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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 91 / 0 / 8 / 23 it is the complementary color CMYK 0 / 75 / 69 / 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 91 / 0 / 8 / 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 91 / 0 / 8 / 23 shade: CMYK 88 / 0 / 10 / 23, CMYK 81 / 0 / 9 / 16, CMYK 75 / 0 / 8 / 9, CMYK 70 / 0 / 7 / 2 and CMYK 64 / 0 / 1 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 91 / 0 / 8 / 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 91 / 0 / 8 / 23 shade: CMYK 91 / 0 / 8 / 23, CMYK 99 / 0 / 9 / 30, CMYK 100 / 0 / 11 / 37, CMYK 100 / 0 / 13 / 44 and CMYK 100 / 0 / 15 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 91 / 0 / 8 / 23 shade: CMYK 91 / 0 / 8 / 24, CMYK 91 / 0 / 32 / 24, CMYK 91 / 0 / 56 / 24, CMYK 91 / 0 / 81 / 24 and CMYK 76 / 0 / 91 / 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 91 / 0 / 8 / 23 shade: CMYK 91 / 0 / 8 / 24, CMYK 91 / 16 / 0 / 24, CMYK 91 / 41 / 0 / 24, CMYK 91 / 66 / 0 / 24 and CMYK 91 / 90 / 0 / 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 91 / 0 / 8 / 23 shade matches the following richer shades: CMYK 91 / 0 / 8 / 24 and CMYK 100 / 0 / 8 / 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 91 / 0 / 8 / 23 shade: CMYK 91 / 0 / 8 / 24, CMYK 80 / 0 / 7 / 30, CMYK 68 / 0 / 6 / 37, CMYK 51 / 0 / 5 / 44 and CMYK 31 / 0 / 2 / 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 91 / 0 / 8 / 23 shade: CMYK 91 / 0 / 57 / 24, CMYK 91 / 0 / 33 / 24, CMYK 91 / 0 / 9 / 24, CMYK 91 / 15 / 0 / 24 and CMYK 91 / 39 / 0 / 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 91 / 0 / 8 / 23 shade: CMYK 91 / 0 / 8 / 53, CMYK 91 / 0 / 8 / 38, CMYK 91 / 0 / 8 / 24, CMYK 91 / 0 / 8 / 9 and CMYK 75 / 0 / 6 / 7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 91 / 0 / 8 / 23 shade: CMYK 91 / 0 / 8 / 23, CMYK 82 / 91 / 0 / 24 and CMYK 0 / 45 / 91 / 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 91 / 0 / 8 / 23 shade: CMYK 91 / 0 / 8 / 23, CMYK 9 / 91 / 0 / 24 and CMYK 0 / 9 / 91 / 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 91 / 0 / 8 / 23 shade: CMYK 91 / 0 / 8 / 23, CMYK 82 / 91 / 0 / 24, CMYK 0 / 91 / 82 / 24 and CMYK 9 / 0 / 91 / 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 91 / 0 / 8 / 23 shade: CMYK 91 / 0 / 8 / 23, CMYK 54 / 91 / 0 / 24, CMYK 0 / 91 / 82 / 24 and CMYK 36 / 0 / 91 / 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 8 / 23

HEX #12C4B5

RGB 18 196 181

HSL 174.94, 0.83%, 0.42%

LAB 71.52, -43.24, -3.93

 

Complementary color

CMYK 0 / 75 / 69 / 7

HEX #ED3B4A

RGB 237 59 74

HSL 354.94, 0.83%, 0.58%

LAB 53.63, 67.33, 34.02

 

CMYK 88 / 0 / 10 / 23

HEX #17C4B0

RGB 23 196 176

HSL 173.06, 0.79%, 0.43%

LAB 71.42, -44.38, -1.35

 

CMYK 81 / 0 / 9 / 16

HEX #28D6C3

RGB 40 214 195

HSL 173.45, 0.69%, 0.5%

LAB 77.57, -45.71, -2.58

 

CMYK 75 / 0 / 8 / 9

HEX #39E8D6

RGB 57 232 214

HSL 173.83, 0.79%, 0.57%

LAB 83.67, -46.74, -3.69

 

CMYK 70 / 0 / 7 / 2

HEX #4AFAE9

RGB 74 250 233

HSL 174.2, 0.95%, 0.64%

LAB 89.72, -47.51, -4.7

 

CMYK 64 / 0 / 1 / 0

HEX #5BFFFC

RGB 91 255 252

HSL 178.9, 1%, 0.68%

LAB 92.03, -42.42, -11.11

 

