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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13E896 it is the complementary color #EC1769. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13E896. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #13E896: #18E891, #29FAA4, #3AFFB7, #4BFFCA and #5CFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13E896. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #13E896: #13E896, #02D683, #00C470, #00B25D and #00A04A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 35 / 9

HEX #13E896

RGB 19 232 150

HSL 156.9, 0.85%, 0.49%

LAB 81.87, -64.73, 27.16

 

Complementary color

CMYK 0 / 90 / 56 / 7

HEX #EC1769

RGB 236 23 105

HSL 336.9, 0.85%, 0.51%

LAB 51.23, 76.78, 12.28

 

CMYK 90 / 0 / 38 / 9

HEX #18E891

RGB 24 232 145

HSL 154.9, 0.82%, 0.5%

LAB 81.81, -65.47, 29.64

 

CMYK 84 / 0 / 34 / 2

HEX #29FAA4

RGB 41 250 164

HSL 155.31, 0.95%, 0.57%

LAB 87.74, -66.91, 28.01

 

CMYK 77 / 0 / 28 / 0

HEX #3AFFB7

RGB 58 255 183

HSL 158.07, 1%, 0.61%

LAB 89.78, -63.25, 21.19

 

CMYK 71 / 0 / 21 / 0

HEX #4BFFCA

RGB 75 255 202

HSL 162.33, 1%, 0.65%

LAB 90.45, -57.04, 12.42

 

CMYK 64 / 0 / 13 / 0

HEX #5CFFDD

RGB 92 255 221

HSL 167.48, 1%, 0.68%

LAB 91.24, -50.12, 3.79

 

CMYK 92 / 0 / 35 / 9

HEX #13E896

RGB 19 232 150

HSL 156.9, 0.85%, 0.49%

LAB 81.87, -64.73, 27.16

 

CMYK 99 / 0 / 39 / 16

HEX #02D683

RGB 2 214 131

HSL 156.51, 0.98%, 0.42%

LAB 75.91, -62.82, 28.92

 

CMYK 100 / 0 / 43 / 23

HEX #00C470

RGB 0 196 112

HSL 154.29, 1%, 0.38%

LAB 69.93, -60.33, 30.83

 

CMYK 100 / 0 / 48 / 30

HEX #00B25D

RGB 0 178 93

HSL 151.35, 1%, 0.35%

LAB 63.86, -57.65, 32.79

 

CMYK 100 / 0 / 54 / 37

HEX #00A04A

RGB 0 160 74

HSL 147.75, 1%, 0.31%

LAB 57.69, -54.79, 34.76

 

CMYK 92 / 0 / 35 / 9

HEX #13E896

RGB 19 232 150

HSL 156.9, 0.85%, 0.49%

LAB 81.87, -64.73, 27.16

 

CMYK 92 / 0 / 22 / 9

HEX #12E7B5

RGB 18 231 181

HSL 165.92, 0.86%, 0.49%

LAB 82.17, -57.53, 11.48

 

CMYK 92 / 0 / 6 / 9

HEX #12E7D8

RGB 18 231 216

HSL 175.77, 0.86%, 0.49%

LAB 83.04, -48.43, -5.72

 

CMYK 92 / 10 / 0 / 9

HEX #12D1E7

RGB 18 209 231

HSL 186.2, 0.86%, 0.49%

LAB 76.98, -34.14, -22.8

 

CMYK 92 / 25 / 0 / 9

HEX #12AEE7

RGB 18 174 231

HSL 196.06, 0.86%, 0.49%

LAB 66.65, -16.54, -38.73

 

CMYK 92 / 0 / 35 / 9

HEX #13E896

RGB 19 232 150

HSL 156.9, 0.85%, 0.49%

LAB 81.87, -64.73, 27.16

 

CMYK 93 / 0 / 36 / 89

HEX #021C12

RGB 2 28 18

HSL 156.92, 0.87%, 0.06%

LAB 8.01, -12.03, 3.6

 

CMYK 92 / 0 / 35 / 69

HEX #064F33

RGB 6 79 51

HSL 156.99, 0.86%, 0.17%

LAB 29.08, -28.47, 10.79

 

CMYK 92 / 0 / 35 / 49

HEX #0B8254

RGB 11 130 84

HSL 156.81, 0.84%, 0.28%

LAB 47.85, -41.39, 16.67

 

CMYK 92 / 0 / 35 / 29

HEX #0FB575

RGB 15 181 117

HSL 156.87, 0.85%, 0.38%

LAB 65.31, -53.4, 22.07

 

CMYK 92 / 0 / 35 / 9

HEX #13E896

RGB 19 232 150

HSL 156.9, 0.85%, 0.49%

LAB 81.87, -64.73, 27.16

 

CMYK 92 / 74 / 0 / 9

HEX #123DE7

RGB 18 61 231

HSL 227.89, 0.86%, 0.49%

LAB 36.43, 52.02, -87.41

 

CMYK 0 / 74 / 92 / 9

HEX #E73D12

RGB 231 61 18

HSL 12.11, 0.86%, 0.49%

LAB 52.25, 63.27, 59.55

 

CMYK 92 / 0 / 35 / 9

HEX #13E896

RGB 19 232 150

HSL 156.9, 0.85%, 0.49%

LAB 81.87, -64.73, 27.16

 

CMYK 37 / 92 / 0 / 9

HEX #9212E7

RGB 146 18 231

HSL 276.06, 0.86%, 0.49%

LAB 41.71, 77.87, -78.36

 

CMYK 0 / 37 / 92 / 9

HEX #E79212

RGB 231 146 18

HSL 36.06, 0.86%, 0.49%

LAB 67.72, 24, 70.21

 

CMYK 92 / 0 / 35 / 9

HEX #13E896

RGB 19 232 150

HSL 156.9, 0.85%, 0.49%

LAB 81.87, -64.73, 27.16

 

CMYK 92 / 74 / 0 / 9

HEX #123DE7

RGB 18 61 231

HSL 227.89, 0.86%, 0.49%

LAB 36.43, 52.02, -87.41

 

CMYK 0 / 92 / 55 / 9

HEX #E71267

RGB 231 18 103

HSL 336.06, 0.86%, 0.49%

LAB 49.98, 76.09, 11.61

 

CMYK 0 / 19 / 92 / 9

HEX #E7BC12

RGB 231 188 18

HSL 47.89, 0.86%, 0.49%

LAB 77.87, 1.8, 77.7

 

CMYK 92 / 0 / 35 / 9

HEX #13E896

RGB 19 232 150

HSL 156.9, 0.85%, 0.49%

LAB 81.87, -64.73, 27.16

 

CMYK 83 / 92 / 0 / 9

HEX #2712E7

RGB 39 18 231

HSL 245.92, 0.86%, 0.49%

LAB 30.96, 70.63, -96.5

 

CMYK 0 / 92 / 55 / 9

HEX #E71267

RGB 231 18 103

HSL 336.06, 0.86%, 0.49%

LAB 49.98, 76.09, 11.61

 

CMYK 10 / 0 / 92 / 9

HEX #D1E712

RGB 209 231 18

HSL 66.2, 0.86%, 0.49%

LAB 87.36, -28.93, 84.14

 

Description

Color code: HEX #13E896 | qconv.com Color code: HEX #13E896 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 232 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 232 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 35 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 35% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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