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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #106832 it is the complementary color #EF97CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #106832. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #106832: #15682D, #267A40, #378C53, #489E66 and #59B079

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #106832. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #106832: #106832, #00561F, #00440C, #003200 and #002000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 52 / 59

HEX #106832

RGB 16 104 50

HSL 143.18, 0.73%, 0.24%

LAB 38.27, -37.76, 23.45

 

Complementary color

CMYK 0 / 37 / 14 / 6

HEX #EF97CD

RGB 239 151 205

HSL 323.18, 0.73%, 0.76%

LAB 72.82, 40.48, -13.85

 

CMYK 80 / 0 / 57 / 59

HEX #15682D

RGB 21 104 45

HSL 137.35, 0.66%, 0.25%

LAB 38.29, -37.9, 26.24

 

CMYK 69 / 0 / 48 / 52

HEX #267A40

RGB 38 122 64

HSL 138.57, 0.53%, 0.31%

LAB 45.22, -38.69, 24.57

 

CMYK 61 / 0 / 41 / 45

HEX #378C53

RGB 55 140 83

HSL 139.76, 0.44%, 0.38%

LAB 52.05, -38.97, 23.01

 

CMYK 54 / 0 / 35 / 38

HEX #489E66

RGB 72 158 102

HSL 140.93, 0.37%, 0.45%

LAB 58.78, -38.98, 21.6

 

CMYK 49 / 0 / 31 / 31

HEX #59B079

RGB 89 176 121

HSL 142.07, 0.36%, 0.52%

LAB 65.4, -38.85, 20.31

 

CMYK 85 / 0 / 52 / 59

HEX #106832

RGB 16 104 50

HSL 143.18, 0.73%, 0.24%

LAB 38.27, -37.76, 23.45

 

CMYK 100 / 0 / 64 / 66

HEX #00561F

RGB 0 86 31

HSL 141.63, 1%, 0.17%

LAB 31.24, -36.1, 25.28

 

CMYK 100 / 0 / 82 / 73

HEX #00440C

RGB 0 68 12

HSL 130.59, 1%, 0.13%

LAB 24.2, -32.22, 26.89

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 100 / 0 / 100 / 87

HEX #002000

RGB 0 32 0

HSL 120, 1%, 0.06%

LAB 9.26, -18.77, 13.51

 

CMYK 85 / 0 / 52 / 59

HEX #106832

RGB 16 104 50

HSL 143.18, 0.73%, 0.24%

LAB 38.27, -37.76, 23.45

 

CMYK 85 / 0 / 38 / 59

HEX #106941

RGB 16 105 65

HSL 153.03, 0.74%, 0.24%

LAB 38.89, -35.11, 15.61

 

CMYK 85 / 0 / 24 / 59

HEX #106950

RGB 16 105 80

HSL 163.15, 0.74%, 0.24%

LAB 39.23, -31.37, 7.08

 

CMYK 85 / 0 / 10 / 59

HEX #10695F

RGB 16 105 95

HSL 173.26, 0.74%, 0.24%

LAB 39.65, -27.02, -1.44

 

CMYK 85 / 4 / 0 / 59

HEX #106569

RGB 16 101 105

HSL 182.7, 0.74%, 0.24%

LAB 38.62, -21.75, -9.1

 

CMYK 85 / 0 / 52 / 59

HEX #106832

RGB 16 104 50

HSL 143.18, 0.73%, 0.24%

LAB 38.27, -37.76, 23.45

 

CMYK 85 / 0 / 52 / 39

HEX #189B4B

RGB 24 155 75

HSL 143.36, 0.73%, 0.35%

LAB 56.23, -51.32, 32.5

 

CMYK 84 / 0 / 52 / 19

HEX #20CE63

RGB 32 206 99

HSL 143.1, 0.73%, 0.47%

LAB 73.12, -64.13, 41.42

 

CMYK 100 / 0 / 50 / 99

HEX #000201

RGB 0 2 1

HSL 150, 1%, 0%

LAB 0.41, -0.66, 0.19

 

CMYK 85 / 0 / 53 / 79

HEX #083519

RGB 8 53 25

HSL 142.67, 0.74%, 0.12%

LAB 18.66, -22.65, 13.44

 

CMYK 85 / 0 / 52 / 59

HEX #106832

RGB 16 104 50

HSL 143.18, 0.73%, 0.24%

LAB 38.27, -37.76, 23.45

 

CMYK 85 / 50 / 0 / 59

HEX #103569

RGB 16 53 105

HSL 215.06, 0.74%, 0.24%

LAB 22.57, 8.19, -34.11

 

CMYK 0 / 85 / 83 / 59

HEX #691012

RGB 105 16 18

HSL 358.65, 0.74%, 0.24%

LAB 21.64, 38.15, 24.31

 

CMYK 85 / 0 / 52 / 59

HEX #106832

RGB 16 104 50

HSL 143.18, 0.73%, 0.24%

LAB 38.27, -37.76, 23.45

 

CMYK 52 / 85 / 0 / 59

HEX #321069

RGB 50 16 105

HSL 262.92, 0.74%, 0.24%

LAB 15.84, 37.39, -44.95

 

CMYK 0 / 52 / 85 / 59

HEX #693210

RGB 105 50 16

HSL 22.92, 0.74%, 0.24%

LAB 27.63, 22.11, 31.41

 

CMYK 85 / 0 / 52 / 59

HEX #106832

RGB 16 104 50

HSL 143.18, 0.73%, 0.24%

LAB 38.27, -37.76, 23.45

 

CMYK 85 / 50 / 0 / 59

HEX #103569

RGB 16 53 105

HSL 215.06, 0.74%, 0.24%

LAB 22.57, 8.19, -34.11

 

CMYK 0 / 85 / 32 / 59

HEX #691047

RGB 105 16 71

HSL 322.92, 0.74%, 0.24%

LAB 23.1, 42.53, -10.04

 

CMYK 0 / 35 / 85 / 59

HEX #694410

RGB 105 68 16

HSL 35.06, 0.74%, 0.24%

LAB 32.2, 11.23, 35.66

 

CMYK 85 / 0 / 52 / 59

HEX #106832

RGB 16 104 50

HSL 143.18, 0.73%, 0.24%

LAB 38.27, -37.76, 23.45

 

CMYK 85 / 75 / 0 / 59

HEX #101A69

RGB 16 26 105

HSL 233.26, 0.74%, 0.24%

LAB 14.78, 27.63, -46.8

 

CMYK 0 / 85 / 32 / 59

HEX #691047

RGB 105 16 71

HSL 322.92, 0.74%, 0.24%

LAB 23.1, 42.53, -10.04

 

CMYK 0 / 10 / 85 / 59

HEX #695F10

RGB 105 95 16

HSL 53.26, 0.74%, 0.24%

LAB 39.96, -5.06, 42.59

 

Description

Color code: HEX #106832 | qconv.com Color code: HEX #106832 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 104 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 104 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 52 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 52% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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