CMYK 91 / 0 / 8 / 23

HEX #12C4B5

RGB 18 196 181

HSL 174.94, 0.83%, 0.42%

LAB 71.52, -43.24, -3.93

 

CMYK 99 / 0 / 9 / 30

HEX #01B2A2

RGB 1 178 162

HSL 174.58, 0.99%, 0.35%

LAB 65.32, -41.43, -2.61

 

CMYK 100 / 0 / 11 / 37

HEX #00A08F

RGB 0 160 143

HSL 173.63, 1%, 0.31%

LAB 59.09, -39.06, -1.11

 

CMYK 100 / 0 / 13 / 44

HEX #008E7C

RGB 0 142 124

HSL 172.39, 1%, 0.28%

LAB 52.73, -36.6, 0.47

 

CMYK 100 / 0 / 15 / 51

HEX #007C69

RGB 0 124 105

HSL 170.81, 1%, 0.24%

LAB 46.22, -34.09, 2.12

 

CMYK 91 / 0 / 8 / 24

HEX #12C3B4

RGB 18 195 180

HSL 174.92, 0.83%, 0.42%

LAB 71.18, -43.08, -3.88

 

CMYK 91 / 0 / 32 / 24

HEX #12C385

RGB 18 195 133

HSL 158.98, 0.83%, 0.42%

LAB 70.07, -54.98, 20

 

CMYK 91 / 0 / 56 / 24

HEX #12C355

RGB 18 195 85

HSL 142.71, 0.83%, 0.42%

LAB 69.34, -63.63, 43.49

 

CMYK 91 / 0 / 81 / 24

HEX #12C325

RGB 18 195 37

HSL 126.44, 0.83%, 0.42%

LAB 68.96, -68.34, 61.77

 

CMYK 76 / 0 / 91 / 24

HEX #2FC312

RGB 47 195 18

HSL 110.17, 0.83%, 0.42%

LAB 69.24, -66.12, 66.33

 

CMYK 91 / 0 / 8 / 24

HEX #12C3B4

RGB 18 195 180

HSL 174.92, 0.83%, 0.42%

LAB 71.18, -43.08, -3.88

 

CMYK 91 / 16 / 0 / 24

HEX #12A3C3

RGB 18 163 195

HSL 190.85, 0.83%, 0.42%

LAB 61.88, -23.23, -26.2

 

CMYK 91 / 41 / 0 / 24

HEX #1273C3

RGB 18 115 195

HSL 207.12, 0.83%, 0.42%

LAB 47.4, 4.1, -48.92

 

CMYK 91 / 66 / 0 / 24

HEX #1243C3

RGB 18 67 195

HSL 223.39, 0.83%, 0.42%

LAB 34.16, 35.39, -70.41

 

CMYK 91 / 90 / 0 / 24

HEX #1213C3

RGB 18 19 195

HSL 239.66, 0.83%, 0.42%

LAB 25.37, 60.33, -84.97

 

CMYK 91 / 0 / 8 / 24

HEX #12C3B4

RGB 18 195 180

HSL 174.92, 0.83%, 0.42%

LAB 71.18, -43.08, -3.88

 

CMYK 100 / 0 / 8 / 16

HEX #00D5C3

RGB 0 213 195

HSL 174.93, 1%, 0.42%

LAB 77, -47.16, -3.45

 

CMYK 91 / 0 / 8 / 24

HEX #12C3B4

RGB 18 195 180

HSL 174.92, 0.83%, 0.42%

LAB 71.18, -43.08, -3.88

 

CMYK 80 / 0 / 7 / 30

HEX #23B2A6

RGB 35 178 166

HSL 174.97, 0.67%, 0.42%

LAB 65.71, -38.4, -4.23

 

CMYK 68 / 0 / 6 / 37

HEX #34A198

RGB 52 161 152

HSL 175.05, 0.51%, 0.42%

LAB 60.33, -32.45, -4.3

 

CMYK 51 / 0 / 5 / 44

HEX #469089

RGB 70 144 137

HSL 174.32, 0.35%, 0.42%

LAB 55.13, -24.8, -3.36

 

CMYK 31 / 0 / 2 / 51

HEX #577E7B

RGB 87 126 123

HSL 175.38, 0.18%, 0.42%

LAB 49.95, -14.27, -2.75

 

CMYK 91 / 0 / 57 / 24

HEX #12C353

RGB 18 195 83

HSL 142.03, 0.83%, 0.42%

LAB 69.31, -63.91, 44.4

 

CMYK 91 / 0 / 33 / 24

HEX #12C382

RGB 18 195 130

HSL 157.97, 0.83%, 0.42%

LAB 70.01, -55.63, 21.52

 

