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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 158 79 it is the complementary color RGB 255 97 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 158 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 0 158 79: RGB 5 158 74, RGB 22 176 93, RGB 39 194 112, RGB 56 212 131 and RGB 73 230 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 158 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 0 158 79: RGB 0 158 79, RGB 0 140 60, RGB 0 122 41, RGB 0 104 22 and RGB 0 86 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 50 / 38

HEX #009E4F

RGB 0 158 79

HSL 150, 1%, 0.31%

LAB 57.09, -53.29, 31.46

 

Complementary color

CMYK 0 / 62 / 31 / 0

HEX #FF61B0

RGB 255 97 176

HSL 330, 1%, 0.69%

LAB 64.12, 67.12, -10.43

 

CMYK 97 / 0 / 53 / 38

HEX #059E4A

RGB 5 158 74

HSL 147.06, 0.94%, 0.32%

LAB 57.06, -53.86, 33.99

 

CMYK 88 / 0 / 47 / 31

HEX #16B05D

RGB 22 176 93

HSL 147.66, 0.78%, 0.39%

LAB 63.35, -55.8, 32.17

 

CMYK 80 / 0 / 42 / 24

HEX #27C270

RGB 39 194 112

HSL 148.26, 0.67%, 0.46%

LAB 69.6, -57.15, 30.46

 

CMYK 74 / 0 / 38 / 17

HEX #38D483

RGB 56 212 131

HSL 148.85, 0.64%, 0.53%

LAB 75.8, -58.05, 28.87

 

CMYK 68 / 0 / 35 / 10

HEX #49E696

RGB 73 230 150

HSL 149.43, 0.76%, 0.59%

LAB 81.95, -58.62, 27.4

 

CMYK 100 / 0 / 50 / 38

HEX #009E4F

RGB 0 158 79

HSL 150, 1%, 0.31%

LAB 57.09, -53.29, 31.46

 

CMYK 100 / 0 / 57 / 45

HEX #008C3C

RGB 0 140 60

HSL 145.71, 1%, 0.27%

LAB 50.78, -50.3, 33.45

 

CMYK 100 / 0 / 66 / 52

HEX #007A29

RGB 0 122 41

HSL 140.16, 1%, 0.24%

LAB 44.35, -47, 35.27

 

CMYK 100 / 0 / 79 / 59

HEX #006816

RGB 0 104 22

HSL 132.69, 1%, 0.2%

LAB 37.77, -43.23, 36.53

 

CMYK 100 / 0 / 97 / 66

HEX #005603

RGB 0 86 3

HSL 122.09, 1%, 0.17%

LAB 31.03, -38.85, 36.62

 

CMYK 100 / 0 / 50 / 38

HEX #009E4F

RGB 0 158 79

HSL 150, 1%, 0.31%

LAB 57.09, -53.29, 31.46

 

CMYK 100 / 0 / 34 / 38

HEX #009E69

RGB 0 158 105

HSL 159.87, 1%, 0.31%

LAB 57.53, -48.1, 18.04

 

CMYK 100 / 0 / 17 / 38

HEX #009E83

RGB 0 158 131

HSL 169.75, 1%, 0.31%

LAB 58.12, -41.58, 4.28

 

CMYK 100 / 0 / 0 / 38

HEX #009E9E

RGB 0 158 158

HSL 180, 1%, 0.31%

LAB 58.9, -33.62, -9.89

 

CMYK 100 / 17 / 0 / 38

HEX #00839E

RGB 0 131 158

HSL 190.25, 1%, 0.31%

LAB 50.34, -20.07, -22.9

 

CMYK 100 / 0 / 50 / 38

HEX #009E4F

RGB 0 158 79

HSL 150, 1%, 0.31%

LAB 57.09, -53.29, 31.46

 

CMYK 100 / 0 / 50 / 18

HEX #00D169

RGB 0 209 105

HSL 150.14, 1%, 0.41%

LAB 73.95, -65.85, 39.48

 

CMYK 100 / 0 / 40 / 98

HEX #000503

RGB 0 5 3

HSL 156, 1%, 0.01%

LAB 1.04, -1.59, 0.3

 

CMYK 100 / 0 / 50 / 78

HEX #00381C

RGB 0 56 28

HSL 150, 1%, 0.11%

LAB 19.69, -25.06, 12.8

 

CMYK 100 / 0 / 50 / 58

HEX #006B36

RGB 0 107 54

HSL 150.28, 1%, 0.21%

LAB 39.21, -39.74, 22.36

 

CMYK 100 / 0 / 50 / 38

HEX #009E4F

RGB 0 158 79

HSL 150, 1%, 0.31%

LAB 57.09, -53.29, 31.46

 

CMYK 100 / 70 / 0 / 38

HEX #002F9E

RGB 0 47 158

HSL 222.15, 1%, 0.31%

LAB 25.27, 33.58, -62.98

 

CMYK 0 / 91 / 100 / 38

HEX #9E0F00

RGB 158 15 0

HSL 5.7, 1%, 0.31%

LAB 33.16, 53.86, 46.92

 

CMYK 100 / 0 / 50 / 38

HEX #009E4F

RGB 0 158 79

HSL 150, 1%, 0.31%

LAB 57.09, -53.29, 31.46

 

CMYK 50 / 100 / 0 / 38

HEX #4F009E

RGB 79 0 158

HSL 270, 1%, 0.31%

LAB 24.1, 58.35, -64.73

 

CMYK 0 / 50 / 100 / 38

HEX #9E4F00

RGB 158 79 0

HSL 30, 1%, 0.31%

LAB 42.55, 28.76, 52.05

 

CMYK 100 / 0 / 50 / 38

HEX #009E4F

RGB 0 158 79

HSL 150, 1%, 0.31%

LAB 57.09, -53.29, 31.46

 

CMYK 100 / 70 / 0 / 38

HEX #002F9E

RGB 0 47 158

HSL 222.15, 1%, 0.31%

LAB 25.27, 33.58, -62.98

 

CMYK 0 / 100 / 50 / 38

HEX #9E004F

RGB 158 0 79

HSL 330, 1%, 0.31%

LAB 33.63, 59.3, 1.49

 

CMYK 0 / 30 / 100 / 38

HEX #9E6E00

RGB 158 110 0

HSL 41.77, 1%, 0.31%

LAB 50, 11.29, 56.81

 

CMYK 100 / 0 / 50 / 38

HEX #009E4F

RGB 0 158 79

HSL 150, 1%, 0.31%

LAB 57.09, -53.29, 31.46

 

CMYK 100 / 100 / 0 / 38

HEX #00009E

RGB 0 0 158

HSL 240, 1%, 0.31%

LAB 17.78, 55.38, -75.42

 

CMYK 0 / 100 / 50 / 38

HEX #9E004F

RGB 158 0 79

HSL 330, 1%, 0.31%

LAB 33.63, 59.3, 1.49

 

CMYK 0 / 0 / 100 / 38

HEX #9E9E00

RGB 158 158 0

HSL 60, 1%, 0.31%

LAB 63.11, -15.07, 66.07

 

Description

Color code: RGB 0 158 79 | qconv.com Color code: RGB 0 158 79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 158 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 158 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 50 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 50% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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