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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #123F56 it is the complementary color #EDC0A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #123F56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #123F56: #173F51, #285164, #396377, #4A758A and #5B879D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #123F56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #123F56: #123F56, #012D43, #001B30, #00091D and #00000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 27 / 0 / 66

HEX #123F56

RGB 18 63 86

HSL 200.29, 0.65%, 0.2%

LAB 24.81, -6.36, -18.18

 

Complementary color

CMYK 0 / 19 / 29 / 7

HEX #EDC0A9

RGB 237 192 169

HSL 20.29, 0.65%, 0.8%

LAB 81.05, 12.8, 17.67

 

CMYK 72 / 22 / 0 / 68

HEX #173F51

RGB 23 63 81

HSL 198.62, 0.56%, 0.2%

LAB 24.74, -7.43, -15

 

CMYK 60 / 19 / 0 / 61

HEX #285164

RGB 40 81 100

HSL 199, 0.43%, 0.27%

LAB 32.38, -8.17, -15.4

 

CMYK 52 / 17 / 0 / 53

HEX #396377

RGB 57 99 119

HSL 199.35, 0.35%, 0.35%

LAB 39.79, -8.61, -15.77

 

CMYK 46 / 15 / 0 / 46

HEX #4A758A

RGB 74 117 138

HSL 199.69, 0.3%, 0.42%

LAB 46.99, -8.9, -16.12

 

CMYK 42 / 14 / 0 / 38

HEX #5B879D

RGB 91 135 157

HSL 200, 0.27%, 0.49%

LAB 54.01, -9.1, -16.47

 

CMYK 79 / 27 / 0 / 66

HEX #123F56

RGB 18 63 86

HSL 200.29, 0.65%, 0.2%

LAB 24.81, -6.36, -18.18

 

CMYK 99 / 33 / 0 / 74

HEX #012D43

RGB 1 45 67

HSL 200, 0.97%, 0.13%

LAB 16.93, -4.75, -17.81

 

CMYK 100 / 44 / 0 / 81

HEX #001B30

RGB 0 27 48

HSL 206.25, 1%, 0.09%

LAB 8.97, -0.86, -16.95

 

CMYK 100 / 69 / 0 / 89

HEX #00091D

RGB 0 9 29

HSL 221.38, 1%, 0.06%

LAB 2.57, 2.03, -12.5

 

CMYK 100 / 100 / 0 / 96

HEX #00000A

RGB 0 0 10

HSL 240, 1%, 0.02%

LAB 0.2, 1.39, -3.79

 

CMYK 79 / 27 / 0 / 66

HEX #123F56

RGB 18 63 86

HSL 200.29, 0.65%, 0.2%

LAB 24.81, -6.36, -18.18

 

CMYK 80 / 39 / 0 / 67

HEX #113354

RGB 17 51 84

HSL 209.55, 0.66%, 0.2%

LAB 20.55, 0.76, -23.57

 

CMYK 80 / 54 / 0 / 67

HEX #112754

RGB 17 39 84

HSL 220.3, 0.66%, 0.2%

LAB 16.55, 9.5, -29.95

 

CMYK 80 / 67 / 0 / 67

HEX #111C54

RGB 17 28 84

HSL 230.15, 0.66%, 0.2%

LAB 13.17, 17.77, -35.44

 

CMYK 80 / 80 / 0 / 67

HEX #111154

RGB 17 17 84

HSL 240, 0.66%, 0.2%

LAB 10.26, 25.58, -40.22

 

CMYK 79 / 27 / 0 / 66

HEX #123F56

RGB 18 63 86

HSL 200.29, 0.65%, 0.2%

LAB 24.81, -6.36, -18.18

 

CMYK 79 / 27 / 0 / 46

HEX #1D6489

RGB 29 100 137

HSL 200.56, 0.65%, 0.33%

LAB 39.88, -8.2, -26.64

 

CMYK 79 / 27 / 0 / 26

HEX #278ABC

RGB 39 138 188

HSL 200.13, 0.66%, 0.45%

LAB 54.28, -10.56, -34.02

 

CMYK 79 / 27 / 0 / 6

HEX #32AFEF

RGB 50 175 239

HSL 200.32, 0.86%, 0.57%

LAB 67.7, -12.14, -41.43

 

CMYK 80 / 26 / 0 / 86

HEX #071A23

RGB 7 26 35

HSL 199.29, 0.67%, 0.08%

LAB 8.18, -4.09, -8.55

 

CMYK 79 / 27 / 0 / 66

HEX #123F56

RGB 18 63 86

HSL 200.29, 0.65%, 0.2%

LAB 24.81, -6.36, -18.18

 

CMYK 37 / 80 / 0 / 67

HEX #351154

RGB 53 17 84

HSL 272.24, 0.66%, 0.2%

LAB 14.39, 31.62, -33.29

 

CMYK 0 / 6 / 80 / 67

HEX #544F11

RGB 84 79 17

HSL 55.52, 0.66%, 0.2%

LAB 32.96, -5.99, 35.06

 

CMYK 79 / 27 / 0 / 66

HEX #123F56

RGB 18 63 86

HSL 200.29, 0.65%, 0.2%

LAB 24.81, -6.36, -18.18

 

CMYK 0 / 80 / 26 / 67

HEX #54113E

RGB 84 17 62

HSL 319.7, 0.66%, 0.2%

LAB 18.51, 35.1, -11.23

 

CMYK 26 / 0 / 80 / 67

HEX #3E5411

RGB 62 84 17

HSL 79.7, 0.66%, 0.2%

LAB 32.71, -19.45, 34.17

 

CMYK 79 / 27 / 0 / 66

HEX #123F56

RGB 18 63 86

HSL 200.29, 0.65%, 0.2%

LAB 24.81, -6.36, -18.18

 

CMYK 37 / 80 / 0 / 67

HEX #351154

RGB 53 17 84

HSL 272.24, 0.66%, 0.2%

LAB 14.39, 31.62, -33.29

 

CMYK 0 / 54 / 80 / 67

HEX #542711

RGB 84 39 17

HSL 19.7, 0.66%, 0.2%

LAB 21.49, 19.05, 23.53

 

CMYK 43 / 0 / 80 / 67

HEX #305411

RGB 48 84 17

HSL 92.24, 0.66%, 0.2%

LAB 31.83, -25.4, 33

 

CMYK 79 / 27 / 0 / 66

HEX #123F56

RGB 18 63 86

HSL 200.29, 0.65%, 0.2%

LAB 24.81, -6.36, -18.18

 

CMYK 13 / 80 / 0 / 67

HEX #491154

RGB 73 17 84

HSL 290.15, 0.66%, 0.2%

LAB 17.73, 36.16, -27.74

 

CMYK 0 / 54 / 80 / 67

HEX #542711

RGB 84 39 17

HSL 19.7, 0.66%, 0.2%

LAB 21.49, 19.05, 23.53

 

CMYK 67 / 0 / 80 / 67

HEX #1C5411

RGB 28 84 17

HSL 110.15, 0.66%, 0.2%

LAB 30.94, -32.13, 31.83

 

Description

Color code: HEX #123F56 | qconv.com Color code: HEX #123F56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 63 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 63 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 27 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 27% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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