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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13B38B it is the complementary color #EC4C74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13B38B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #13B38B: #18B386, #29C599, #3AD7AC, #4BE9BF and #5CFBD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13B38B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #13B38B: #13B38B, #02A178, #008F65, #007D52 and #006B3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 22 / 30

HEX #13B38B

RGB 19 179 139

HSL 165, 0.81%, 0.39%

LAB 65.15, -47.3, 9.89

 

Complementary color

CMYK 0 / 68 / 51 / 7

HEX #EC4C74

RGB 236 76 116

HSL 345, 0.81%, 0.61%

LAB 56.35, 63.87, 12.82

 

CMYK 87 / 0 / 25 / 30

HEX #18B386

RGB 24 179 134

HSL 162.58, 0.76%, 0.4%

LAB 65.09, -48.2, 12.54

 

CMYK 79 / 0 / 22 / 23

HEX #29C599

RGB 41 197 153

HSL 163.08, 0.66%, 0.47%

LAB 71.35, -49.35, 11.07

 

CMYK 73 / 0 / 20 / 16

HEX #3AD7AC

RGB 58 215 172

HSL 163.57, 0.66%, 0.54%

LAB 77.57, -50.14, 9.75

 

CMYK 68 / 0 / 18 / 9

HEX #4BE9BF

RGB 75 233 191

HSL 164.05, 0.78%, 0.6%

LAB 83.72, -50.69, 8.54

 

CMYK 63 / 0 / 16 / 2

HEX #5CFBD2

RGB 92 251 210

HSL 164.53, 0.95%, 0.67%

LAB 89.82, -51.05, 7.44

 

CMYK 89 / 0 / 22 / 30

HEX #13B38B

RGB 19 179 139

HSL 165, 0.81%, 0.39%

LAB 65.15, -47.3, 9.89

 

CMYK 99 / 0 / 25 / 37

HEX #02A178

RGB 2 161 120

HSL 164.53, 0.98%, 0.32%

LAB 58.84, -45.61, 11.5

 

CMYK 100 / 0 / 29 / 44

HEX #008F65

RGB 0 143 101

HSL 162.38, 1%, 0.28%

LAB 52.49, -43.2, 13.34

 

CMYK 100 / 0 / 34 / 51

HEX #007D52

RGB 0 125 82

HSL 159.36, 1%, 0.25%

LAB 46.01, -40.61, 15.3

 

CMYK 100 / 0 / 41 / 58

HEX #006B3F

RGB 0 107 63

HSL 155.33, 1%, 0.21%

LAB 39.37, -37.87, 17.39

 

CMYK 89 / 0 / 22 / 30

HEX #13B38B

RGB 19 179 139

HSL 165, 0.81%, 0.39%

LAB 65.15, -47.3, 9.89

 

CMYK 90 / 0 / 8 / 29

HEX #12B4A6

RGB 18 180 166

HSL 174.81, 0.82%, 0.39%

LAB 66.15, -40.5, -3.59

 

CMYK 90 / 8 / 0 / 29

HEX #12A6B4

RGB 18 166 180

HSL 185.19, 0.82%, 0.39%

LAB 62.25, -29.72, -17.24

 

CMYK 90 / 23 / 0 / 29

HEX #128BB4

RGB 18 139 180

HSL 195.19, 0.82%, 0.39%

LAB 53.91, -15.7, -30.05

 

CMYK 90 / 38 / 0 / 29

HEX #1270B4

RGB 18 112 180

HSL 205.19, 0.82%, 0.39%

LAB 45.65, 0.08, -43.04

 

CMYK 89 / 0 / 22 / 30

HEX #13B38B

RGB 19 179 139

HSL 165, 0.81%, 0.39%

LAB 65.15, -47.3, 9.89

 

CMYK 90 / 0 / 22 / 10

HEX #18E6B3

RGB 24 230 179

HSL 165.15, 0.81%, 0.5%

LAB 81.86, -57.36, 12.1

 

CMYK 88 / 0 / 23 / 90

HEX #031A14

RGB 3 26 20

HSL 164.35, 0.79%, 0.06%

LAB 7.3, -9.64, 1.3

 

CMYK 90 / 0 / 22 / 70

HEX #084D3C

RGB 8 77 60

HSL 165.22, 0.81%, 0.17%

LAB 28.61, -24.82, 4.42

 

CMYK 89 / 0 / 23 / 50

HEX #0E8063

RGB 14 128 99

HSL 164.74, 0.8%, 0.28%

LAB 47.54, -36.63, 7.55

 

CMYK 89 / 0 / 22 / 30

HEX #13B38B

RGB 19 179 139

HSL 165, 0.81%, 0.39%

LAB 65.15, -47.3, 9.89

 

CMYK 90 / 86 / 0 / 29

HEX #121AB4

RGB 18 26 180

HSL 237.04, 0.82%, 0.39%

LAB 24.2, 53.4, -78.01

 

CMYK 0 / 58 / 90 / 29

HEX #B44B12

RGB 180 75 18

HSL 21.11, 0.82%, 0.39%

LAB 45.33, 40.05, 50.5

 

CMYK 89 / 0 / 22 / 30

HEX #13B38B

RGB 19 179 139

HSL 165, 0.81%, 0.39%

LAB 65.15, -47.3, 9.89

 

CMYK 23 / 90 / 0 / 29

HEX #8B12B4

RGB 139 18 180

HSL 284.81, 0.82%, 0.39%

LAB 36.4, 67.02, -57.47

 

CMYK 0 / 23 / 90 / 29

HEX #B48B12

RGB 180 139 18

HSL 44.81, 0.82%, 0.39%

LAB 60.08, 5.41, 61.85

 

CMYK 89 / 0 / 22 / 30

HEX #13B38B

RGB 19 179 139

HSL 165, 0.81%, 0.39%

LAB 65.15, -47.3, 9.89

 

CMYK 90 / 86 / 0 / 29

HEX #121AB4

RGB 18 26 180

HSL 237.04, 0.82%, 0.39%

LAB 24.2, 53.4, -78.01

 

CMYK 0 / 90 / 67 / 29

HEX #B4123B

RGB 180 18 59

HSL 344.81, 0.82%, 0.39%

LAB 38.64, 61.02, 22.07

 

CMYK 0 / 5 / 90 / 29

HEX #B4AB12

RGB 180 171 18

HSL 56.67, 0.82%, 0.39%

LAB 68.66, -11.74, 68.57

 

CMYK 89 / 0 / 22 / 30

HEX #13B38B

RGB 19 179 139

HSL 165, 0.81%, 0.39%

LAB 65.15, -47.3, 9.89

 

CMYK 67 / 90 / 0 / 29

HEX #3B12B4

RGB 59 18 180

HSL 255.19, 0.82%, 0.39%

LAB 25.74, 58.16, -75.39

 

CMYK 0 / 90 / 67 / 29

HEX #B4123B

RGB 180 18 59

HSL 344.81, 0.82%, 0.39%

LAB 38.64, 61.02, 22.07

 

CMYK 23 / 0 / 90 / 29

HEX #8BB412

RGB 139 180 18

HSL 75.19, 0.82%, 0.39%

LAB 68.15, -33.71, 66.87

 

Description

Color code: HEX #13B38B | qconv.com Color code: HEX #13B38B | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 179 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 179 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 22 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 22% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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