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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13AA7B it is the complementary color #EC5584. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13AA7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13AA7B shade: #18AA76, #29BC89, #3ACE9C, #4BE0AF and #5CF2C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13AA7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13AA7B shade: #13AA7B, #029868, #008655, #007442 and #00622F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13AA7B shade: #13AA7B, #13AA52, #13AA29, #25AA13 and #4EAA13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13AA7B shade: #13AA7B, #13AAA4, #1387AA, #135FAA and #1336AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13AA7B shade matches the following richer shades: #13AA7B and #04B981

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13AA7B shade: #13AA7B, #229B75, #318B6F, #417C6A and #506D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13AA7B shade: #13AA2A, #13AA52, #13AA7A, #13AAA2 and #1389AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13AA7B shade: #0B6045, #0F8560, #13AA7B, #17CF96 and #28E7AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13AA7B shade: #13AA7B, #1324AA and #AA3E13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13AA7B shade: #13AA7B, #7A13AA and #AA7A13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13AA7B shade: #13AA7B, #1324AA, #AA1343 and #AA9813

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13AA7B shade: #13AA7B, #2F13AA, #AA1343 and #8EAA13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 28 / 33

HEX #13AA7B

RGB 19 170 123

HSL 161.32, 0.8%, 0.37%

LAB 61.93, -47.61, 14.17

 

Complementary color

CMYK 0 / 64 / 44 / 7

HEX #EC5584

RGB 236 85 132

HSL 341.32, 0.8%, 0.63%

LAB 58.03, 61.75, 5.78

 

CMYK 86 / 0 / 31 / 33

HEX #18AA76

RGB 24 170 118

HSL 158.63, 0.75%, 0.38%

LAB 61.87, -48.4, 16.85

 

CMYK 78 / 0 / 27 / 26

HEX #29BC89

RGB 41 188 137

HSL 159.18, 0.64%, 0.45%

LAB 68.2, -49.5, 15.3

 

CMYK 72 / 0 / 24 / 19

HEX #3ACE9C

RGB 58 206 156

HSL 159.73, 0.6%, 0.52%

LAB 74.47, -50.23, 13.9

 

CMYK 67 / 0 / 22 / 12

HEX #4BE0AF

RGB 75 224 175

HSL 160.27, 0.71%, 0.59%

LAB 80.68, -50.69, 12.64

 

CMYK 62 / 0 / 20 / 5

HEX #5CF2C2

RGB 92 242 194

HSL 160.8, 0.85%, 0.65%

LAB 86.84, -50.97, 11.47

 

CMYK 89 / 0 / 28 / 33

HEX #13AA7B

RGB 19 170 123

HSL 161.32, 0.8%, 0.37%

LAB 61.93, -47.61, 14.17

 

CMYK 99 / 0 / 32 / 40

HEX #029868

RGB 2 152 104

HSL 160.8, 0.97%, 0.3%

LAB 55.55, -45.92, 15.88

 

CMYK 100 / 0 / 37 / 47

HEX #008655

RGB 0 134 85

HSL 158.06, 1%, 0.26%

LAB 49.14, -43.43, 17.83

 

CMYK 100 / 0 / 43 / 55

HEX #007442

RGB 0 116 66

HSL 154.14, 1%, 0.23%

LAB 42.59, -40.69, 19.91

 

CMYK 100 / 0 / 52 / 62

HEX #00622F

RGB 0 98 47

HSL 148.78, 1%, 0.19%

LAB 35.87, -37.73, 22.08

 

CMYK 89 / 0 / 28 / 33

HEX #13AA7B

RGB 19 170 123

HSL 161.32, 0.8%, 0.37%

LAB 61.93, -47.61, 14.17

 

CMYK 89 / 0 / 52 / 33

HEX #13AA52

RGB 19 170 82

HSL 145.03, 0.8%, 0.37%

LAB 61.22, -55.81, 35.1

 

