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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11E312 it is the complementary color #EE1CED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11E312. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11E312 shade: #16E30D, #27F520, #38FF33, #49FF46 and #5AFF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11E312. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11E312 shade: #11E312, #00D100, #00BF00, #00AD00 and #009B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11E312 shade: #11E412, #49E411, #82E411, #BAE411 and #E4D411

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11E312 shade: #11E412, #11E44B, #11E484, #11E4BC and #11D2E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11E312 shade matches the following richer shades: #11E412

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11E312 shade: #11E412, #25D026, #39BC39, #4DA84D and #609461

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11E312 shade: #81E411, #49E411, #11E411, #11E449 and #11E481

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11E312 shade: #0B970C, #0EBD0F, #11E412, #2FEF30 and #55F256

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11E312 shade: #11E312, #11BAE4 and #E41165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11E312 shade: #11E312, #1111E4 and #E41111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11E312 shade: #11E312, #11BAE4, #E411E4 and #E43B11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11E312 shade: #11E312, #117AE4, #E411E4 and #E47A11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 92 / 11

HEX #11E312

RGB 17 227 18

HSL 120.29, 0.86%, 0.48%

LAB 79.1, -77.98, 74.51

 

Complementary color

CMYK 0 / 88 / 0 / 7

HEX #EE1CED

RGB 238 28 237

HSL 300.29, 0.86%, 0.52%

LAB 57.19, 90.71, -55.98

 

CMYK 90 / 0 / 94 / 11

HEX #16E30D

RGB 22 227 13

HSL 117.48, 0.89%, 0.47%

LAB 79.12, -77.82, 75.13

 

CMYK 84 / 0 / 87 / 4

HEX #27F520

RGB 39 245 32

HSL 118.03, 0.91%, 0.54%

LAB 84.91, -80.91, 77.32

 

CMYK 78 / 0 / 80 / 0

HEX #38FF33

RGB 56 255 51

HSL 118.53, 1%, 0.6%

LAB 88.26, -81.08, 76.13

 

CMYK 71 / 0 / 73 / 0

HEX #49FF46

RGB 73 255 70

HSL 119.03, 1%, 0.64%

LAB 88.63, -77.5, 70.89

 

CMYK 65 / 0 / 65 / 0

HEX #5AFF59

RGB 90 255 89

HSL 119.64, 1%, 0.67%

LAB 89.12, -72.93, 64.57

 

CMYK 93 / 0 / 92 / 11

HEX #11E312

RGB 17 227 18

HSL 120.29, 0.86%, 0.48%

LAB 79.1, -77.98, 74.51

 

CMYK 100 / 0 / 100 / 18

HEX #00D100

RGB 0 209 0

HSL 120, 1%, 0.41%

LAB 73.29, -74.18, 71.59

 

CMYK 100 / 0 / 100 / 25

HEX #00BF00

RGB 0 191 0

HSL 120, 1%, 0.37%

LAB 67.47, -69.35, 66.93

 

CMYK 100 / 0 / 100 / 32

HEX #00AD00

RGB 0 173 0

HSL 120, 1%, 0.34%

LAB 61.56, -64.43, 62.19

 

CMYK 100 / 0 / 100 / 39

HEX #009B00

RGB 0 155 0

HSL 120, 1%, 0.3%

LAB 55.53, -59.42, 57.35

 

CMYK 93 / 0 / 92 / 11

HEX #11E412

RGB 17 228 18

HSL 120.28, 0.86%, 0.48%

LAB 79.41, -78.24, 74.77

 

CMYK 68 / 0 / 93 / 11

HEX #49E411

RGB 73 228 17

HSL 104.08, 0.86%, 0.48%

LAB 80.15, -71.77, 75.81

 

CMYK 43 / 0 / 93 / 11

HEX #82E411

RGB 130 228 17

HSL 87.87, 0.86%, 0.48%

LAB 81.99, -57.11, 78.08

 

CMYK 18 / 0 / 93 / 11

HEX #BAE411

RGB 186 228 17

HSL 71.94, 0.86%, 0.48%

LAB 84.98, -36.82, 81.73

 

CMYK 0 / 7 / 93 / 11

HEX #E4D411

RGB 228 212 17

HSL 55.45, 0.86%, 0.48%

LAB 83.77, -11.77, 82.15

 

CMYK 93 / 0 / 92 / 11

HEX #11E412

RGB 17 228 18

HSL 120.28, 0.86%, 0.48%

LAB 79.41, -78.24, 74.77

 

CMYK 93 / 0 / 67 / 11

HEX #11E44B

RGB 17 228 75

HSL 136.49, 0.86%, 0.48%

LAB 79.68, -74.86, 59.54

 

CMYK 93 / 0 / 42 / 11

HEX #11E484

RGB 17 228 132

HSL 152.7, 0.86%, 0.48%

LAB 80.33, -66.89, 34.25

 

CMYK 93 / 0 / 18 / 11

HEX #11E4BC

RGB 17 228 188

HSL 168.63, 0.86%, 0.48%

LAB 81.42, -54.67, 6.72

 

CMYK 93 / 8 / 0 / 11

HEX #11D2E4

RGB 17 210 228

HSL 185.12, 0.86%, 0.48%

LAB 77.17, -35.59, -20.91

 

CMYK 93 / 0 / 92 / 11

HEX #11E412

RGB 17 228 18

HSL 120.28, 0.86%, 0.48%

LAB 79.41, -78.24, 74.77

 

CMYK 93 / 0 / 92 / 11

HEX #11E412

RGB 17 228 18

HSL 120.28, 0.86%, 0.48%

LAB 79.41, -78.24, 74.77

 

