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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11B64B it is the complementary color #EE49B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11B64B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #11B64B: #16B646, #27C859, #38DA6C, #49EC7F and #5AFE92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11B64B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #11B64B: #11B64B, #00A438, #009225, #008012 and #006E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 59 / 29

HEX #11B64B

RGB 17 182 75

HSL 141.09, 0.83%, 0.39%

LAB 65.03, -60.92, 43.09

 

Complementary color

CMYK 0 / 69 / 24 / 7

HEX #EE49B4

RGB 238 73 180

HSL 321.09, 0.83%, 0.61%

LAB 58.26, 72.13, -21.84

 

CMYK 88 / 0 / 62 / 29

HEX #16B646

RGB 22 182 70

HSL 138, 0.78%, 0.4%

LAB 65.02, -61.21, 45.39

 

CMYK 81 / 0 / 56 / 22

HEX #27C859

RGB 39 200 89

HSL 138.63, 0.67%, 0.47%

LAB 71.19, -62.91, 43.87

 

CMYK 74 / 0 / 50 / 15

HEX #38DA6C

RGB 56 218 108

HSL 139.26, 0.69%, 0.54%

LAB 77.32, -64.06, 42.33

 

CMYK 69 / 0 / 46 / 7

HEX #49EC7F

RGB 73 236 127

HSL 139.88, 0.81%, 0.61%

LAB 83.41, -64.82, 40.82

 

CMYK 65 / 0 / 43 / 0

HEX #5AFE92

RGB 90 254 146

HSL 140.49, 0.99%, 0.67%

LAB 89.46, -65.29, 39.38

 

CMYK 91 / 0 / 59 / 29

HEX #11B64B

RGB 17 182 75

HSL 141.09, 0.83%, 0.39%

LAB 65.03, -60.92, 43.09

 

CMYK 100 / 0 / 66 / 36

HEX #00A438

RGB 0 164 56

HSL 140.49, 1%, 0.32%

LAB 58.82, -58.52, 44.6

 

CMYK 100 / 0 / 75 / 43

HEX #009225

RGB 0 146 37

HSL 135.21, 1%, 0.29%

LAB 52.61, -54.96, 45.8

 

CMYK 100 / 0 / 86 / 50

HEX #008012

RGB 0 128 18

HSL 128.44, 1%, 0.25%

LAB 46.29, -50.94, 46.01

 

CMYK 100 / 0 / 100 / 57

HEX #006E00

RGB 0 110 0

HSL 120, 1%, 0.22%

LAB 39.84, -46.39, 44.77

 

CMYK 91 / 0 / 59 / 29

HEX #11B64B

RGB 17 182 75

HSL 141.09, 0.83%, 0.39%

LAB 65.03, -60.92, 43.09

 

CMYK 91 / 0 / 44 / 29

HEX #10B566

RGB 16 181 102

HSL 151.27, 0.84%, 0.39%

LAB 65.06, -56.33, 29.69

 

CMYK 91 / 0 / 29 / 29

HEX #10B581

RGB 16 181 129

HSL 161.09, 0.84%, 0.39%

LAB 65.55, -50.67, 15.91

 

CMYK 91 / 0 / 13 / 29

HEX #10B59D

RGB 16 181 157

HSL 171.27, 0.84%, 0.39%

LAB 66.21, -43.56, 1.46

 

CMYK 91 / 1 / 0 / 29

HEX #10B3B5

RGB 16 179 181

HSL 180.73, 0.84%, 0.39%

LAB 66.28, -35.69, -11.72

 

CMYK 91 / 0 / 59 / 29

HEX #11B64B

RGB 17 182 75

HSL 141.09, 0.83%, 0.39%

LAB 65.03, -60.92, 43.09

 

CMYK 91 / 0 / 59 / 9

HEX #16E960

RGB 22 233 96

HSL 141.04, 0.83%, 0.5%

LAB 81.45, -73.74, 52.75

 

CMYK 90 / 0 / 59 / 89

HEX #031D0C

RGB 3 29 12

HSL 140.77, 0.81%, 0.06%

LAB 8.35, -13.72, 7.27

 

CMYK 91 / 0 / 59 / 69

HEX #075021

RGB 7 80 33

HSL 141.37, 0.84%, 0.17%

LAB 29.14, -32.6, 21.7

 

CMYK 91 / 0 / 59 / 49

HEX #0C8336

RGB 12 131 54

HSL 141.18, 0.83%, 0.28%

LAB 47.72, -47.33, 32.84

 

CMYK 91 / 0 / 59 / 29

HEX #11B64B

RGB 17 182 75

HSL 141.09, 0.83%, 0.39%

LAB 65.03, -60.92, 43.09

 

CMYK 91 / 50 / 0 / 29

HEX #105BB5

RGB 16 91 181

HSL 212.73, 0.84%, 0.39%

LAB 39.46, 13.82, -53.55

 

CMYK 0 / 91 / 86 / 29

HEX #B51019

RGB 181 16 25

HSL 356.73, 0.84%, 0.39%

LAB 38.31, 60.37, 41.97

 

CMYK 91 / 0 / 59 / 29

HEX #11B64B

RGB 17 182 75

HSL 141.09, 0.83%, 0.39%

LAB 65.03, -60.92, 43.09

 

CMYK 59 / 91 / 0 / 29

HEX #4A10B5

RGB 74 16 181

HSL 261.09, 0.84%, 0.39%

LAB 27.19, 60.04, -73.52

 

CMYK 0 / 59 / 91 / 29

HEX #B54A10

RGB 181 74 16

HSL 21.09, 0.84%, 0.39%

LAB 45.3, 40.88, 51.21

 

CMYK 91 / 0 / 59 / 29

HEX #11B64B

RGB 17 182 75

HSL 141.09, 0.83%, 0.39%

LAB 65.03, -60.92, 43.09

 

CMYK 91 / 50 / 0 / 29

HEX #105BB5

RGB 16 91 181

HSL 212.73, 0.84%, 0.39%

LAB 39.46, 13.82, -53.55

 

CMYK 0 / 91 / 31 / 29

HEX #B5107C

RGB 181 16 124

HSL 320.73, 0.84%, 0.39%

LAB 40.65, 66.84, -16.22

 

CMYK 0 / 41 / 91 / 29

HEX #B56B10

RGB 181 107 16

HSL 33.09, 0.84%, 0.39%

LAB 52.26, 23.58, 56.38

 

CMYK 91 / 0 / 59 / 29

HEX #11B64B

RGB 17 182 75

HSL 141.09, 0.83%, 0.39%

LAB 65.03, -60.92, 43.09

 

CMYK 91 / 77 / 0 / 29

HEX #1029B5

RGB 16 41 181

HSL 230.91, 0.84%, 0.39%

LAB 26.83, 46.19, -74.24

 

CMYK 0 / 91 / 31 / 29

HEX #B5107C

RGB 181 16 124

HSL 320.73, 0.84%, 0.39%

LAB 40.65, 66.84, -16.22

 

CMYK 0 / 13 / 91 / 29

HEX #B59D10

RGB 181 157 16

HSL 51.27, 0.84%, 0.39%

LAB 64.94, -3.95, 66.06

 

Description

Color code: HEX #11B64B | qconv.com Color code: HEX #11B64B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 182 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 182 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 59 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 59% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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