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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 67 / 0 / 22 / 12 it is the complementary color CMYK 0 / 83 / 56 / 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 67 / 0 / 22 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 67 / 0 / 22 / 12: CMYK 65 / 0 / 24 / 12, CMYK 60 / 0 / 22 / 5, CMYK 56 / 0 / 18 / 0, CMYK 49 / 0 / 11 / 0 and CMYK 42 / 0 / 4 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 67 / 0 / 22 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 67 / 0 / 22 / 12: CMYK 67 / 0 / 22 / 12, CMYK 72 / 0 / 24 / 19, CMYK 79 / 0 / 27 / 26, CMYK 86 / 0 / 31 / 33 and CMYK 96 / 0 / 35 / 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 22 / 12

HEX #4AE0AF

RGB 74 224 175

HSL 160.4, 0.71%, 0.58%

LAB 80.66, -50.85, 12.6

 

Complementary color

CMYK 0 / 83 / 56 / 29

HEX #B51F50

RGB 181 31 80

HSL 340.4, 0.71%, 0.42%

LAB 40.22, 59.92, 10.85

 

CMYK 65 / 0 / 24 / 12

HEX #4FE0AA

RGB 79 224 170

HSL 157.66, 0.7%, 0.59%

LAB 80.67, -51.15, 15.26

 

CMYK 60 / 0 / 22 / 5

HEX #60F2BD

RGB 96 242 189

HSL 158.22, 0.85%, 0.66%

LAB 86.83, -51.36, 14.08

 

CMYK 56 / 0 / 18 / 0

HEX #71FFD0

RGB 113 255 208

HSL 160.14, 1%, 0.72%

LAB 91.5, -49.35, 10.94

 

CMYK 49 / 0 / 11 / 0

HEX #82FFE3

RGB 130 255 227

HSL 166.56, 1%, 0.75%

LAB 92.49, -41.52, 2.64

 

CMYK 42 / 0 / 4 / 0

HEX #93FFF6

RGB 147 255 246

HSL 175, 1%, 0.79%

LAB 93.61, -33.26, -5.47

 

CMYK 67 / 0 / 22 / 12

HEX #4AE0AF

RGB 74 224 175

HSL 160.4, 0.71%, 0.58%

LAB 80.66, -50.85, 12.6

 

CMYK 72 / 0 / 24 / 19

HEX #39CE9C

RGB 57 206 156

HSL 159.87, 0.6%, 0.52%

LAB 74.45, -50.36, 13.87

 

CMYK 79 / 0 / 27 / 26

HEX #28BC89

RGB 40 188 137

HSL 159.32, 0.65%, 0.45%

LAB 68.19, -49.61, 15.28

 

CMYK 86 / 0 / 31 / 33

HEX #17AA76

RGB 23 170 118

HSL 158.78, 0.76%, 0.38%

LAB 61.86, -48.48, 16.83

 

CMYK 96 / 0 / 35 / 40

HEX #069863

RGB 6 152 99

HSL 158.22, 0.92%, 0.31%

LAB 55.48, -46.86, 18.57

 

CMYK 67 / 0 / 22 / 12

HEX #4AE0AF

RGB 74 224 175

HSL 160.4, 0.71%, 0.58%

LAB 80.66, -50.85, 12.6

 

CMYK 68 / 0 / 11 / 13

HEX #47DFC6

RGB 71 223 198

HSL 170.13, 0.7%, 0.58%

LAB 80.85, -45.32, 0.68

 

CMYK 68 / 0 / 0 / 13

HEX #47DFDF

RGB 71 223 223

HSL 180, 0.7%, 0.58%

LAB 81.53, -38.65, -11.6

 

CMYK 68 / 11 / 0 / 13

HEX #47C6DF

RGB 71 198 223

HSL 189.87, 0.7%, 0.58%

LAB 74.23, -26.76, -22.62

 

CMYK 68 / 22 / 0 / 13

HEX #47ADDF

RGB 71 173 223

HSL 199.74, 0.7%, 0.58%

LAB 66.94, -13.85, -33.82

 

