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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1104A6 it is the complementary color #EEFB59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1104A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1104A6: #1604A1, #2716B4, #3828C7, #493ADA and #5A4CED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1104A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1104A6: #1104A6, #000093, #000080, #00006D and #00005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 98 / 0 / 35

HEX #1104A6

RGB 17 4 166

HSL 244.81, 0.95%, 0.33%

LAB 19.88, 56.49, -76.78

 

Complementary color

CMYK 5 / 0 / 65 / 2

HEX #EEFB59

RGB 238 251 89

HSL 64.81, 0.95%, 0.67%

LAB 95.12, -24.08, 73.08

 

CMYK 86 / 98 / 0 / 37

HEX #1604A1

RGB 22 4 161

HSL 246.88, 0.95%, 0.32%

LAB 19.35, 55.26, -74.61

 

CMYK 78 / 88 / 0 / 29

HEX #2716B4

RGB 39 22 180

HSL 246.46, 0.78%, 0.4%

LAB 24.64, 55.73, -77.25

 

CMYK 72 / 80 / 0 / 22

HEX #3828C7

RGB 56 40 199

HSL 246.04, 0.67%, 0.47%

LAB 30.6, 54.76, -78.57

 

CMYK 67 / 73 / 0 / 15

HEX #493ADA

RGB 73 58 218

HSL 245.63, 0.68%, 0.54%

LAB 36.94, 53.06, -79.07

 

CMYK 62 / 68 / 0 / 7

HEX #5A4CED

RGB 90 76 237

HSL 245.22, 0.82%, 0.61%

LAB 43.44, 51.18, -79.14

 

CMYK 90 / 98 / 0 / 35

HEX #1104A6

RGB 17 4 166

HSL 244.81, 0.95%, 0.33%

LAB 19.88, 56.49, -76.78

 

CMYK 100 / 100 / 0 / 42

HEX #000093

RGB 0 0 147

HSL 240, 1%, 0.29%

LAB 16.04, 52.53, -71.54

 

CMYK 100 / 100 / 0 / 50

HEX #000080

RGB 0 0 128

HSL 240, 1%, 0.25%

LAB 12.98, 47.51, -64.7

 

CMYK 100 / 100 / 0 / 57

HEX #00006D

RGB 0 0 109

HSL 240, 1%, 0.21%

LAB 9.83, 42.35, -57.68

 

CMYK 100 / 100 / 0 / 65

HEX #00005A

RGB 0 0 90

HSL 240, 1%, 0.18%

LAB 6.67, 36.68, -50.3

 

CMYK 90 / 98 / 0 / 35

HEX #1104A6

RGB 17 4 166

HSL 244.81, 0.95%, 0.33%

LAB 19.88, 56.49, -76.78

 

CMYK 75 / 98 / 0 / 36

HEX #2904A4

RGB 41 4 164

HSL 253.88, 0.95%, 0.33%

LAB 20.98, 56.59, -73.7

 

CMYK 59 / 98 / 0 / 36

HEX #4404A4

RGB 68 4 164

HSL 264, 0.95%, 0.33%

LAB 23.66, 58.03, -69.16

 

CMYK 43 / 98 / 0 / 36

HEX #5E04A4

RGB 94 4 164

HSL 273.75, 0.95%, 0.33%

LAB 27.15, 60.31, -63.28

 

CMYK 26 / 98 / 0 / 36

HEX #7904A4

RGB 121 4 164

HSL 283.88, 0.95%, 0.33%

LAB 31.42, 63.55, -56.11

 

CMYK 90 / 98 / 0 / 35

HEX #1104A6

RGB 17 4 166

HSL 244.81, 0.95%, 0.33%

LAB 19.88, 56.49, -76.78

 

CMYK 90 / 98 / 0 / 15

HEX #1605D9

RGB 22 5 217

HSL 244.81, 0.95%, 0.44%

LAB 27.54, 69.33, -94.18

 

CMYK 92 / 100 / 0 / 95

HEX #01000D

RGB 1 0 13

HSL 244.62, 1%, 0.03%

LAB 0.32, 2.11, -4.93

 

CMYK 89 / 97 / 0 / 75

HEX #070240

RGB 7 2 64

HSL 244.84, 0.94%, 0.13%

LAB 4.14, 23.99, -36.33

 

CMYK 90 / 97 / 0 / 55

HEX #0C0373

RGB 12 3 115

HSL 244.82, 0.95%, 0.23%

LAB 11.83, 42.8, -58.24

 

CMYK 90 / 98 / 0 / 35

HEX #1104A6

RGB 17 4 166

HSL 244.81, 0.95%, 0.33%

LAB 19.88, 56.49, -76.78

 

CMYK 0 / 98 / 26 / 36

HEX #A40479

RGB 164 4 121

HSL 316.13, 0.95%, 0.33%

LAB 36.67, 64.33, -20.77

 

CMYK 65 / 0 / 98 / 36

HEX #39A404

RGB 57 164 4

HSL 100.13, 0.95%, 0.33%

LAB 59.37, -54.76, 60.19

 

CMYK 90 / 98 / 0 / 35

HEX #1104A6

RGB 17 4 166

HSL 244.81, 0.95%, 0.33%

LAB 19.88, 56.49, -76.78

 

CMYK 0 / 91 / 98 / 36

HEX #A40E04

RGB 164 14 4

HSL 3.75, 0.95%, 0.33%

LAB 34.43, 55.75, 46.71

 

CMYK 98 / 0 / 91 / 36

HEX #04A40E

RGB 4 164 14

HSL 123.75, 0.95%, 0.33%

LAB 58.61, -61.33, 57.77

 

CMYK 90 / 98 / 0 / 35

HEX #1104A6

RGB 17 4 166

HSL 244.81, 0.95%, 0.33%

LAB 19.88, 56.49, -76.78

 

CMYK 0 / 98 / 26 / 36

HEX #A40479

RGB 164 4 121

HSL 316.13, 0.95%, 0.33%

LAB 36.67, 64.33, -20.77

 

CMYK 7 / 0 / 98 / 36

HEX #99A404

RGB 153 164 4

HSL 64.13, 0.95%, 0.33%

LAB 64.43, -20.3, 66.32

 

CMYK 98 / 0 / 72 / 36

HEX #04A42E

RGB 4 164 46

HSL 135.75, 0.95%, 0.33%

LAB 58.76, -59.35, 48.69

 

CMYK 90 / 98 / 0 / 35

HEX #1104A6

RGB 17 4 166

HSL 244.81, 0.95%, 0.33%

LAB 19.88, 56.49, -76.78

 

CMYK 0 / 98 / 55 / 36

HEX #A40449

RGB 164 4 73

HSL 334.13, 0.95%, 0.33%

LAB 34.92, 59.74, 7.44

 

CMYK 7 / 0 / 98 / 36

HEX #99A404

RGB 153 164 4

HSL 64.13, 0.95%, 0.33%

LAB 64.43, -20.3, 66.32

 

CMYK 98 / 0 / 43 / 36

HEX #04A45E

RGB 4 164 94

HSL 153.75, 0.95%, 0.33%

LAB 59.33, -52.43, 26.43

 

Description

Color code: HEX #1104A6 | qconv.com Color code: HEX #1104A6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 4 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 4 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 98 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 98% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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