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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #138880 it is the complementary color #EC777F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #138880. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #138880 shade: #18887B, #299A8E, #3AACA1, #4BBEB4 and #5CD0C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #138880. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #138880 shade: #138880, #02766D, #00645A, #005247 and #004034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #138880 shade: #13867E, #13865F, #138640, #138621 and #248613

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #138880 shade: #13867E, #136F86, #135086, #133186 and #131386

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #138880 shade matches the following richer shades: #13867E and #079289

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #138880 shade: #13867E, #207973, #2C6D69, #38615E and #455453

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #138880 shade: #13863F, #13865E, #13867C, #137186 and #135286

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #138880 shade: #093E3A, #0E625C, #13867E, #18AAA0 and #1DCEC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #138880 shade: #138880, #211386 and #864E13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #138880 shade: #138880, #7C1386 and #867C13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #138880 shade: #138880, #211386, #86131D and #788613

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #138880 shade: #138880, #431386, #86131D and #568613

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 6 / 47

HEX #138880

RGB 19 136 128

HSL 175.9, 0.75%, 0.3%

LAB 51.04, -31.57, -4.32

 

Complementary color

CMYK 0 / 50 / 46 / 7

HEX #EC777F

RGB 236 119 127

HSL 355.9, 0.75%, 0.7%

LAB 63.8, 45.78, 16.79

 

CMYK 82 / 0 / 10 / 47

HEX #18887B

RGB 24 136 123

HSL 173.04, 0.7%, 0.31%

LAB 50.96, -32.62, -1.52

 

CMYK 73 / 0 / 8 / 40

HEX #299A8E

RGB 41 154 142

HSL 173.63, 0.58%, 0.38%

LAB 57.59, -33.57, -2.68

 

CMYK 66 / 0 / 6 / 33

HEX #3AACA1

RGB 58 172 161

HSL 174.21, 0.5%, 0.45%

LAB 64.14, -34.18, -3.71

 

CMYK 61 / 0 / 5 / 25

HEX #4BBEB4

RGB 75 190 180

HSL 174.78, 0.47%, 0.52%

LAB 70.61, -34.57, -4.62

 

CMYK 56 / 0 / 4 / 18

HEX #5CD0C7

RGB 92 208 199

HSL 175.34, 0.55%, 0.59%

LAB 76.99, -34.81, -5.46

 

CMYK 86 / 0 / 6 / 47

HEX #138880

RGB 19 136 128

HSL 175.9, 0.75%, 0.3%

LAB 51.04, -31.57, -4.32

 

CMYK 98 / 0 / 8 / 54

HEX #02766D

RGB 2 118 109

HSL 175.34, 0.97%, 0.24%

LAB 44.34, -29.98, -3.02

 

CMYK 100 / 0 / 10 / 61

HEX #00645A

RGB 0 100 90

HSL 174, 1%, 0.2%

LAB 37.58, -27.49, -1.44

 

CMYK 100 / 0 / 13 / 68

HEX #005247

RGB 0 82 71

HSL 171.95, 1%, 0.16%

LAB 30.62, -24.8, 0.27

 

CMYK 100 / 0 / 19 / 75

HEX #004034

RGB 0 64 52

HSL 168.75, 1%, 0.13%

LAB 23.39, -22.01, 2.12

 

CMYK 86 / 0 / 6 / 47

HEX #13867E

RGB 19 134 126

HSL 175.83, 0.75%, 0.3%

LAB 50.33, -31.23, -4.21

 

CMYK 86 / 0 / 29 / 47

HEX #13865F

RGB 19 134 95

HSL 159.65, 0.75%, 0.3%

LAB 49.51, -39.77, 12.66

 

CMYK 86 / 0 / 52 / 47

HEX #138640

RGB 19 134 64

HSL 143.48, 0.75%, 0.3%

LAB 48.96, -46.17, 29.19

 

CMYK 86 / 0 / 75 / 47

HEX #138621

RGB 19 134 33

HSL 127.3, 0.75%, 0.3%

LAB 48.63, -50.12, 43.33

 

CMYK 73 / 0 / 86 / 47

HEX #248613

RGB 36 134 19

HSL 111.13, 0.75%, 0.3%

LAB 48.85, -48.55, 48.25

 

CMYK 86 / 0 / 6 / 47

HEX #13867E

RGB 19 134 126

HSL 175.83, 0.75%, 0.3%

LAB 50.33, -31.23, -4.21

 

CMYK 86 / 17 / 0 / 47

HEX #136F86

RGB 19 111 134

HSL 192, 0.75%, 0.3%

LAB 43.11, -16.73, -19.85

 

CMYK 86 / 40 / 0 / 47

HEX #135086

RGB 19 80 134

HSL 208.17, 0.75%, 0.3%

LAB 33.13, 2.13, -35.48

 

CMYK 86 / 63 / 0 / 47

HEX #133186

RGB 19 49 134

HSL 224.35, 0.75%, 0.3%

LAB 23.86, 23.57, -50.46

 

CMYK 86 / 86 / 0 / 47

HEX #131386

RGB 19 19 134

HSL 240, 0.75%, 0.3%

LAB 17.11, 42.16, -61.59

 

CMYK 86 / 0 / 6 / 47

HEX #13867E

RGB 19 134 126

HSL 175.83, 0.75%, 0.3%

LAB 50.33, -31.23, -4.21

 

CMYK 95 / 0 / 6 / 43

HEX #079289

RGB 7 146 137

HSL 176.12, 0.91%, 0.3%

LAB 54.46, -34.21, -4.49

 

