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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #126D42 it is the complementary color #ED92BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #126D42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #126D42: #176D3D, #287F50, #399163, #4AA376 and #5BB589

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #126D42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #126D42: #126D42, #015B2F, #00491C, #003709 and #002500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 39 / 57

HEX #126D42

RGB 18 109 66

HSL 151.65, 0.72%, 0.25%

LAB 40.34, -36.3, 16.97

 

Complementary color

CMYK 0 / 38 / 20 / 7

HEX #ED92BD

RGB 237 146 189

HSL 331.65, 0.72%, 0.75%

LAB 71.03, 39.96, -7.69

 

CMYK 79 / 0 / 44 / 57

HEX #176D3D

RGB 23 109 61

HSL 146.51, 0.65%, 0.26%

LAB 40.34, -36.66, 19.88

 

CMYK 69 / 0 / 37 / 50

HEX #287F50

RGB 40 127 80

HSL 147.59, 0.52%, 0.33%

LAB 47.25, -37.27, 18.23

 

CMYK 61 / 0 / 32 / 43

HEX #399163

RGB 57 145 99

HSL 148.64, 0.44%, 0.4%

LAB 54.05, -37.47, 16.77

 

CMYK 55 / 0 / 28 / 36

HEX #4AA376

RGB 74 163 118

HSL 149.66, 0.38%, 0.46%

LAB 60.74, -37.47, 15.46

 

CMYK 50 / 0 / 24 / 29

HEX #5BB589

RGB 91 181 137

HSL 150.67, 0.38%, 0.53%

LAB 67.34, -37.34, 14.29

 

CMYK 83 / 0 / 39 / 57

HEX #126D42

RGB 18 109 66

HSL 151.65, 0.72%, 0.25%

LAB 40.34, -36.3, 16.97

 

CMYK 99 / 0 / 48 / 64

HEX #015B2F

RGB 1 91 47

HSL 150.67, 0.98%, 0.18%

LAB 33.34, -34.96, 18.86

 

CMYK 100 / 0 / 62 / 71

HEX #00491C

RGB 0 73 28

HSL 143.01, 1%, 0.14%

LAB 26.3, -31.82, 21.07

 

CMYK 100 / 0 / 84 / 78

HEX #003709

RGB 0 55 9

HSL 129.82, 1%, 0.11%

LAB 19.02, -27.94, 22.57

 

CMYK 100 / 0 / 100 / 85

HEX #002500

RGB 0 37 0

HSL 120, 1%, 0.07%

LAB 11.44, -22.19, 16.56

 

CMYK 83 / 0 / 39 / 57

HEX #126D42

RGB 18 109 66

HSL 151.65, 0.72%, 0.25%

LAB 40.34, -36.3, 16.97

 

CMYK 84 / 0 / 27 / 57

HEX #116D50

RGB 17 109 80

HSL 161.09, 0.73%, 0.25%

LAB 40.63, -33.05, 9.06

 

CMYK 84 / 0 / 13 / 57

HEX #116D5F

RGB 17 109 95

HSL 170.87, 0.73%, 0.25%

LAB 41.03, -28.86, 0.58

 

CMYK 84 / 1 / 0 / 57

HEX #116C6D

RGB 17 108 109

HSL 180.65, 0.73%, 0.25%

LAB 41.13, -23.96, -7.76

 

CMYK 84 / 16 / 0 / 57

HEX #115C6D

RGB 17 92 109

HSL 191.09, 0.73%, 0.25%

LAB 35.75, -15.29, -15.93

 

CMYK 83 / 0 / 39 / 57

HEX #126D42

RGB 18 109 66

HSL 151.65, 0.72%, 0.25%

LAB 40.34, -36.3, 16.97

 

CMYK 84 / 0 / 39 / 37

HEX #1AA061

RGB 26 160 97

HSL 151.79, 0.72%, 0.36%

LAB 58.25, -48.91, 23.43

 

CMYK 83 / 0 / 39 / 17

HEX #23D380

RGB 35 211 128

HSL 151.7, 0.72%, 0.48%

LAB 75.14, -60.62, 29.48

 

CMYK 86 / 0 / 43 / 97

HEX #010704

RGB 1 7 4

HSL 150, 0.75%, 0.02%

LAB 1.51, -1.99, 0.58

 

CMYK 83 / 0 / 40 / 77

HEX #0A3A23

RGB 10 58 35

HSL 151.25, 0.71%, 0.13%

LAB 20.87, -22.26, 9.87

 

CMYK 83 / 0 / 39 / 57

HEX #126D42

RGB 18 109 66

HSL 151.65, 0.72%, 0.25%

LAB 40.34, -36.3, 16.97

 

CMYK 84 / 61 / 0 / 57

HEX #112B6D

RGB 17 43 109

HSL 223.04, 0.73%, 0.25%

LAB 19.85, 17.28, -41.11

 

CMYK 0 / 74 / 84 / 57

HEX #6D1C11

RGB 109 28 17

HSL 7.17, 0.73%, 0.25%

LAB 24.07, 35.08, 27.68

 

CMYK 83 / 0 / 39 / 57

HEX #126D42

RGB 18 109 66

HSL 151.65, 0.72%, 0.25%

LAB 40.34, -36.3, 16.97

 

CMYK 40 / 84 / 0 / 57

HEX #41116D

RGB 65 17 109

HSL 271.3, 0.73%, 0.25%

LAB 18.49, 40.42, -43.14

 

CMYK 0 / 40 / 84 / 57

HEX #6D4111

RGB 109 65 17

HSL 31.3, 0.73%, 0.25%

LAB 31.97, 15.04, 35.22

 

CMYK 83 / 0 / 39 / 57

HEX #126D42

RGB 18 109 66

HSL 151.65, 0.72%, 0.25%

LAB 40.34, -36.3, 16.97

 

CMYK 84 / 61 / 0 / 57

HEX #112B6D

RGB 17 43 109

HSL 223.04, 0.73%, 0.25%

LAB 19.85, 17.28, -41.11

 

CMYK 0 / 84 / 43 / 57

HEX #6D113E

RGB 109 17 62

HSL 330.65, 0.73%, 0.25%

LAB 23.67, 42.28, -2.94

 

CMYK 0 / 24 / 84 / 57

HEX #6D5311

RGB 109 83 17

HSL 43.04, 0.73%, 0.25%

LAB 36.89, 4.08, 39.69

 

CMYK 83 / 0 / 39 / 57

HEX #126D42

RGB 18 109 66

HSL 151.65, 0.72%, 0.25%

LAB 40.34, -36.3, 16.97

 

CMYK 83 / 84 / 0 / 57

HEX #13116D

RGB 19 17 109

HSL 241.3, 0.73%, 0.25%

LAB 13.49, 34.82, -51.55

 

CMYK 0 / 84 / 43 / 57

HEX #6D113E

RGB 109 17 62

HSL 330.65, 0.73%, 0.25%

LAB 23.67, 42.28, -2.94

 

CMYK 1 / 0 / 84 / 57

HEX #6C6D11

RGB 108 109 17

HSL 60.65, 0.73%, 0.25%

LAB 44.47, -11.54, 46.33

 

Description

Color code: HEX #126D42 | qconv.com Color code: HEX #126D42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 109 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 109 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 39 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 39% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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