CMYK 91 / 0 / 9 / 24

HEX #12C3B2

RGB 18 195 178

HSL 174.24, 0.83%, 0.42%

LAB 71.13, -43.65, -2.87

 

CMYK 91 / 15 / 0 / 24

HEX #12A6C3

RGB 18 166 195

HSL 189.83, 0.83%, 0.42%

LAB 62.79, -24.77, -24.8

 

CMYK 91 / 39 / 0 / 24

HEX #1276C3

RGB 18 118 195

HSL 206.1, 0.83%, 0.42%

LAB 48.29, 2.24, -47.5

 

CMYK 91 / 0 / 8 / 53

HEX #0B786F

RGB 11 120 111

HSL 175.05, 0.83%, 0.26%

LAB 45.15, -29.74, -3

 

CMYK 91 / 0 / 8 / 38

HEX #0E9E92

RGB 14 158 146

HSL 175, 0.84%, 0.34%

LAB 58.62, -36.68, -3.48

 

CMYK 91 / 0 / 8 / 24

HEX #12C3B4

RGB 18 195 180

HSL 174.92, 0.83%, 0.42%

LAB 71.18, -43.08, -3.88

 

CMYK 91 / 0 / 8 / 9

HEX #16E9D7

RGB 22 233 215

HSL 174.88, 0.83%, 0.5%

LAB 83.63, -49.4, -4.32

 

CMYK 75 / 0 / 6 / 7

HEX #3BECDD

RGB 59 236 221

HSL 174.92, 0.82%, 0.58%

LAB 85.07, -46.37, -5.32

 

CMYK 91 / 0 / 8 / 23

HEX #12C4B5

RGB 18 196 181

HSL 174.94, 0.83%, 0.42%

LAB 71.52, -43.24, -3.93

 

CMYK 82 / 91 / 0 / 24

HEX #2312C3

RGB 35 18 195

HSL 245.76, 0.83%, 0.42%

LAB 25.95, 61.05, -83.98

 

CMYK 0 / 45 / 91 / 24

HEX #C36B12

RGB 195 107 18

HSL 30.17, 0.83%, 0.42%

LAB 54.2, 29.61, 58.17

 

CMYK 91 / 0 / 8 / 23

HEX #12C4B5

RGB 18 196 181

HSL 174.94, 0.83%, 0.42%

LAB 71.52, -43.24, -3.93

 

CMYK 9 / 91 / 0 / 24

HEX #B212C3

RGB 178 18 195

HSL 294.24, 0.83%, 0.42%

LAB 44, 75.76, -53.68

 

CMYK 0 / 9 / 91 / 24

HEX #C3B212

RGB 195 178 18

HSL 54.24, 0.83%, 0.42%

LAB 71.88, -8.75, 71.65

 

CMYK 91 / 0 / 8 / 23

HEX #12C4B5

RGB 18 196 181

HSL 174.94, 0.83%, 0.42%

LAB 71.52, -43.24, -3.93

 

CMYK 82 / 91 / 0 / 24

HEX #2312C3

RGB 35 18 195

HSL 245.76, 0.83%, 0.42%

LAB 25.95, 61.05, -83.98

 

CMYK 0 / 91 / 82 / 24

HEX #C31223

RGB 195 18 35

HSL 354.24, 0.83%, 0.42%

LAB 41.46, 64.01, 40.59

 

CMYK 9 / 0 / 91 / 24

HEX #B2C312

RGB 178 195 18

HSL 65.76, 0.83%, 0.42%

LAB 75.16, -24.65, 73.62

 

CMYK 91 / 0 / 8 / 23

HEX #12C4B5

RGB 18 196 181

HSL 174.94, 0.83%, 0.42%

LAB 71.52, -43.24, -3.93

 

CMYK 54 / 91 / 0 / 24

HEX #5912C3

RGB 89 18 195

HSL 264.07, 0.83%, 0.42%

LAB 30.63, 64.22, -76.07

 

CMYK 0 / 91 / 82 / 24

HEX #C31223

RGB 195 18 35

HSL 354.24, 0.83%, 0.42%

LAB 41.46, 64.01, 40.59

 

CMYK 36 / 0 / 91 / 24

HEX #7CC312

RGB 124 195 18

HSL 84.07, 0.83%, 0.42%

LAB 71.8, -46, 69.5

 

Description

Color code: CMYK 91 / 0 / 8 / 23 | qconv.com Color code: CMYK 91 / 0 / 8 / 23 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 196 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 196 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 8 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 8% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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