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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12C688 it is the complementary color #ED3977. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12C688. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12C688 shade: #17C683, #28D896, #39EAA9, #4AFCBC and #5BFFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12C688. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12C688 shade: #12C688, #01B475, #00A262, #00904F and #007E3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12C688 shade: #12C487, #12C457, #12C427, #2DC412 and #5DC412

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12C688 shade: #12C487, #12C4B7, #12A1C4, #1271C4 and #1241C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12C688 shade matches the following richer shades: #12C487 and #01D58C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12C688 shade: #12C487, #24B381, #35A17C, #469077 and #587F71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12C688 shade: #12C427, #12C456, #12C486, #12C4B5 and #12A3C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12C688 shade: #0B7853, #0F9E6D, #12C487, #16E9A1 and #3CEDB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12C688 shade: #12C688, #122DC4 and #C43F12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12C688 shade: #12C688, #8612C4 and #C48612

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12C688 shade: #12C688, #122DC4, #C41250 and #C4A912

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12C688 shade: #12C688, #2D12C4, #C41250 and #A9C412

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 31 / 22

HEX #12C688

RGB 18 198 136

HSL 159.33, 0.83%, 0.42%

LAB 71.07, -55.44, 19.78

 

Complementary color

CMYK 0 / 76 / 50 / 7

HEX #ED3977

RGB 237 57 119

HSL 339.33, 0.83%, 0.58%

LAB 54.3, 70.77, 8.18

 

CMYK 88 / 0 / 34 / 22

HEX #17C683

RGB 23 198 131

HSL 157.03, 0.79%, 0.43%

LAB 71.01, -56.23, 22.36

 

CMYK 81 / 0 / 31 / 15

HEX #28D896

RGB 40 216 150

HSL 157.5, 0.69%, 0.5%

LAB 77.14, -57.53, 20.75

 

CMYK 76 / 0 / 28 / 8

HEX #39EAA9

RGB 57 234 169

HSL 157.97, 0.81%, 0.57%

LAB 83.22, -58.46, 19.28

 

CMYK 71 / 0 / 25 / 1

HEX #4AFCBC

RGB 74 252 188

HSL 158.43, 0.97%, 0.64%

LAB 89.26, -59.11, 17.93

 

CMYK 64 / 0 / 19 / 0

HEX #5BFFCF

RGB 91 255 207

HSL 162.44, 1%, 0.68%

LAB 90.89, -53.55, 10.52

 

CMYK 91 / 0 / 31 / 22

HEX #12C688

RGB 18 198 136

HSL 159.33, 0.83%, 0.42%

LAB 71.07, -55.44, 19.78

 

CMYK 99 / 0 / 35 / 29

HEX #01B475

RGB 1 180 117

HSL 158.88, 0.99%, 0.35%

LAB 64.91, -53.63, 21.52

 

CMYK 100 / 0 / 40 / 36

HEX #00A262

RGB 0 162 98

HSL 156.3, 1%, 0.32%

LAB 58.72, -51.1, 23.47

 

CMYK 100 / 0 / 45 / 44

HEX #00904F

RGB 0 144 79

HSL 152.92, 1%, 0.28%

LAB 52.41, -48.4, 25.49

 

CMYK 100 / 0 / 52 / 51

HEX #007E3C

RGB 0 126 60

HSL 148.57, 1%, 0.25%

LAB 45.97, -45.5, 27.57

 

CMYK 91 / 0 / 31 / 23

HEX #12C487

RGB 18 196 135

HSL 159.44, 0.83%, 0.42%

LAB 70.43, -54.91, 19.42

 

CMYK 91 / 0 / 56 / 23

HEX #12C457

RGB 18 196 87

HSL 143.26, 0.83%, 0.42%

LAB 69.68, -63.67, 42.96

 

CMYK 91 / 0 / 80 / 23

HEX #12C427

RGB 18 196 39

HSL 127.08, 0.83%, 0.42%

LAB 69.29, -68.5, 61.52

 

CMYK 77 / 0 / 91 / 23

HEX #2DC412

RGB 45 196 18

HSL 110.9, 0.83%, 0.42%

LAB 69.53, -66.71, 66.56

 

CMYK 53 / 0 / 91 / 23

HEX #5DC412

RGB 93 196 18

HSL 94.72, 0.83%, 0.42%

LAB 70.77, -56.38, 68.11

 

CMYK 91 / 0 / 31 / 23

HEX #12C487

RGB 18 196 135

HSL 159.44, 0.83%, 0.42%

LAB 70.43, -54.91, 19.42

 

CMYK 91 / 0 / 7 / 23

HEX #12C4B7

RGB 18 196 183

HSL 175.62, 0.83%, 0.42%

LAB 71.57, -42.67, -4.94

 

CMYK 91 / 18 / 0 / 23

HEX #12A1C4

RGB 18 161 196

HSL 191.8, 0.83%, 0.42%

LAB 61.31, -21.85, -27.64

 

CMYK 91 / 42 / 0 / 23

HEX #1271C4

RGB 18 113 196

HSL 207.98, 0.83%, 0.42%

LAB 46.88, 5.74, -50.34

 

CMYK 91 / 67 / 0 / 23

HEX #1241C4

RGB 18 65 196

HSL 224.16, 0.83%, 0.42%

LAB 33.76, 37.06, -71.64

 

CMYK 91 / 0 / 31 / 23

HEX #12C487

RGB 18 196 135

HSL 159.44, 0.83%, 0.42%

LAB 70.43, -54.91, 19.42

 

CMYK 100 / 0 / 34 / 16

HEX #01D58C

RGB 1 213 140

HSL 159.34, 0.99%, 0.42%

LAB 75.75, -60.67, 24.05

 

