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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11E484 it is the complementary color #EE1B7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11E484. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11E484 shade: #16E47F, #27F692, #38FFA5, #49FFB8 and #5AFFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11E484. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11E484 shade: #11E484, #00D271, #00C05E, #00AE4B and #009C38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11E484 shade: #11E484, #11E44B, #11E412, #49E411 and #81E411

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11E484 shade: #11E484, #11E4BD, #11D2E4, #1199E4 and #1160E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11E484 shade matches the following richer shades: #11E484

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11E484 shade: #11E484, #25D082, #39BC80, #4DA87F and #60947D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11E484 shade: #11E411, #11E449, #11E481, #11E4BA and #11D6E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11E484 shade: #0B9757, #0EBD6E, #11E484, #2FEF98 and #55F2AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11E484 shade: #11E484, #1149E4 and #E42D11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11E484 shade: #11E484, #8111E4 and #E48111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11E484 shade: #11E484, #1149E4, #E41173 and #E4AC11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11E484 shade: #11E484, #1811E4, #E41173 and #DDE411

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 42 / 11

HEX #11E484

RGB 17 228 132

HSL 152.7, 0.86%, 0.48%

LAB 80.33, -66.89, 34.25

 

Complementary color

CMYK 0 / 89 / 48 / 7

HEX #EE1B7B

RGB 238 27 123

HSL 332.7, 0.86%, 0.52%

LAB 52.28, 77.97, 2.89

 

CMYK 90 / 0 / 44 / 11

HEX #16E47F

RGB 22 228 127

HSL 150.58, 0.82%, 0.49%

LAB 80.29, -67.54, 36.69

 

CMYK 84 / 0 / 41 / 4

HEX #27F692

RGB 39 246 146

HSL 151.01, 0.92%, 0.56%

LAB 86.22, -69.1, 35

 

CMYK 78 / 0 / 35 / 0

HEX #38FFA5

RGB 56 255 165

HSL 152.86, 1%, 0.61%

LAB 89.43, -67.11, 29.81

 

CMYK 71 / 0 / 28 / 0

HEX #49FFB8

RGB 73 255 184

HSL 156.59, 1%, 0.64%

LAB 90.04, -61.25, 21.07

 

CMYK 65 / 0 / 20 / 0

HEX #5AFFCB

RGB 90 255 203

HSL 161.09, 1%, 0.68%

LAB 90.78, -54.62, 12.42

 

CMYK 93 / 0 / 42 / 11

HEX #11E484

RGB 17 228 132

HSL 152.7, 0.86%, 0.48%

LAB 80.33, -66.89, 34.25

 

CMYK 100 / 0 / 46 / 18

HEX #00D271

RGB 0 210 113

HSL 152.29, 1%, 0.41%

LAB 74.37, -64.85, 36.05

 

CMYK 100 / 0 / 51 / 25

HEX #00C05E

RGB 0 192 94

HSL 149.38, 1%, 0.38%

LAB 68.39, -62.12, 37.97

 

CMYK 100 / 0 / 57 / 32

HEX #00AE4B

RGB 0 174 75

HSL 145.86, 1%, 0.34%

LAB 62.32, -59.2, 39.86

 

CMYK 100 / 0 / 64 / 39

HEX #009C38

RGB 0 156 56

HSL 141.54, 1%, 0.31%

LAB 56.15, -56.03, 41.61

 

CMYK 93 / 0 / 42 / 11

HEX #11E484

RGB 17 228 132

HSL 152.7, 0.86%, 0.48%

LAB 80.33, -66.89, 34.25

 

CMYK 93 / 0 / 67 / 11

HEX #11E44B

RGB 17 228 75

HSL 136.49, 0.86%, 0.48%

LAB 79.68, -74.86, 59.54

 

CMYK 93 / 0 / 92 / 11

HEX #11E412

RGB 17 228 18

HSL 120.28, 0.86%, 0.48%

LAB 79.41, -78.24, 74.77

 

CMYK 68 / 0 / 93 / 11

HEX #49E411

RGB 73 228 17

HSL 104.08, 0.86%, 0.48%

LAB 80.15, -71.77, 75.81

 

CMYK 43 / 0 / 93 / 11

HEX #81E411

RGB 129 228 17

HSL 88.15, 0.86%, 0.48%

LAB 81.94, -57.43, 78.02

 

CMYK 93 / 0 / 42 / 11

HEX #11E484

RGB 17 228 132

HSL 152.7, 0.86%, 0.48%

LAB 80.33, -66.89, 34.25

 

CMYK 93 / 0 / 17 / 11

HEX #11E4BD

RGB 17 228 189

HSL 168.91, 0.86%, 0.48%

LAB 81.45, -54.42, 6.23

 

CMYK 93 / 8 / 0 / 11

HEX #11D2E4

RGB 17 210 228

HSL 185.12, 0.86%, 0.48%

LAB 77.17, -35.59, -20.91

 

CMYK 93 / 33 / 0 / 11

HEX #1199E4

RGB 17 153 228

HSL 201.33, 0.86%, 0.48%

LAB 60.34, -6.04, -46.99

 

CMYK 93 / 58 / 0 / 11

HEX #1160E4

RGB 17 96 228

HSL 217.54, 0.86%, 0.48%

LAB 44.36, 29.18, -72.68

 

CMYK 93 / 0 / 42 / 11

HEX #11E484

RGB 17 228 132

HSL 152.7, 0.86%, 0.48%

LAB 80.33, -66.89, 34.25

 

CMYK 93 / 0 / 42 / 11

HEX #11E484

RGB 17 228 132

HSL 152.7, 0.86%, 0.48%

LAB 80.33, -66.89, 34.25

 

