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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10174B it is the complementary color #EFE8B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10174B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #10174B: #151746, #262959, #373B6C, #484D7F and #595F92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10174B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #10174B: #10174B, #000538, #000025, #000012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 69 / 0 / 71

HEX #10174B

RGB 16 23 75

HSL 232.88, 0.65%, 0.18%

LAB 10.78, 17.58, -33.17

 

Complementary color

CMYK 0 / 3 / 25 / 6

HEX #EFE8B4

RGB 239 232 180

HSL 52.88, 0.65%, 0.82%

LAB 91.4, -5.67, 26.21

 

CMYK 70 / 67 / 0 / 73

HEX #151746

RGB 21 23 70

HSL 237.55, 0.54%, 0.18%

LAB 10.66, 16.37, -29.87

 

CMYK 57 / 54 / 0 / 65

HEX #262959

RGB 38 41 89

HSL 236.47, 0.4%, 0.25%

LAB 18.88, 14.32, -29.48

 

CMYK 49 / 45 / 0 / 58

HEX #373B6C

RGB 55 59 108

HSL 235.47, 0.33%, 0.32%

LAB 26.8, 12.89, -29.15

 

CMYK 43 / 39 / 0 / 50

HEX #484D7F

RGB 72 77 127

HSL 234.55, 0.28%, 0.39%

LAB 34.43, 11.83, -28.93

 

CMYK 39 / 35 / 0 / 43

HEX #595F92

RGB 89 95 146

HSL 233.68, 0.24%, 0.46%

LAB 41.82, 11.01, -28.81

 

CMYK 79 / 69 / 0 / 71

HEX #10174B

RGB 16 23 75

HSL 232.88, 0.65%, 0.18%

LAB 10.78, 17.58, -33.17

 

CMYK 100 / 91 / 0 / 78

HEX #000538

RGB 0 5 56

HSL 234.64, 1%, 0.11%

LAB 3.56, 16.12, -31.5

 

CMYK 100 / 100 / 0 / 85

HEX #000025

RGB 0 0 37

HSL 240, 1%, 0.07%

LAB 1.21, 8.48, -20.89

 

CMYK 100 / 100 / 0 / 93

HEX #000012

RGB 0 0 18

HSL 240, 1%, 0.04%

LAB 0.39, 2.77, -7.54

 

CMYK 79 / 69 / 0 / 71

HEX #10174B

RGB 16 23 75

HSL 232.88, 0.65%, 0.18%

LAB 10.78, 17.58, -33.17

 

CMYK 76 / 79 / 0 / 71

HEX #12104B

RGB 18 16 75

HSL 242.03, 0.65%, 0.18%

LAB 9.05, 22.9, -36.01

 

CMYK 64 / 79 / 0 / 71

HEX #1B104B

RGB 27 16 75

HSL 251.19, 0.65%, 0.18%

LAB 9.89, 24.28, -34.6

 

CMYK 51 / 79 / 0 / 71

HEX #25104B

RGB 37 16 75

HSL 261.36, 0.65%, 0.18%

LAB 11.08, 26.17, -32.61

 

CMYK 37 / 79 / 0 / 71

HEX #2F104B

RGB 47 16 75

HSL 271.53, 0.65%, 0.18%

LAB 12.5, 28.34, -30.23

 

CMYK 79 / 69 / 0 / 71

HEX #10174B

RGB 16 23 75

HSL 232.88, 0.65%, 0.18%

LAB 10.78, 17.58, -33.17

 

CMYK 79 / 69 / 0 / 51

HEX #1B277E

RGB 27 39 126

HSL 232.73, 0.65%, 0.3%

LAB 20.79, 28.06, -50.43

 

CMYK 79 / 69 / 0 / 31

HEX #2636B1

RGB 38 54 177

HSL 233.09, 0.65%, 0.42%

LAB 29.97, 38.31, -66.63

 

CMYK 79 / 69 / 0 / 11

HEX #3146E4

RGB 49 70 228

HSL 232.96, 0.77%, 0.54%

LAB 38.96, 47.34, -81.51

 

CMYK 79 / 71 / 0 / 91

HEX #050718

RGB 5 7 24

HSL 233.68, 0.66%, 0.06%

LAB 2.26, 2.69, -8.93

 

CMYK 79 / 69 / 0 / 71

HEX #10174B

RGB 16 23 75

HSL 232.88, 0.65%, 0.18%

LAB 10.78, 17.58, -33.17

 

CMYK 0 / 79 / 5 / 71

HEX #4B1047

RGB 75 16 71

HSL 304.07, 0.65%, 0.18%

LAB 17.09, 34.48, -19.84

 

CMYK 37 / 0 / 79 / 71

HEX #2F4B10

RGB 47 75 16

HSL 88.47, 0.65%, 0.18%

LAB 28.57, -21.43, 30.15

 

CMYK 79 / 69 / 0 / 71

HEX #10174B

RGB 16 23 75

HSL 232.88, 0.65%, 0.18%

LAB 10.78, 17.58, -33.17

 

CMYK 0 / 79 / 68 / 71

HEX #4B1018

RGB 75 16 24

HSL 351.86, 0.65%, 0.18%

LAB 15.13, 28.14, 10.89

 

CMYK 68 / 0 / 79 / 71

HEX #184B10

RGB 24 75 16

HSL 111.86, 0.65%, 0.18%

LAB 27.47, -29.61, 28.68

 

CMYK 79 / 69 / 0 / 71

HEX #10174B

RGB 16 23 75

HSL 232.88, 0.65%, 0.18%

LAB 10.78, 17.58, -33.17

 

CMYK 0 / 79 / 5 / 71

HEX #4B1047

RGB 75 16 71

HSL 304.07, 0.65%, 0.18%

LAB 17.09, 34.48, -19.84

 

CMYK 0 / 11 / 79 / 71

HEX #4B4310

RGB 75 67 16

HSL 51.86, 0.65%, 0.18%

LAB 28.24, -3.32, 30.6

 

CMYK 79 / 0 / 73 / 71

HEX #104B14

RGB 16 75 20

HSL 124.07, 0.65%, 0.18%

LAB 27.28, -31.09, 26.53

 

CMYK 79 / 69 / 0 / 71

HEX #10174B

RGB 16 23 75

HSL 232.88, 0.65%, 0.18%

LAB 10.78, 17.58, -33.17

 

CMYK 0 / 79 / 29 / 71

HEX #4B1035

RGB 75 16 53

HSL 322.37, 0.65%, 0.18%

LAB 16.12, 31.45, -8.7

 

CMYK 0 / 11 / 79 / 71

HEX #4B4310

RGB 75 67 16

HSL 51.86, 0.65%, 0.18%

LAB 28.24, -3.32, 30.6

 

CMYK 79 / 0 / 51 / 71

HEX #104B25

RGB 16 75 37

HSL 141.36, 0.65%, 0.18%

LAB 27.51, -28.4, 17.37

 

Description

Color code: HEX #10174B | qconv.com Color code: HEX #10174B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 23 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 23 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 69 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 69% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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