CMYK 86 / 0 / 6 / 47

HEX #13867E

RGB 19 134 126

HSL 175.83, 0.75%, 0.3%

LAB 50.33, -31.23, -4.21

 

CMYK 74 / 0 / 5 / 53

HEX #207973

RGB 32 121 115

HSL 175.96, 0.58%, 0.3%

LAB 45.93, -26.83, -4.2

 

CMYK 60 / 0 / 4 / 57

HEX #2C6D69

RGB 44 109 105

HSL 176.31, 0.42%, 0.3%

LAB 41.99, -21.57, -3.99

 

CMYK 42 / 0 / 3 / 62

HEX #38615E

RGB 56 97 94

HSL 175.61, 0.27%, 0.3%

LAB 38.2, -15.16, -2.82

 

CMYK 18 / 0 / 1 / 67

HEX #455453

RGB 69 84 83

HSL 176, 0.1%, 0.3%

LAB 34.46, -6.07, -1.38

 

CMYK 86 / 0 / 53 / 47

HEX #13863F

RGB 19 134 63

HSL 142.96, 0.75%, 0.3%

LAB 48.94, -46.34, 29.7

 

CMYK 86 / 0 / 30 / 47

HEX #13865E

RGB 19 134 94

HSL 159.13, 0.75%, 0.3%

LAB 49.49, -40.01, 13.2

 

CMYK 86 / 0 / 7 / 47

HEX #13867C

RGB 19 134 124

HSL 174.78, 0.75%, 0.3%

LAB 50.27, -31.83, -3.13

 

CMYK 86 / 16 / 0 / 47

HEX #137186

RGB 19 113 134

HSL 190.96, 0.75%, 0.3%

LAB 43.76, -17.83, -18.85

 

CMYK 86 / 39 / 0 / 47

HEX #135286

RGB 19 82 134

HSL 207.13, 0.75%, 0.3%

LAB 33.76, 0.81, -34.47

 

CMYK 85 / 0 / 6 / 76

HEX #093E3A

RGB 9 62 58

HSL 175.47, 0.75%, 0.14%

LAB 23.03, -17.59, -2.37

 

CMYK 86 / 0 / 6 / 62

HEX #0E625C

RGB 14 98 92

HSL 175.71, 0.75%, 0.22%

LAB 37.12, -24.69, -3.33

 

CMYK 86 / 0 / 6 / 47

HEX #13867E

RGB 19 134 126

HSL 175.83, 0.75%, 0.3%

LAB 50.33, -31.23, -4.21

 

CMYK 86 / 0 / 6 / 33

HEX #18AAA0

RGB 24 170 160

HSL 175.89, 0.75%, 0.38%

LAB 62.91, -37.4, -5.03

 

CMYK 86 / 0 / 6 / 19

HEX #1DCEC2

RGB 29 206 194

HSL 175.93, 0.75%, 0.46%

LAB 75.01, -43.32, -5.82

 

CMYK 86 / 0 / 6 / 47

HEX #138880

RGB 19 136 128

HSL 175.9, 0.75%, 0.3%

LAB 51.04, -31.57, -4.32

 

CMYK 75 / 86 / 0 / 47

HEX #211386

RGB 33 19 134

HSL 247.3, 0.75%, 0.3%

LAB 17.97, 42.96, -60.15

 

CMYK 0 / 42 / 86 / 47

HEX #864E13

RGB 134 78 19

HSL 30.78, 0.75%, 0.3%

LAB 38.84, 19.08, 41.89

 

CMYK 86 / 0 / 6 / 47

HEX #138880

RGB 19 136 128

HSL 175.9, 0.75%, 0.3%

LAB 51.04, -31.57, -4.32

 

CMYK 7 / 86 / 0 / 47

HEX #7C1386

RGB 124 19 134

HSL 294.78, 0.75%, 0.3%

LAB 30.57, 55.86, -39.03

 

CMYK 0 / 7 / 86 / 47

HEX #867C13

RGB 134 124 19

HSL 54.78, 0.75%, 0.3%

LAB 51.3, -7.52, 52.56

 

CMYK 86 / 0 / 6 / 47

HEX #138880

RGB 19 136 128

HSL 175.9, 0.75%, 0.3%

LAB 51.04, -31.57, -4.32

 

CMYK 75 / 86 / 0 / 47

HEX #211386

RGB 33 19 134

HSL 247.3, 0.75%, 0.3%

LAB 17.97, 42.96, -60.15

 

CMYK 0 / 86 / 78 / 47

HEX #86131D

RGB 134 19 29

HSL 354.78, 0.75%, 0.3%

LAB 28.44, 46.72, 26.58

 

CMYK 10 / 0 / 86 / 47

HEX #788613

RGB 120 134 19

HSL 67.3, 0.75%, 0.3%

LAB 53.05, -19.33, 53.56

 

CMYK 86 / 0 / 6 / 47

HEX #138880

RGB 19 136 128

HSL 175.9, 0.75%, 0.3%

LAB 51.04, -31.57, -4.32

 

CMYK 50 / 86 / 0 / 47

HEX #431386

RGB 67 19 134

HSL 265.04, 0.75%, 0.3%

LAB 21.51, 46.42, -54.18

 

CMYK 0 / 86 / 78 / 47

HEX #86131D

RGB 134 19 29

HSL 354.78, 0.75%, 0.3%

LAB 28.44, 46.72, 26.58

 

CMYK 36 / 0 / 86 / 47

HEX #568613

RGB 86 134 19

HSL 85.04, 0.75%, 0.3%

LAB 50.78, -33.69, 50.7

 

Description

Color code: HEX #138880 | qconv.com Color code: HEX #138880 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 136 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 136 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 6 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 6% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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