CMYK 89 / 0 / 76 / 33

HEX #13AA29

RGB 19 170 41

HSL 128.74, 0.8%, 0.37%

LAB 60.82, -60.68, 52.67

 

CMYK 78 / 0 / 89 / 33

HEX #25AA13

RGB 37 170 19

HSL 112.85, 0.8%, 0.37%

LAB 60.95, -59.95, 58.98

 

CMYK 54 / 0 / 89 / 33

HEX #4EAA13

RGB 78 170 19

HSL 96.56, 0.8%, 0.37%

LAB 62.01, -51.08, 60.31

 

CMYK 89 / 0 / 28 / 33

HEX #13AA7B

RGB 19 170 123

HSL 161.32, 0.8%, 0.37%

LAB 61.93, -47.61, 14.17

 

CMYK 89 / 0 / 4 / 33

HEX #13AAA4

RGB 19 170 164

HSL 177.62, 0.8%, 0.37%

LAB 62.98, -36.54, -7.17

 

CMYK 89 / 21 / 0 / 33

HEX #1387AA

RGB 19 135 170

HSL 193.91, 0.8%, 0.37%

LAB 52.25, -17.03, -26.88

 

CMYK 89 / 44 / 0 / 33

HEX #135FAA

RGB 19 95 170

HSL 209.8, 0.8%, 0.37%

LAB 39.96, 6.94, -46.26

 

CMYK 89 / 68 / 0 / 33

HEX #1336AA

RGB 19 54 170

HSL 226.09, 0.8%, 0.37%

LAB 28.59, 34.38, -64.75

 

CMYK 89 / 0 / 28 / 33

HEX #13AA7B

RGB 19 170 123

HSL 161.32, 0.8%, 0.37%

LAB 61.93, -47.61, 14.17

 

CMYK 98 / 0 / 30 / 27

HEX #04B981

RGB 4 185 129

HSL 161.44, 0.96%, 0.37%

LAB 66.76, -52.71, 17.57

 

CMYK 89 / 0 / 28 / 33

HEX #13AA7B

RGB 19 170 123

HSL 161.32, 0.8%, 0.37%

LAB 61.93, -47.61, 14.17

 

CMYK 78 / 0 / 25 / 39

HEX #229B75

RGB 34 155 117

HSL 161.16, 0.64%, 0.37%

LAB 57.14, -41.55, 10.83

 

CMYK 65 / 0 / 20 / 45

HEX #318B6F

RGB 49 139 111

HSL 161.33, 0.48%, 0.37%

LAB 52.14, -33.67, 7.21

 

CMYK 48 / 0 / 15 / 51

HEX #417C6A

RGB 65 124 106

HSL 161.69, 0.31%, 0.37%

LAB 47.73, -23.92, 3.89

 

CMYK 27 / 0 / 8 / 57

HEX #506D64

RGB 80 109 100

HSL 161.38, 0.15%, 0.37%

LAB 43.6, -12.66, 1.59

 

CMYK 89 / 0 / 75 / 33

HEX #13AA2A

RGB 19 170 42

HSL 129.14, 0.8%, 0.37%

LAB 60.83, -60.6, 52.33

 

CMYK 89 / 0 / 52 / 33

HEX #13AA52

RGB 19 170 82

HSL 145.03, 0.8%, 0.37%

LAB 61.22, -55.81, 35.1

 

CMYK 89 / 0 / 28 / 33

HEX #13AA7A

RGB 19 170 122

HSL 160.93, 0.8%, 0.37%

LAB 61.91, -47.84, 14.69

 

CMYK 89 / 0 / 5 / 33

HEX #13AAA2

RGB 19 170 162

HSL 176.82, 0.8%, 0.37%

LAB 62.92, -37.13, -6.14

 

CMYK 89 / 19 / 0 / 33

HEX #1389AA

RGB 19 137 170

HSL 193.11, 0.8%, 0.37%

LAB 52.88, -18.12, -25.91

 

