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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13BB8A it is the complementary color #EC4475. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13BB8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #13BB8A: #18BB85, #29CD98, #3ADFAB, #4BF1BE and #5CFFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13BB8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #13BB8A: #13BB8A, #02A977, #009764, #008551 and #00733E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 26 / 27

HEX #13BB8A

RGB 19 187 138

HSL 162.5, 0.82%, 0.4%

LAB 67.66, -50.73, 13.97

 

Complementary color

CMYK 0 / 71 / 50 / 7

HEX #EC4475

RGB 236 68 117

HSL 342.5, 0.82%, 0.6%

LAB 55.33, 66.83, 10.8

 

CMYK 87 / 0 / 29 / 27

HEX #18BB85

RGB 24 187 133

HSL 160.12, 0.77%, 0.41%

LAB 67.6, -51.58, 16.59

 

CMYK 80 / 0 / 26 / 20

HEX #29CD98

RGB 41 205 152

HSL 160.61, 0.67%, 0.48%

LAB 73.81, -52.77, 15.06

 

CMYK 74 / 0 / 23 / 13

HEX #3ADFAB

RGB 58 223 171

HSL 161.09, 0.72%, 0.55%

LAB 79.96, -53.61, 13.68

 

CMYK 69 / 0 / 21 / 5

HEX #4BF1BE

RGB 75 241 190

HSL 161.57, 0.86%, 0.62%

LAB 86.07, -54.19, 12.41

 

CMYK 64 / 0 / 18 / 0

HEX #5CFFD1

RGB 92 255 209

HSL 163.07, 1%, 0.68%

LAB 90.96, -52.94, 9.59

 

CMYK 90 / 0 / 26 / 27

HEX #13BB8A

RGB 19 187 138

HSL 162.5, 0.82%, 0.4%

LAB 67.66, -50.73, 13.97

 

CMYK 99 / 0 / 30 / 34

HEX #02A977

RGB 2 169 119

HSL 162.04, 0.98%, 0.34%

LAB 61.41, -48.99, 15.64

 

CMYK 100 / 0 / 34 / 41

HEX #009764

RGB 0 151 100

HSL 159.74, 1%, 0.3%

LAB 55.13, -46.57, 17.53

 

CMYK 100 / 0 / 39 / 48

HEX #008551

RGB 0 133 81

HSL 156.54, 1%, 0.26%

LAB 48.72, -43.94, 19.54

 

CMYK 100 / 0 / 46 / 55

HEX #00733E

RGB 0 115 62

HSL 152.35, 1%, 0.23%

LAB 42.17, -41.14, 21.64

 

CMYK 90 / 0 / 26 / 27

HEX #13BB8A

RGB 19 187 138

HSL 162.5, 0.82%, 0.4%

LAB 67.66, -50.73, 13.97

 

CMYK 90 / 0 / 12 / 27

HEX #12B9A3

RGB 18 185 163

HSL 172.1, 0.82%, 0.4%

LAB 67.63, -43.52, 0.23

 

CMYK 90 / 3 / 0 / 27

HEX #12B4B9

RGB 18 180 185

HSL 181.8, 0.82%, 0.4%

LAB 66.73, -34.84, -13.26

 

CMYK 90 / 18 / 0 / 27

HEX #1298B9

RGB 18 152 185

HSL 191.86, 0.82%, 0.4%

LAB 58.12, -20.93, -26.37

 

CMYK 90 / 33 / 0 / 27

HEX #127CB9

RGB 18 124 185

HSL 201.92, 0.82%, 0.4%

LAB 49.55, -5.25, -39.75

 

CMYK 90 / 0 / 26 / 27

HEX #13BB8A

RGB 19 187 138

HSL 162.5, 0.82%, 0.4%

LAB 67.66, -50.73, 13.97

 

CMYK 90 / 0 / 26 / 7

HEX #18EEB0

RGB 24 238 176

HSL 162.62, 0.86%, 0.51%

LAB 84.21, -61.09, 16.98

 

CMYK 91 / 0 / 26 / 87

HEX #032219

RGB 3 34 25

HSL 162.58, 0.84%, 0.07%

LAB 10.8, -14.41, 2.76

 

CMYK 89 / 0 / 26 / 67

HEX #09553F

RGB 9 85 63

HSL 162.63, 0.81%, 0.18%

LAB 31.61, -27.63, 6.78

 

CMYK 90 / 0 / 26 / 47

HEX #0E8864

RGB 14 136 100

HSL 162.3, 0.81%, 0.29%

LAB 50.24, -39.77, 10.79

 

CMYK 90 / 0 / 26 / 27

HEX #13BB8A

RGB 19 187 138

HSL 162.5, 0.82%, 0.4%

LAB 67.66, -50.73, 13.97

 

CMYK 90 / 81 / 0 / 27

HEX #1223B9

RGB 18 35 185

HSL 233.89, 0.82%, 0.4%

LAB 26.25, 50.78, -77.57

 

CMYK 0 / 63 / 90 / 27

HEX #B94412

RGB 185 68 18

HSL 17.96, 0.82%, 0.4%

LAB 44.93, 45.22, 50.58

 

CMYK 90 / 0 / 26 / 27

HEX #13BB8A

RGB 19 187 138

HSL 162.5, 0.82%, 0.4%

LAB 67.66, -50.73, 13.97

 

CMYK 27 / 90 / 0 / 27

HEX #8712B9

RGB 135 18 185

HSL 282.04, 0.82%, 0.4%

LAB 36.15, 67.39, -60.86

 

CMYK 0 / 27 / 90 / 27

HEX #B98712

RGB 185 135 18

HSL 42.04, 0.82%, 0.4%

LAB 59.6, 9.88, 61.72

 

CMYK 90 / 0 / 26 / 27

HEX #13BB8A

RGB 19 187 138

HSL 162.5, 0.82%, 0.4%

LAB 67.66, -50.73, 13.97

 

CMYK 90 / 81 / 0 / 27

HEX #1223B9

RGB 18 35 185

HSL 233.89, 0.82%, 0.4%

LAB 26.25, 50.78, -77.57

 

CMYK 0 / 90 / 63 / 27

HEX #B91244

RGB 185 18 68

HSL 342.04, 0.82%, 0.4%

LAB 39.86, 62.79, 18.13

 

CMYK 0 / 9 / 90 / 27

HEX #B9A812

RGB 185 168 18

HSL 53.89, 0.82%, 0.4%

LAB 68.29, -7.96, 68.47

 

CMYK 90 / 0 / 26 / 27

HEX #13BB8A

RGB 19 187 138

HSL 162.5, 0.82%, 0.4%

LAB 67.66, -50.73, 13.97

 

CMYK 72 / 90 / 0 / 27

HEX #3312B9

RGB 51 18 185

HSL 251.86, 0.82%, 0.4%

LAB 25.68, 59.02, -78.48

 

CMYK 0 / 90 / 63 / 27

HEX #B91244

RGB 185 18 68

HSL 342.04, 0.82%, 0.4%

LAB 39.86, 62.79, 18.13

 

CMYK 18 / 0 / 90 / 27

HEX #98B912

RGB 152 185 18

HSL 71.86, 0.82%, 0.4%

LAB 70.47, -30.74, 69.1

 

Description

Color code: HEX #13BB8A | qconv.com Color code: HEX #13BB8A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 187 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 187 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 26 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 26% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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