CMYK 82 / 0 / 38 / 18

HEX #25D082

RGB 37 208 130

HSL 152.63, 0.7%, 0.48%

LAB 74.26, -58.98, 27.29

 

CMYK 70 / 0 / 32 / 26

HEX #39BC80

RGB 57 188 128

HSL 152.52, 0.53%, 0.48%

LAB 68.31, -49.29, 20.35

 

CMYK 54 / 0 / 24 / 34

HEX #4DA87F

RGB 77 168 127

HSL 152.97, 0.37%, 0.48%

LAB 62.6, -37.05, 13.08

 

CMYK 35 / 0 / 16 / 42

HEX #60947D

RGB 96 148 125

HSL 153.46, 0.21%, 0.48%

LAB 57.22, -22.65, 6.7

 

CMYK 93 / 0 / 93 / 11

HEX #11E411

RGB 17 228 17

HSL 120, 0.86%, 0.48%

LAB 79.41, -78.27, 74.9

 

CMYK 93 / 0 / 68 / 11

HEX #11E449

RGB 17 228 73

HSL 135.92, 0.86%, 0.48%

LAB 79.66, -75.05, 60.3

 

CMYK 93 / 0 / 43 / 11

HEX #11E481

RGB 17 228 129

HSL 151.85, 0.86%, 0.48%

LAB 80.29, -67.42, 35.69

 

CMYK 93 / 0 / 18 / 11

HEX #11E4BA

RGB 17 228 186

HSL 168.06, 0.86%, 0.48%

LAB 81.37, -55.17, 7.71

 

CMYK 93 / 6 / 0 / 11

HEX #11D6E4

RGB 17 214 228

HSL 183.98, 0.86%, 0.48%

LAB 78.35, -37.44, -19.11

 

CMYK 93 / 0 / 42 / 41

HEX #0B9757

RGB 11 151 87

HSL 152.57, 0.86%, 0.32%

LAB 54.96, -48.75, 24.49

 

CMYK 93 / 0 / 42 / 26

HEX #0EBD6E

RGB 14 189 110

HSL 152.91, 0.86%, 0.4%

LAB 67.74, -57.73, 29.01

 

CMYK 93 / 0 / 42 / 11

HEX #11E484

RGB 17 228 132

HSL 152.7, 0.86%, 0.48%

LAB 80.33, -66.89, 34.25

 

CMYK 80 / 0 / 36 / 6

HEX #2FEF98

RGB 47 239 152

HSL 152.81, 0.86%, 0.56%

LAB 84.28, -64.85, 29.43

 

CMYK 65 / 0 / 29 / 5

HEX #55F2AB

RGB 85 242 171

HSL 152.87, 0.86%, 0.64%

LAB 86.19, -57.1, 22.45

 

CMYK 93 / 0 / 42 / 11

HEX #11E484

RGB 17 228 132

HSL 152.7, 0.86%, 0.48%

LAB 80.33, -66.89, 34.25

 

CMYK 93 / 68 / 0 / 11

HEX #1149E4

RGB 17 73 228

HSL 224.08, 0.86%, 0.48%

LAB 38.7, 43.81, -81.96

 

CMYK 0 / 80 / 93 / 11

HEX #E42D11

RGB 228 45 17

HSL 7.96, 0.86%, 0.48%

LAB 49.99, 67.1, 58.15

 

CMYK 93 / 0 / 42 / 11

HEX #11E484

RGB 17 228 132

HSL 152.7, 0.86%, 0.48%

LAB 80.33, -66.89, 34.25

 

CMYK 43 / 93 / 0 / 11

HEX #8111E4

RGB 129 17 228

HSL 271.85, 0.86%, 0.48%

LAB 39.02, 75.59, -81.17

 

CMYK 0 / 43 / 93 / 11

HEX #E48111

RGB 228 129 17

HSL 31.85, 0.86%, 0.48%

LAB 63.54, 31.7, 67.24

 

CMYK 93 / 0 / 42 / 11

HEX #11E484

RGB 17 228 132

HSL 152.7, 0.86%, 0.48%

LAB 80.33, -66.89, 34.25

 

CMYK 93 / 68 / 0 / 11

HEX #1149E4

RGB 17 73 228

HSL 224.08, 0.86%, 0.48%

LAB 38.7, 43.81, -81.96

 

CMYK 0 / 93 / 50 / 11

HEX #E41173

RGB 228 17 115

HSL 332.13, 0.86%, 0.48%

LAB 49.66, 76.37, 3.72

 

CMYK 0 / 25 / 93 / 11

HEX #E4AC11

RGB 228 172 17

HSL 44.08, 0.86%, 0.48%

LAB 73.57, 8.88, 74.51

 

CMYK 93 / 0 / 42 / 11

HEX #11E484

RGB 17 228 132

HSL 152.7, 0.86%, 0.48%

LAB 80.33, -66.89, 34.25

 

CMYK 89 / 93 / 0 / 11

HEX #1811E4

RGB 24 17 228

HSL 241.99, 0.86%, 0.48%

LAB 29.9, 69.8, -96.56

 

CMYK 0 / 93 / 50 / 11

HEX #E41173

RGB 228 17 115

HSL 332.13, 0.86%, 0.48%

LAB 49.66, 76.37, 3.72

 

CMYK 3 / 0 / 93 / 11

HEX #DDE411

RGB 221 228 17

HSL 61.99, 0.86%, 0.48%

LAB 87.44, -22.57, 84.7

 

Description

Color code: HEX #11E484 | qconv.com Color code: HEX #11E484 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 228 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 228 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 42 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 42% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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