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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13C275 it is the complementary color #EC3D8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13C275. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13C275 shade: #18C270, #29D483, #3AE696, #4BF8A9 and #5CFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13C275. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13C275 shade: #13C275, #02B062, #009E4F, #008C3C and #007A29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13C275 shade: #13C376, #13C346, #13C317, #3FC313 and #6EC313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13C275 shade: #13C376, #13C3A5, #13B1C3, #1382C3 and #1353C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13C275 shade matches the following richer shades: #13C376 and #02D478

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13C275 shade: #13C376, #25B274, #36A071, #478F6F and #597E6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13C275 shade: #13C316, #13C345, #13C374, #13C3A3 and #13B4C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13C275 shade: #0C7848, #109D5F, #13C376, #17E88C and #3DEC9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13C275 shade: #13C275, #133FC3 and #C32E13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13C275 shade: #13C275, #7413C3 and #C37413

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13C275 shade: #13C275, #133FC3, #C31362 and #C39713

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13C275 shade: #13C275, #1C13C3, #C31362 and #BAC313

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 40 / 24

HEX #13C275

RGB 19 194 117

HSL 153.6, 0.82%, 0.42%

LAB 69.47, -57.88, 27.65

 

Complementary color

CMYK 0 / 74 / 42 / 7

HEX #EC3D8A

RGB 236 61 138

HSL 333.6, 0.82%, 0.58%

LAB 55.08, 70.95, -2.06

 

CMYK 88 / 0 / 42 / 24

HEX #18C270

RGB 24 194 112

HSL 151.06, 0.78%, 0.43%

LAB 69.43, -58.51, 30.21

 

CMYK 81 / 0 / 38 / 17

HEX #29D483

RGB 41 212 131

HSL 151.58, 0.68%, 0.5%

LAB 75.57, -59.84, 28.52

 

CMYK 75 / 0 / 35 / 10

HEX #3AE696

RGB 58 230 150

HSL 152.09, 0.77%, 0.56%

LAB 81.67, -60.76, 26.97

 

CMYK 70 / 0 / 32 / 3

HEX #4BF8A9

RGB 75 248 169

HSL 152.6, 0.93%, 0.63%

LAB 87.73, -61.39, 25.53

 

CMYK 64 / 0 / 26 / 0

HEX #5CFFBC

RGB 92 255 188

HSL 155.34, 1%, 0.68%

LAB 90.52, -57.53, 19.75

 

CMYK 90 / 0 / 40 / 24

HEX #13C275

RGB 19 194 117

HSL 153.6, 0.82%, 0.42%

LAB 69.47, -57.88, 27.65

 

CMYK 99 / 0 / 44 / 31

HEX #02B062

RGB 2 176 98

HSL 153.1, 0.98%, 0.35%

LAB 63.3, -55.98, 29.48

 

CMYK 100 / 0 / 50 / 38

HEX #009E4F

RGB 0 158 79

HSL 150, 1%, 0.31%

LAB 57.09, -53.29, 31.46

 

CMYK 100 / 0 / 57 / 45

HEX #008C3C

RGB 0 140 60

HSL 145.71, 1%, 0.27%

LAB 50.78, -50.3, 33.45

 

CMYK 100 / 0 / 66 / 52

HEX #007A29

RGB 0 122 41

HSL 140.16, 1%, 0.24%

LAB 44.35, -47, 35.27

 

CMYK 90 / 0 / 39 / 24

HEX #13C376

RGB 19 195 118

HSL 153.75, 0.82%, 0.42%

LAB 69.81, -58.04, 27.57

 

CMYK 90 / 0 / 64 / 24

HEX #13C346

RGB 19 195 70

HSL 137.39, 0.82%, 0.42%

LAB 69.19, -65.47, 50.1

 

CMYK 90 / 0 / 88 / 24

HEX #13C317

RGB 19 195 23

HSL 121.36, 0.82%, 0.42%

LAB 68.92, -68.94, 65.04

 

CMYK 68 / 0 / 90 / 24

HEX #3FC313

RGB 63 195 19

HSL 105, 0.82%, 0.42%

LAB 69.56, -63.3, 66.57

 

CMYK 44 / 0 / 90 / 24

HEX #6EC313

RGB 110 195 19

HSL 88.98, 0.82%, 0.42%

LAB 71.14, -50.77, 68.53

 

CMYK 90 / 0 / 39 / 24

HEX #13C376

RGB 19 195 118

HSL 153.75, 0.82%, 0.42%

LAB 69.81, -58.04, 27.57

 

CMYK 90 / 0 / 15 / 24

HEX #13C3A5

RGB 19 195 165

HSL 169.77, 0.82%, 0.42%

LAB 70.79, -47.15, 3.73

 

CMYK 90 / 9 / 0 / 24

HEX #13B1C3

RGB 19 177 195

HSL 186.14, 0.82%, 0.42%

LAB 66.15, -30.2, -19.66

 

CMYK 90 / 33 / 0 / 24

HEX #1382C3

RGB 19 130 195

HSL 202.16, 0.82%, 0.42%

LAB 51.89, -4.94, -41.79

 

CMYK 90 / 57 / 0 / 24

HEX #1353C3

RGB 19 83 195

HSL 218.18, 0.82%, 0.42%

LAB 38.31, 24.9, -63.6

 

CMYK 90 / 0 / 39 / 24

HEX #13C376

RGB 19 195 118

HSL 153.75, 0.82%, 0.42%

LAB 69.81, -58.04, 27.57

 

CMYK 99 / 0 / 43 / 17

HEX #02D478

RGB 2 212 120

HSL 153.71, 0.98%, 0.42%

LAB 75.11, -64.21, 33.49

 