CMYK 82 / 0 / 82 / 18

HEX #25D026

RGB 37 208 38

HSL 120.35, 0.7%, 0.48%

LAB 73.31, -70.41, 65.61

 

CMYK 70 / 0 / 70 / 26

HEX #39BC39

RGB 57 188 57

HSL 120, 0.53%, 0.48%

LAB 67.38, -59.97, 53.63

 

CMYK 54 / 0 / 54 / 34

HEX #4DA84D

RGB 77 168 77

HSL 120, 0.37%, 0.48%

LAB 61.76, -45.9, 38.54

 

CMYK 35 / 0 / 34 / 42

HEX #609461

RGB 96 148 97

HSL 121.15, 0.21%, 0.48%

LAB 56.61, -28.16, 21.63

 

CMYK 43 / 0 / 93 / 11

HEX #81E411

RGB 129 228 17

HSL 88.15, 0.86%, 0.48%

LAB 81.94, -57.43, 78.02

 

CMYK 68 / 0 / 93 / 11

HEX #49E411

RGB 73 228 17

HSL 104.08, 0.86%, 0.48%

LAB 80.15, -71.77, 75.81

 

CMYK 93 / 0 / 93 / 11

HEX #11E411

RGB 17 228 17

HSL 120, 0.86%, 0.48%

LAB 79.41, -78.27, 74.9

 

CMYK 93 / 0 / 68 / 11

HEX #11E449

RGB 17 228 73

HSL 135.92, 0.86%, 0.48%

LAB 79.66, -75.05, 60.3

 

CMYK 93 / 0 / 43 / 11

HEX #11E481

RGB 17 228 129

HSL 151.85, 0.86%, 0.48%

LAB 80.29, -67.42, 35.69

 

CMYK 93 / 0 / 92 / 41

HEX #0B970C

RGB 11 151 12

HSL 120.43, 0.86%, 0.32%

LAB 54.27, -57.25, 54.42

 

CMYK 93 / 0 / 92 / 26

HEX #0EBD0F

RGB 14 189 15

HSL 120.34, 0.86%, 0.4%

LAB 66.92, -67.82, 64.68

 

CMYK 93 / 0 / 92 / 11

HEX #11E412

RGB 17 228 18

HSL 120.28, 0.86%, 0.48%

LAB 79.41, -78.24, 74.77

 

CMYK 80 / 0 / 80 / 6

HEX #2FEF30

RGB 47 239 48

HSL 120.31, 0.86%, 0.56%

LAB 83.21, -77.71, 72.18

 

CMYK 65 / 0 / 64 / 5

HEX #55F256

RGB 85 242 86

HSL 120.38, 0.86%, 0.64%

LAB 85.05, -69.9, 61.29

 

CMYK 93 / 0 / 92 / 11

HEX #11E312

RGB 17 227 18

HSL 120.29, 0.86%, 0.48%

LAB 79.1, -77.98, 74.51

 

CMYK 93 / 18 / 0 / 11

HEX #11BAE4

RGB 17 186 228

HSL 191.94, 0.86%, 0.48%

LAB 70.06, -23.87, -31.79

 

CMYK 0 / 93 / 56 / 11

HEX #E41165

RGB 228 17 101

HSL 336.11, 0.86%, 0.48%

LAB 49.29, 75.38, 11.79

 

CMYK 93 / 0 / 92 / 11

HEX #11E312

RGB 17 227 18

HSL 120.29, 0.86%, 0.48%

LAB 79.1, -77.98, 74.51

 

CMYK 93 / 93 / 0 / 11

HEX #1111E4

RGB 17 17 228

HSL 240, 0.86%, 0.48%

LAB 29.72, 69.71, -96.88

 

CMYK 0 / 93 / 93 / 11

HEX #E41111

RGB 228 17 17

HSL 0, 0.86%, 0.48%

LAB 48.18, 72.28, 57.04

 

CMYK 93 / 0 / 92 / 11

HEX #11E312

RGB 17 227 18

HSL 120.29, 0.86%, 0.48%

LAB 79.1, -77.98, 74.51

 

CMYK 93 / 18 / 0 / 11

HEX #11BAE4

RGB 17 186 228

HSL 191.94, 0.86%, 0.48%

LAB 70.06, -23.87, -31.79

 

CMYK 0 / 93 / 0 / 11

HEX #E411E4

RGB 228 17 228

HSL 300, 0.86%, 0.48%

LAB 54.55, 89.04, -55.23

 

CMYK 0 / 74 / 93 / 11

HEX #E43B11

RGB 228 59 17

HSL 11.94, 0.86%, 0.48%

LAB 51.45, 63, 59.07

 

CMYK 93 / 0 / 92 / 11

HEX #11E312

RGB 17 227 18

HSL 120.29, 0.86%, 0.48%

LAB 79.1, -77.98, 74.51

 

CMYK 93 / 46 / 0 / 11

HEX #117AE4

RGB 17 122 228

HSL 210.14, 0.86%, 0.48%

LAB 51.43, 12.57, -61.21

 

CMYK 0 / 93 / 0 / 11

HEX #E411E4

RGB 228 17 228

HSL 300, 0.86%, 0.48%

LAB 54.55, 89.04, -55.23

 

CMYK 0 / 46 / 93 / 11

HEX #E47A11

RGB 228 122 17

HSL 29.86, 0.86%, 0.48%

LAB 62.04, 35.33, 66.19

 

Description

Color code: HEX #11E312 | qconv.com Color code: HEX #11E312 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 227 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 227 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 92 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 92% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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