CMYK 89 / 0 / 28 / 62

HEX #0B6045

RGB 11 96 69

HSL 160.94, 0.79%, 0.21%

LAB 35.73, -30.8, 8.84

 

CMYK 89 / 0 / 28 / 48

HEX #0F8560

RGB 15 133 96

HSL 161.19, 0.8%, 0.29%

LAB 49.16, -39.45, 11.58

 

CMYK 89 / 0 / 28 / 33

HEX #13AA7B

RGB 19 170 123

HSL 161.32, 0.8%, 0.37%

LAB 61.93, -47.61, 14.17

 

CMYK 89 / 0 / 28 / 19

HEX #17CF96

RGB 23 207 150

HSL 161.41, 0.8%, 0.45%

LAB 74.2, -55.41, 16.65

 

CMYK 83 / 0 / 26 / 9

HEX #28E7AC

RGB 40 231 172

HSL 161.47, 0.8%, 0.53%

LAB 82.15, -58.33, 16.2

 

CMYK 89 / 0 / 28 / 33

HEX #13AA7B

RGB 19 170 123

HSL 161.32, 0.8%, 0.37%

LAB 61.93, -47.61, 14.17

 

CMYK 89 / 79 / 0 / 33

HEX #1324AA

RGB 19 36 170

HSL 233.25, 0.8%, 0.37%

LAB 24.65, 45.33, -71.26

 

CMYK 0 / 64 / 89 / 33

HEX #AA3E13

RGB 170 62 19

HSL 17.09, 0.8%, 0.37%

LAB 41.28, 42.45, 46.26

 

CMYK 89 / 0 / 28 / 33

HEX #13AA7B

RGB 19 170 123

HSL 161.32, 0.8%, 0.37%

LAB 61.93, -47.61, 14.17

 

CMYK 28 / 89 / 0 / 33

HEX #7A13AA

RGB 122 19 170

HSL 280.93, 0.8%, 0.37%

LAB 32.93, 62.35, -57.26

 

CMYK 0 / 28 / 89 / 33

HEX #AA7A13

RGB 170 122 19

HSL 40.93, 0.8%, 0.37%

LAB 54.57, 10.34, 56.8

 

CMYK 89 / 0 / 28 / 33

HEX #13AA7B

RGB 19 170 123

HSL 161.32, 0.8%, 0.37%

LAB 61.93, -47.61, 14.17

 

CMYK 89 / 79 / 0 / 33

HEX #1324AA

RGB 19 36 170

HSL 233.25, 0.8%, 0.37%

LAB 24.65, 45.33, -71.26

 

CMYK 0 / 89 / 61 / 33

HEX #AA1343

RGB 170 19 67

HSL 340.93, 0.8%, 0.37%

LAB 36.78, 58.71, 14.1

 

CMYK 0 / 11 / 89 / 33

HEX #AA9813

RGB 170 152 19

HSL 52.85, 0.8%, 0.37%

LAB 62.55, -6.19, 63.16

 

CMYK 89 / 0 / 28 / 33

HEX #13AA7B

RGB 19 170 123

HSL 161.32, 0.8%, 0.37%

LAB 61.93, -47.61, 14.17

 

CMYK 72 / 89 / 0 / 33

HEX #2F13AA

RGB 47 19 170

HSL 251.13, 0.8%, 0.37%

LAB 23.58, 54.39, -72.99

 

CMYK 0 / 89 / 61 / 33

HEX #AA1343

RGB 170 19 67

HSL 340.93, 0.8%, 0.37%

LAB 36.78, 58.71, 14.1

 

CMYK 16 / 0 / 89 / 33

HEX #8EAA13

RGB 142 170 19

HSL 71.13, 0.8%, 0.37%

LAB 65.39, -27.74, 64.51

 

Description

Color code: HEX #13AA7B | qconv.com Color code: HEX #13AA7B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 170 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 170 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 28 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 28% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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