CMYK 67 / 0 / 22 / 12

HEX #4AE0AF

RGB 74 224 175

HSL 160.4, 0.71%, 0.58%

LAB 80.66, -50.85, 12.6

 

CMYK 65 / 0 / 20 / 92

HEX #071410

RGB 7 20 16

HSL 161.54, 0.48%, 0.05%

LAB 5.27, -5.03, 0.78

 

CMYK 68 / 0 / 23 / 72

HEX #174737

RGB 23 71 55

HSL 160, 0.51%, 0.18%

LAB 26.63, -20.71, 4.88

 

CMYK 67 / 0 / 22 / 52

HEX #287A5F

RGB 40 122 95

HSL 160.24, 0.51%, 0.32%

LAB 45.9, -31.56, 7.65

 

CMYK 67 / 0 / 22 / 32

HEX #39AD87

RGB 57 173 135

HSL 160.34, 0.5%, 0.45%

LAB 63.76, -41.5, 10.2

 

CMYK 67 / 0 / 22 / 12

HEX #4AE0AF

RGB 74 224 175

HSL 160.4, 0.71%, 0.58%

LAB 80.66, -50.85, 12.6

 

CMYK 68 / 59 / 0 / 13

HEX #475CDF

RGB 71 92 223

HSL 231.71, 0.7%, 0.58%

LAB 44.69, 34.53, -69.23

 

CMYK 0 / 50 / 68 / 13

HEX #DF7047

RGB 223 112 71

HSL 16.18, 0.7%, 0.58%

LAB 59.65, 40.22, 42.2

 

CMYK 67 / 0 / 22 / 12

HEX #4AE0AF

RGB 74 224 175

HSL 160.4, 0.71%, 0.58%

LAB 80.66, -50.85, 12.6

 

CMYK 22 / 68 / 0 / 13

HEX #AD47DF

RGB 173 71 223

HSL 280.26, 0.7%, 0.58%

LAB 50.36, 64.71, -59.59

 

CMYK 0 / 22 / 68 / 13

HEX #DFAD47

RGB 223 173 71

HSL 40.26, 0.7%, 0.58%

LAB 73.57, 7.96, 57.49

 

CMYK 67 / 0 / 22 / 12

HEX #4AE0AF

RGB 74 224 175

HSL 160.4, 0.71%, 0.58%

LAB 80.66, -50.85, 12.6

 

CMYK 68 / 59 / 0 / 13

HEX #475CDF

RGB 71 92 223

HSL 231.71, 0.7%, 0.58%

LAB 44.69, 34.53, -69.23

 

CMYK 0 / 68 / 45 / 13

HEX #DF477A

RGB 223 71 122

HSL 339.87, 0.7%, 0.58%

LAB 53.6, 62.43, 5.05

 

CMYK 0 / 9 / 68 / 13

HEX #DFCB47

RGB 223 203 71

HSL 52.11, 0.7%, 0.58%

LAB 81.21, -7.67, 65.4

 

CMYK 67 / 0 / 22 / 12

HEX #4AE0AF

RGB 74 224 175

HSL 160.4, 0.71%, 0.58%

LAB 80.66, -50.85, 12.6

 

CMYK 57 / 68 / 0 / 13

HEX #6147DF

RGB 97 71 223

HSL 250.26, 0.7%, 0.58%

LAB 41.81, 50.7, -73.86

 

CMYK 0 / 68 / 45 / 13

HEX #DF477A

RGB 223 71 122

HSL 339.87, 0.7%, 0.58%

LAB 53.6, 62.43, 5.05

 

CMYK 11 / 0 / 68 / 13

HEX #C6DF47

RGB 198 223 71

HSL 69.87, 0.7%, 0.58%

LAB 84.61, -27.84, 68.19

 

Description

Color code: CMYK 67 / 0 / 22 / 12 | qconv.com Color code: CMYK 67 / 0 / 22 / 12 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 224 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 224 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 22 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 22% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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