CMYK 90 / 0 / 39 / 24

HEX #13C376

RGB 19 195 118

HSL 153.75, 0.82%, 0.42%

LAB 69.81, -58.04, 27.57

 

CMYK 79 / 0 / 35 / 30

HEX #25B274

RGB 37 178 116

HSL 153.62, 0.66%, 0.42%

LAB 64.56, -50.66, 21.64

 

CMYK 66 / 0 / 29 / 37

HEX #36A071

RGB 54 160 113

HSL 153.4, 0.5%, 0.42%

LAB 59.08, -41.52, 15.85

 

CMYK 50 / 0 / 22 / 44

HEX #478F6F

RGB 71 143 111

HSL 153.33, 0.34%, 0.42%

LAB 54.17, -30.51, 10.19

 

CMYK 29 / 0 / 13 / 51

HEX #597E6D

RGB 89 126 109

HSL 152.43, 0.17%, 0.42%

LAB 49.68, -16.91, 5.09

 

CMYK 90 / 0 / 89 / 24

HEX #13C316

RGB 19 195 22

HSL 121.02, 0.82%, 0.42%

LAB 68.92, -68.97, 65.23

 

CMYK 90 / 0 / 65 / 24

HEX #13C345

RGB 19 195 69

HSL 137.05, 0.82%, 0.42%

LAB 69.18, -65.58, 50.52

 

CMYK 90 / 0 / 41 / 24

HEX #13C374

RGB 19 195 116

HSL 153.07, 0.82%, 0.42%

LAB 69.77, -58.43, 28.57

 

CMYK 90 / 0 / 16 / 24

HEX #13C3A3

RGB 19 195 163

HSL 169.09, 0.82%, 0.42%

LAB 70.74, -47.68, 4.74

 

CMYK 90 / 8 / 0 / 24

HEX #13B4C3

RGB 19 180 195

HSL 185.11, 0.82%, 0.42%

LAB 67.07, -31.65, -18.27

 

CMYK 90 / 0 / 40 / 53

HEX #0C7848

RGB 12 120 72

HSL 153.33, 0.82%, 0.26%

LAB 44.2, -40.03, 18.64

 

CMYK 90 / 0 / 39 / 38

HEX #109D5F

RGB 16 157 95

HSL 153.62, 0.82%, 0.34%

LAB 57.12, -49.04, 23

 

CMYK 90 / 0 / 39 / 24

HEX #13C376

RGB 19 195 118

HSL 153.75, 0.82%, 0.42%

LAB 69.81, -58.04, 27.57

 

CMYK 90 / 0 / 40 / 9

HEX #17E88C

RGB 23 232 140

HSL 153.59, 0.82%, 0.5%

LAB 81.72, -66.48, 32.06

 

CMYK 74 / 0 / 33 / 7

HEX #3DEC9F

RGB 61 236 159

HSL 153.6, 0.82%, 0.58%

LAB 83.7, -60.81, 25.11

 

CMYK 90 / 0 / 40 / 24

HEX #13C275

RGB 19 194 117

HSL 153.6, 0.82%, 0.42%

LAB 69.47, -57.88, 27.65

 

CMYK 90 / 68 / 0 / 24

HEX #133FC3

RGB 19 63 195

HSL 225, 0.82%, 0.42%

LAB 33.21, 38.01, -71.97

 

CMYK 0 / 76 / 90 / 24

HEX #C32E13

RGB 195 46 19

HSL 9.2, 0.82%, 0.42%

LAB 43.66, 57.12, 50.11

 

CMYK 90 / 0 / 40 / 24

HEX #13C275

RGB 19 194 117

HSL 153.6, 0.82%, 0.42%

LAB 69.47, -57.88, 27.65

 

CMYK 41 / 90 / 0 / 24

HEX #7413C3

RGB 116 19 195

HSL 273.07, 0.82%, 0.42%

LAB 34.23, 66.78, -70.01

 

CMYK 0 / 41 / 90 / 24

HEX #C37413

RGB 195 116 19

HSL 33.07, 0.82%, 0.42%

LAB 56.23, 24.77, 59.44

 

CMYK 90 / 0 / 40 / 24

HEX #13C275

RGB 19 194 117

HSL 153.6, 0.82%, 0.42%

LAB 69.47, -57.88, 27.65

 

CMYK 90 / 68 / 0 / 24

HEX #133FC3

RGB 19 63 195

HSL 225, 0.82%, 0.42%

LAB 33.21, 38.01, -71.97

 

CMYK 0 / 90 / 50 / 24

HEX #C31362

RGB 195 19 98

HSL 333.07, 0.82%, 0.42%

LAB 42.69, 67.15, 3.36

 

CMYK 0 / 23 / 90 / 24

HEX #C39713

RGB 195 151 19

HSL 45, 0.82%, 0.42%

LAB 64.79, 5.62, 65.99

 

CMYK 90 / 0 / 40 / 24

HEX #13C275

RGB 19 194 117

HSL 153.6, 0.82%, 0.42%

LAB 69.47, -57.88, 27.65

 

CMYK 86 / 90 / 0 / 24

HEX #1C13C3

RGB 28 19 195

HSL 243.07, 0.82%, 0.42%

LAB 25.72, 60.55, -84.37

 

CMYK 0 / 90 / 50 / 24

HEX #C31362

RGB 195 19 98

HSL 333.07, 0.82%, 0.42%

LAB 42.69, 67.15, 3.36

 

CMYK 5 / 0 / 90 / 24

HEX #BAC313

RGB 186 195 19

HSL 63.07, 0.82%, 0.42%

LAB 75.77, -21.24, 74.21

 

Description

Color code: HEX #13C275 | qconv.com Color code: HEX #13C275 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 194 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 194 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 40 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 40% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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