CMYK 91 / 0 / 31 / 23

HEX #12C487

RGB 18 196 135

HSL 159.44, 0.83%, 0.42%

LAB 70.43, -54.91, 19.42

 

CMYK 80 / 0 / 28 / 30

HEX #24B381

RGB 36 179 129

HSL 159.02, 0.67%, 0.42%

LAB 65.12, -48.3, 15.35

 

CMYK 67 / 0 / 23 / 37

HEX #35A17C

RGB 53 161 124

HSL 159.44, 0.5%, 0.42%

LAB 59.62, -39.6, 10.45

 

CMYK 51 / 0 / 17 / 44

HEX #469077

RGB 70 144 119

HSL 159.73, 0.35%, 0.42%

LAB 54.64, -29.38, 6.28

 

CMYK 31 / 0 / 11 / 50

HEX #587F71

RGB 88 127 113

HSL 158.46, 0.18%, 0.42%

LAB 50.03, -16.88, 3.25

 

CMYK 91 / 0 / 80 / 23

HEX #12C427

RGB 18 196 39

HSL 127.08, 0.83%, 0.42%

LAB 69.29, -68.5, 61.52

 

CMYK 91 / 0 / 56 / 23

HEX #12C456

RGB 18 196 86

HSL 142.92, 0.83%, 0.42%

LAB 69.67, -63.81, 43.42

 

CMYK 91 / 0 / 32 / 23

HEX #12C486

RGB 18 196 134

HSL 159.1, 0.83%, 0.42%

LAB 70.41, -55.13, 19.93

 

CMYK 91 / 0 / 8 / 23

HEX #12C4B5

RGB 18 196 181

HSL 174.94, 0.83%, 0.42%

LAB 71.52, -43.24, -3.93

 

CMYK 91 / 17 / 0 / 23

HEX #12A3C4

RGB 18 163 196

HSL 191.12, 0.83%, 0.42%

LAB 61.92, -22.89, -26.7

 

CMYK 91 / 0 / 31 / 53

HEX #0B7853

RGB 11 120 83

HSL 159.63, 0.83%, 0.26%

LAB 44.42, -37.56, 12.55

 

CMYK 91 / 0 / 31 / 38

HEX #0F9E6D

RGB 15 158 109

HSL 159.44, 0.83%, 0.34%

LAB 57.71, -46.42, 16.08

 

CMYK 91 / 0 / 31 / 23

HEX #12C487

RGB 18 196 135

HSL 159.44, 0.83%, 0.42%

LAB 70.43, -54.91, 19.42

 

CMYK 91 / 0 / 31 / 9

HEX #16E9A1

RGB 22 233 161

HSL 159.53, 0.83%, 0.5%

LAB 82.39, -62.66, 22.22

 

CMYK 75 / 0 / 26 / 7

HEX #3CEDB0

RGB 60 237 176

HSL 159.32, 0.83%, 0.58%

LAB 84.31, -57.73, 17.17

 

CMYK 91 / 0 / 31 / 22

HEX #12C688

RGB 18 198 136

HSL 159.33, 0.83%, 0.42%

LAB 71.07, -55.44, 19.78

 

CMYK 91 / 77 / 0 / 23

HEX #122DC4

RGB 18 45 196

HSL 230.9, 0.83%, 0.42%

LAB 29.39, 49.13, -78.86

 

CMYK 0 / 68 / 91 / 23

HEX #C43F12

RGB 196 63 18

HSL 15.17, 0.83%, 0.42%

LAB 46.09, 51.24, 52.31

 

CMYK 91 / 0 / 31 / 22

HEX #12C688

RGB 18 198 136

HSL 159.33, 0.83%, 0.42%

LAB 71.07, -55.44, 19.78

 

CMYK 32 / 91 / 0 / 23

HEX #8612C4

RGB 134 18 196

HSL 279.1, 0.83%, 0.42%

LAB 36.9, 69.42, -66.11

 

CMYK 0 / 32 / 91 / 23

HEX #C48612

RGB 196 134 18

HSL 39.1, 0.83%, 0.42%

LAB 60.63, 15.34, 63.07

 

CMYK 91 / 0 / 31 / 22

HEX #12C688

RGB 18 198 136

HSL 159.33, 0.83%, 0.42%

LAB 71.07, -55.44, 19.78

 

CMYK 91 / 77 / 0 / 23

HEX #122DC4

RGB 18 45 196

HSL 230.9, 0.83%, 0.42%

LAB 29.39, 49.13, -78.86

 

CMYK 0 / 91 / 59 / 23

HEX #C41250

RGB 196 18 80

HSL 339.1, 0.83%, 0.42%

LAB 42.38, 66.26, 14.31

 

CMYK 0 / 14 / 91 / 23

HEX #C4A912

RGB 196 169 18

HSL 50.9, 0.83%, 0.42%

LAB 69.58, -3.59, 69.91

 

CMYK 91 / 0 / 31 / 22

HEX #12C688

RGB 18 198 136

HSL 159.33, 0.83%, 0.42%

LAB 71.07, -55.44, 19.78

 

CMYK 77 / 91 / 0 / 23

HEX #2D12C4

RGB 45 18 196

HSL 249.1, 0.83%, 0.42%

LAB 26.67, 61.68, -83.36

 

CMYK 0 / 91 / 59 / 23

HEX #C41250

RGB 196 18 80

HSL 339.1, 0.83%, 0.42%

LAB 42.38, 66.26, 14.31

 

CMYK 14 / 0 / 91 / 23

HEX #A9C412

RGB 169 196 18

HSL 69.1, 0.83%, 0.42%

LAB 74.8, -28.9, 73.06

 

Description

Color code: HEX #12C688 | qconv.com Color code: HEX #12C688 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 198 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 198 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 31 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 31% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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