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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #124E3B it is the complementary color #EDB1C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #124E3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #124E3B: #174E36, #286049, #39725C, #4A846F and #5B9682

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #124E3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #124E3B: #124E3B, #013C28, #002A15, #001802 and #000600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 24 / 69

HEX #124E3B

RGB 18 78 59

HSL 161, 0.63%, 0.19%

LAB 29.14, -24.16, 5.85

 

Complementary color

CMYK 0 / 25 / 17 / 7

HEX #EDB1C4

RGB 237 177 196

HSL 341, 0.63%, 0.81%

LAB 78.13, 24.63, -1.07

 

CMYK 71 / 0 / 31 / 69

HEX #174E36

RGB 23 78 54

HSL 153.82, 0.54%, 0.2%

LAB 29.15, -24.5, 9.05

 

CMYK 58 / 0 / 24 / 62

HEX #286049

RGB 40 96 73

HSL 155.36, 0.41%, 0.27%

LAB 36.55, -24.59, 7.66

 

CMYK 50 / 0 / 19 / 55

HEX #39725C

RGB 57 114 92

HSL 156.84, 0.33%, 0.34%

LAB 43.77, -24.47, 6.48

 

CMYK 44 / 0 / 16 / 48

HEX #4A846F

RGB 74 132 111

HSL 158.28, 0.28%, 0.4%

LAB 50.81, -24.27, 5.44

 

CMYK 39 / 0 / 13 / 41

HEX #5B9682

RGB 91 150 130

HSL 159.66, 0.24%, 0.47%

LAB 57.7, -24.05, 4.51

 

CMYK 77 / 0 / 24 / 69

HEX #124E3B

RGB 18 78 59

HSL 161, 0.63%, 0.19%

LAB 29.14, -24.16, 5.85

 

CMYK 98 / 0 / 33 / 76

HEX #013C28

RGB 1 60 40

HSL 159.66, 0.97%, 0.12%

LAB 21.55, -23.54, 7.47

 

CMYK 100 / 0 / 50 / 84

HEX #002A15

RGB 0 42 21

HSL 150, 1%, 0.08%

LAB 13.89, -20.61, 9.8

 

CMYK 100 / 0 / 92 / 91

HEX #001802

RGB 0 24 2

HSL 125, 1%, 0.05%

LAB 5.94, -11.78, 7.86

 

CMYK 100 / 0 / 100 / 98

HEX #000600

RGB 0 6 0

HSL 120, 1%, 0.01%

LAB 1.18, -2.4, 1.72

 

CMYK 77 / 0 / 24 / 69

HEX #124E3B

RGB 18 78 59

HSL 161, 0.63%, 0.19%

LAB 29.14, -24.16, 5.85

 

CMYK 78 / 0 / 12 / 69

HEX #114E45

RGB 17 78 69

HSL 171.15, 0.64%, 0.19%

LAB 29.41, -21.37, -0.18

 

CMYK 78 / 1 / 0 / 69

HEX #114D4E

RGB 17 77 78

HSL 180.98, 0.64%, 0.19%

LAB 29.35, -17.88, -6.04

 

CMYK 78 / 14 / 0 / 69

HEX #11434E

RGB 17 67 78

HSL 190.82, 0.64%, 0.19%

LAB 25.81, -12.11, -11.4

 

CMYK 78 / 27 / 0 / 69

HEX #11394E

RGB 17 57 78

HSL 200.66, 0.64%, 0.19%

LAB 22.29, -5.8, -16.84

 

CMYK 77 / 0 / 24 / 69

HEX #124E3B

RGB 18 78 59

HSL 161, 0.63%, 0.19%

LAB 29.14, -24.16, 5.85

 

CMYK 77 / 0 / 24 / 49

HEX #1E8162

RGB 30 129 98

HSL 161.21, 0.62%, 0.31%

LAB 48.08, -35.61, 8.94

 

CMYK 77 / 0 / 24 / 29

HEX #2AB488

RGB 42 180 136

HSL 160.87, 0.62%, 0.44%

LAB 65.68, -46.38, 12.32

 

CMYK 77 / 0 / 24 / 9

HEX #35E7AF

RGB 53 231 175

HSL 161.12, 0.79%, 0.56%

LAB 82.38, -56.42, 14.97

 

CMYK 78 / 0 / 26 / 89

HEX #061B14

RGB 6 27 20

HSL 160, 0.64%, 0.06%

LAB 7.89, -9.69, 2.17

 

CMYK 77 / 0 / 24 / 69

HEX #124E3B

RGB 18 78 59

HSL 161, 0.63%, 0.19%

LAB 29.14, -24.16, 5.85

 

CMYK 78 / 68 / 0 / 69

HEX #11194E

RGB 17 25 78

HSL 232.13, 0.64%, 0.19%

LAB 11.72, 17.49, -33.71

 

CMYK 0 / 55 / 78 / 69

HEX #4E2311

RGB 78 35 17

HSL 17.7, 0.64%, 0.19%

LAB 19.48, 18.68, 21

 

CMYK 77 / 0 / 24 / 69

HEX #124E3B

RGB 18 78 59

HSL 161, 0.63%, 0.19%

LAB 29.14, -24.16, 5.85

 

CMYK 24 / 78 / 0 / 69

HEX #3B114E

RGB 59 17 78

HSL 281.31, 0.64%, 0.19%

LAB 14.85, 31.44, -28.4

 

CMYK 0 / 24 / 78 / 69

HEX #4E3B11

RGB 78 59 17

HSL 41.31, 0.64%, 0.19%

LAB 26.12, 3.34, 28.1

 

CMYK 77 / 0 / 24 / 69

HEX #124E3B

RGB 18 78 59

HSL 161, 0.63%, 0.19%

LAB 29.14, -24.16, 5.85

 

CMYK 78 / 68 / 0 / 69

HEX #11194E

RGB 17 25 78

HSL 232.13, 0.64%, 0.19%

LAB 11.72, 17.49, -33.71

 

CMYK 0 / 78 / 53 / 69

HEX #4E1125

RGB 78 17 37

HSL 340.33, 0.64%, 0.19%

LAB 16.28, 29.97, 3.12

 

CMYK 0 / 9 / 78 / 69

HEX #4E4711

RGB 78 71 17

HSL 53.11, 0.64%, 0.19%

LAB 29.83, -4.19, 31.82

 

CMYK 77 / 0 / 24 / 69

HEX #124E3B

RGB 18 78 59

HSL 161, 0.63%, 0.19%

LAB 29.14, -24.16, 5.85

 

CMYK 63 / 78 / 0 / 69

HEX #1D114E

RGB 29 17 78

HSL 251.8, 0.64%, 0.19%

LAB 10.65, 25.05, -35.42

 

CMYK 0 / 78 / 53 / 69

HEX #4E1125

RGB 78 17 37

HSL 340.33, 0.64%, 0.19%

LAB 16.28, 29.97, 3.12

 

CMYK 14 / 0 / 78 / 69

HEX #434E11

RGB 67 78 17

HSL 70.82, 0.64%, 0.19%

LAB 31.07, -13.82, 32.7

 

Description

Color code: HEX #124E3B | qconv.com Color code: HEX #124E3B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 78 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 78 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 24 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 24% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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