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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1284B0 it is the complementary color #ED7B4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1284B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1284B0: #1784AB, #2896BE, #39A8D1, #4ABAE4 and #5BCCF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1284B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1284B0: #1284B0, #01729D, #00608A, #004E77 and #003C64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 25 / 0 / 31

HEX #1284B0

RGB 18 132 176

HSL 196.71, 0.81%, 0.38%

LAB 51.57, -13.25, -31.39

 

Complementary color

CMYK 0 / 48 / 67 / 7

HEX #ED7B4F

RGB 237 123 79

HSL 16.71, 0.81%, 0.62%

LAB 63.95, 40.49, 43.5

 

CMYK 87 / 23 / 0 / 33

HEX #1784AB

RGB 23 132 171

HSL 195.81, 0.76%, 0.38%

LAB 51.41, -14.74, -28.75

 

CMYK 79 / 21 / 0 / 25

HEX #2896BE

RGB 40 150 190

HSL 196, 0.65%, 0.45%

LAB 58.02, -16.42, -29.33

 

CMYK 73 / 20 / 0 / 18

HEX #39A8D1

RGB 57 168 209

HSL 196.18, 0.62%, 0.52%

LAB 64.55, -17.7, -29.83

 

CMYK 68 / 18 / 0 / 11

HEX #4ABAE4

RGB 74 186 228

HSL 196.36, 0.74%, 0.59%

LAB 70.99, -18.69, -30.28

 

CMYK 63 / 17 / 0 / 3

HEX #5BCCF7

RGB 91 204 247

HSL 196.54, 0.91%, 0.66%

LAB 77.36, -19.47, -30.69

 

CMYK 90 / 25 / 0 / 31

HEX #1284B0

RGB 18 132 176

HSL 196.71, 0.81%, 0.38%

LAB 51.57, -13.25, -31.39

 

CMYK 99 / 27 / 0 / 38

HEX #01729D

RGB 1 114 157

HSL 196.54, 0.99%, 0.31%

LAB 44.91, -10.89, -30.75

 

CMYK 100 / 30 / 0 / 46

HEX #00608A

RGB 0 96 138

HSL 198.26, 1%, 0.27%

LAB 38.2, -7.68, -29.91

 

CMYK 100 / 34 / 0 / 53

HEX #004E77

RGB 0 78 119

HSL 200.67, 1%, 0.23%

LAB 31.3, -4.21, -29.1

 

CMYK 100 / 40 / 0 / 61

HEX #003C64

RGB 0 60 100

HSL 204, 1%, 0.2%

LAB 24.17, -0.44, -28.34

 

CMYK 90 / 25 / 0 / 31

HEX #1284B0

RGB 18 132 176

HSL 196.71, 0.81%, 0.38%

LAB 51.57, -13.25, -31.39

 

CMYK 90 / 39 / 0 / 31

HEX #126BAF

RGB 18 107 175

HSL 205.99, 0.81%, 0.38%

LAB 43.86, 1.22, -42.98

 

CMYK 90 / 54 / 0 / 31

HEX #1251AF

RGB 18 81 175

HSL 215.92, 0.81%, 0.38%

LAB 36.19, 18.17, -55.3

 

CMYK 90 / 69 / 0 / 31

HEX #1237AF

RGB 18 55 175

HSL 225.86, 0.81%, 0.38%

LAB 29.3, 35.58, -66.57

 

CMYK 90 / 84 / 0 / 31

HEX #121CAF

RGB 18 28 175

HSL 236.18, 0.81%, 0.38%

LAB 23.85, 50.97, -75.6

 

CMYK 90 / 25 / 0 / 31

HEX #1284B0

RGB 18 132 176

HSL 196.71, 0.81%, 0.38%

LAB 51.57, -13.25, -31.39

 

CMYK 90 / 25 / 0 / 11

HEX #17AAE3

RGB 23 170 227

HSL 196.76, 0.82%, 0.49%

LAB 65.34, -15.58, -38.58

 

CMYK 91 / 26 / 0 / 91

HEX #021117

RGB 2 17 23

HSL 197.14, 0.84%, 0.05%

LAB 4.3, -2.95, -5.21

 

CMYK 89 / 24 / 0 / 71

HEX #08384A

RGB 8 56 74

HSL 196.36, 0.8%, 0.16%

LAB 21.48, -8.07, -15.43

 

CMYK 90 / 25 / 0 / 51

HEX #0D5E7D

RGB 13 94 125

HSL 196.61, 0.81%, 0.27%

LAB 37.06, -10.78, -23.76

 

CMYK 90 / 25 / 0 / 31

HEX #1284B0

RGB 18 132 176

HSL 196.71, 0.81%, 0.38%

LAB 51.57, -13.25, -31.39

 

CMYK 48 / 90 / 0 / 31

HEX #5B12AF

RGB 91 18 175

HSL 267.9, 0.81%, 0.38%

LAB 28.78, 59.68, -67.25

 

CMYK 0 / 12 / 90 / 31

HEX #AF9A12

RGB 175 154 18

HSL 51.97, 0.81%, 0.38%

LAB 63.56, -5.02, 64.37

 

CMYK 90 / 25 / 0 / 31

HEX #1284B0

RGB 18 132 176

HSL 196.71, 0.81%, 0.38%

LAB 51.57, -13.25, -31.39

 

CMYK 0 / 90 / 24 / 31

HEX #AF1285

RGB 175 18 133

HSL 316.05, 0.81%, 0.38%

LAB 39.98, 66.29, -22.92

 

CMYK 24 / 0 / 90 / 31

HEX #85AF12

RGB 133 175 18

HSL 76.05, 0.81%, 0.38%

LAB 66.28, -33.83, 65.18

 

CMYK 90 / 25 / 0 / 31

HEX #1284B0

RGB 18 132 176

HSL 196.71, 0.81%, 0.38%

LAB 51.57, -13.25, -31.39

 

CMYK 48 / 90 / 0 / 31

HEX #5B12AF

RGB 91 18 175

HSL 267.9, 0.81%, 0.38%

LAB 28.78, 59.68, -67.25

 

CMYK 0 / 66 / 90 / 31

HEX #AF3C12

RGB 175 60 18

HSL 16.05, 0.81%, 0.38%

LAB 41.83, 45.15, 47.46

 

CMYK 42 / 0 / 90 / 31

HEX #66AF12

RGB 102 175 18

HSL 87.9, 0.81%, 0.38%

LAB 64.59, -45.48, 63.08

 

CMYK 90 / 25 / 0 / 31

HEX #1284B0

RGB 18 132 176

HSL 196.71, 0.81%, 0.38%

LAB 51.57, -13.25, -31.39

 

CMYK 21 / 90 / 0 / 31

HEX #8A12AF

RGB 138 18 175

HSL 285.86, 0.81%, 0.38%

LAB 35.85, 65.93, -55.39

 

CMYK 0 / 66 / 90 / 31

HEX #AF3C12

RGB 175 60 18

HSL 16.05, 0.81%, 0.38%

LAB 41.83, 45.15, 47.46

 

CMYK 69 / 0 / 90 / 31

HEX #37AF12

RGB 55 175 18

HSL 105.86, 0.81%, 0.38%

LAB 62.94, -58.47, 61.03

 

Description

Color code: HEX #1284B0 | qconv.com Color code: HEX #1284B0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 132 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 132 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 25 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 25% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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HKS® to Sherwin Williams®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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