -4.5

 

CMYK 0 / 78 / 35 / 0

HEX #FF37A6

RGB 255 55 166

HSL 326.7, 1%, 0.61%

LAB 58.74, 80.1, -12.73

 

CMYK 0 / 71 / 27 / 0

HEX #FF49B9

RGB 255 73 185

HSL 323.08, 1%, 0.64%

LAB 61.24, 76.98, -19.91

 

CMYK 0 / 64 / 20 / 0

HEX #FF5BCC

RGB 255 91 204

HSL 318.66, 1%, 0.68%

LAB 64.24, 72.99, -26.14

 

CMYK 0 / 92 / 44 / 7

HEX #ED1385

RGB 237 19 133

HSL 328.62, 0.86%, 0.5%

LAB 52.02, 79.59, -3.54

 

CMYK 0 / 100 / 48 / 14

HEX #DC0172

RGB 220 1 114

HSL 329.04, 0.99%, 0.43%

LAB 47.56, 75.89, 1.1

 

CMYK 0 / 100 / 53 / 20

HEX #CB005F

RGB 203 0 95

HSL 331.92, 1%, 0.4%

LAB 43.54, 70.8, 6.69

 

CMYK 0 / 100 / 59 / 27

HEX #BA004C

RGB 186 0 76

HSL 335.48, 1%, 0.36%

LAB 39.51, 65.62, 12.59

 

CMYK 0 / 100 / 66 / 34

HEX #A90039

RGB 169 0 57

HSL 339.76, 1%, 0.33%

LAB 35.46, 60.46, 18.79

 

CMYK 0 / 92 / 44 / 7

HEX #ED1385

RGB 237 19 133

HSL 328.62, 0.86%, 0.5%

LAB 52.02, 79.59, -3.54

 

CMYK 0 / 93 / 59 / 7

HEX #ED1162

RGB 237 17 98

HSL 337.91, 0.87%, 0.5%

LAB 51.02, 77.28, 16.29

 

CMYK 0 / 93 / 74 / 7

HEX #ED113D

RGB 237 17 61

HSL 348, 0.87%, 0.5%

LAB 50.38, 75.52, 37.77

 

CMYK 0 / 93 / 89 / 7

HEX #ED1119

RGB 237 17 25

HSL 357.82, 0.87%, 0.5%

LAB 50.07, 74.63, 56.13

 

CMYK 0 / 80 / 93 / 7

HEX #ED2F11

RGB 237 47 17

HSL 8.18, 0.87%, 0.5%

LAB 51.93, 69.13, 60.22

 

CMYK 0 / 92 / 44 / 7

HEX #ED1385

RGB 237 19 133

HSL 328.62, 0.86%, 0.5%

LAB 52.02, 79.59, -3.54

 

CMYK 0 / 91 / 42 / 87

HEX #210313

RGB 33 3 19

HSL 328, 0.83%, 0.07%

LAB 3.93, 14.89, -2.65

 

CMYK 0 / 92 / 44 / 67

HEX #54072F

RGB 84 7 47

HSL 328.83, 0.85%, 0.18%

LAB 16.71, 36.41, -3.32

 

CMYK 0 / 92 / 44 / 47

HEX #870B4C

RGB 135 11 76

HSL 328.55, 0.85%, 0.29%

LAB 29.19, 51.91, -3.62

 

CMYK 0 / 92 / 44 / 27

HEX #BA0F68

RGB 186 15 104

HSL 328.77, 0.85%, 0.39%

LAB 40.86, 66.11, -3.29

 

CMYK 0 / 92 / 44 / 7

HEX #ED1385

RGB 237 19 133

HSL 328.62, 0.86%, 0.5%

LAB 52.02, 79.59, -3.54

 

CMYK 0 / 31 / 93 / 7

HEX #EDA411

RGB 237 164 17

HSL 40.09, 0.87%, 0.5%

LAB 72.63, 17, 74.27

 

CMYK 93 / 6 / 0 / 7

HEX #11DEED

RGB 17 222 237

HSL 184.09, 0.87%, 0.5%

LAB 81, -38.37, -19.9

 

CMYK 0 / 92 / 44 / 7

HEX #ED1385

RGB 237 19 133

HSL 328.62, 0.86%, 0.5%

LAB 52.02, 79.59, -3.54

 

CMYK 43 / 0 / 93 / 7

HEX #86ED11

RGB 134 237 17

HSL 88.09, 0.87%, 0.5%

LAB 84.83, -59.25, 80.45

 

CMYK 93 / 43 / 0 / 7

HEX #1186ED

RGB 17 134 237

HSL 208.09, 0.87%, 0.5%

LAB 55.36, 8.61, -59.91

 

CMYK 0 / 92 / 44 / 7

HEX #ED1385

RGB 237 19 133

HSL 328.62, 0.86%, 0.5%

LAB 52.02, 79.59, -3.54

 

CMYK 0 / 31 / 93 / 7

HEX #EDA411

RGB 237 164 17

HSL 40.09, 0.87%, 0.5%

LAB 72.63, 17, 74.27

 

CMYK 93 / 0 / 49 / 7

HEX #11ED78

RGB 17 237 120

HSL 148.09, 0.87%, 0.5%

LAB 82.94, -71.84, 43.46

 

CMYK 93 / 62 / 0 / 7

HEX #115AED

RGB 17 90 237

HSL 220.09, 0.87%, 0.5%

LAB 43.57, 36.45, -79.04

 

CMYK 0 / 92 / 44 / 7

HEX #ED1385

RGB 237 19 133

HSL 328.62, 0.86%, 0.5%

LAB 52.02, 79.59, -3.54

 

CMYK 0 / 3 / 93 / 7

HEX #EDE511

RGB 237 229 17

HSL 57.82, 0.87%, 0.5%

LAB 88.96, -16.37, 86.41

 

CMYK 93 / 0 / 49 / 7

HEX #11ED78

RGB 17 237 120

HSL 148.09, 0.87%, 0.5%

LAB 82.94, -71.84, 43.46

 

CMYK 93 / 89 / 0 / 7

HEX #1119ED

RGB 17 25 237

HSL 237.82, 0.87%, 0.5%

LAB 31.64, 69.93, -98.79

 

Description

Color code: CMYK 0 / 92 / 44 / 7 | qconv.com Color code: CMYK 0 / 92 / 44 / 7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 19 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 19 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 44 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 44% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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