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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FD968 it is the complementary color #F02697. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FD968. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FD968 shade: #14D963, #25EB76, #36FD89, #47FF9C and #58FFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FD968. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FD968 shade: #0FD968, #00C755, #00B542, #00A32F and #00911C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FD968 shade: #0FD767, #0FD731, #23D70F, #58D70F and #8ED70F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FD968 shade: #0FD767, #0FD79D, #0FD7D3, #0FA5D7 and #0F6FD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FD968 shade matches the following richer shades: #0FD767

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FD968 shade: #0FD767, #21C469, #34B16B, #479F6E and #598C70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FD968 shade: #23D70F, #0FD730, #0FD765, #0FD79B and #0FD7D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FD968 shade: #0A8942, #0CB054, #0FD767, #1FEF7B and #46F292

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FD968 shade: #0FD968, #0F58D7 and #D7160F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FD968 shade: #0FD968, #650FD7 and #D7650F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FD968 shade: #0FD968, #0F58D7, #D70F80 and #D78D0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FD968 shade: #0FD968, #0F1CD7, #D70F80 and #D7C90F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 52 / 15

HEX #0FD968

RGB 15 217 104

HSL 146.44, 0.87%, 0.45%

LAB 76.51, -68.03, 43.15

 

Complementary color

CMYK 0 / 84 / 37 / 6

HEX #F02697

RGB 240 38 151

HSL 326.44, 0.87%, 0.55%

LAB 54.18, 78.98, -11.03

 

CMYK 91 / 0 / 54 / 15

HEX #14D963

RGB 20 217 99

HSL 144.06, 0.83%, 0.46%

LAB 76.48, -68.52, 45.49

 

CMYK 84 / 0 / 50 / 8

HEX #25EB76

RGB 37 235 118

HSL 144.55, 0.83%, 0.53%

LAB 82.44, -70.29, 43.83

 

CMYK 79 / 0 / 46 / 1

HEX #36FD89

RGB 54 253 137

HSL 145.03, 0.98%, 0.6%

LAB 88.37, -71.59, 42.22

 

CMYK 72 / 0 / 39 / 0

HEX #47FF9C

RGB 71 255 156

HSL 147.72, 1%, 0.64%

LAB 89.51, -66.96, 34.46

 

CMYK 65 / 0 / 31 / 0

HEX #58FFAF

RGB 88 255 175

HSL 151.26, 1%, 0.67%

LAB 90.18, -60.82, 25.88

 

CMYK 93 / 0 / 52 / 15

HEX #0FD968

RGB 15 217 104

HSL 146.44, 0.87%, 0.45%

LAB 76.51, -68.03, 43.15

 

CMYK 100 / 0 / 57 / 22

HEX #00C755

RGB 0 199 85

HSL 145.63, 1%, 0.39%

LAB 70.53, -65.67, 44.88

 

CMYK 100 / 0 / 64 / 29

HEX #00B542

RGB 0 181 66

HSL 141.88, 1%, 0.35%

LAB 64.52, -62.57, 46.57

 

CMYK 100 / 0 / 71 / 36

HEX #00A32F

RGB 0 163 47

HSL 137.3, 1%, 0.32%

LAB 58.41, -59.17, 47.92

 

CMYK 100 / 0 / 81 / 43

HEX #00911C

RGB 0 145 28

HSL 131.59, 1%, 0.28%

LAB 52.21, -55.37, 48.57

 

CMYK 93 / 0 / 52 / 16

HEX #0FD767

RGB 15 215 103

HSL 146.4, 0.87%, 0.45%

LAB 75.87, -67.54, 42.85

 

CMYK 93 / 0 / 77 / 16

HEX #0FD731

RGB 15 215 49

HSL 130.2, 0.87%, 0.45%

LAB 75.4, -73.4, 64.36

 

CMYK 84 / 0 / 93 / 16

HEX #23D70F

RGB 35 215 15

HSL 114, 0.87%, 0.45%

LAB 75.45, -73.47, 71.9

 

CMYK 59 / 0 / 93 / 16

HEX #58D70F

RGB 88 215 15

HSL 98.1, 0.87%, 0.45%

LAB 76.5, -64.41, 73.21

 

CMYK 34 / 0 / 93 / 16

HEX #8ED70F

RGB 142 215 15

HSL 81.9, 0.87%, 0.45%

LAB 78.69, -47.91, 75.89

 

CMYK 93 / 0 / 52 / 16

HEX #0FD767

RGB 15 215 103

HSL 146.4, 0.87%, 0.45%

LAB 75.87, -67.54, 42.85

 

CMYK 93 / 0 / 27 / 16

HEX #0FD79D

RGB 15 215 157

HSL 162.6, 0.87%, 0.45%

LAB 76.76, -57.21, 16.51

 

CMYK 93 / 0 / 2 / 16

HEX #0FD7D3

RGB 15 215 211

HSL 178.8, 0.87%, 0.45%

LAB 78.11, -43.05, -10.37

 

CMYK 93 / 23 / 0 / 16

HEX #0FA5D7

RGB 15 165 215

HSL 195, 0.87%, 0.45%

LAB 63.28, -17.47, -35.18

 

CMYK 93 / 48 / 0 / 16

HEX #0F6FD7

RGB 15 111 215

HSL 211.2, 0.87%, 0.45%

LAB 47.46, 14.36, -60.26

 

CMYK 93 / 0 / 52 / 16

HEX #0FD767

RGB 15 215 103

HSL 146.4, 0.87%, 0.45%

LAB 75.87, -67.54, 42.85

 

CMYK 93 / 0 / 52 / 16

HEX #0FD767

RGB 15 215 103

HSL 146.4, 0.87%, 0.45%

LAB 75.87, -67.54, 42.85

 

CMYK 83 / 0 / 46 / 23

HEX #21C469

RGB 33 196 105

HSL 146.5, 0.71%, 0.45%

LAB 70.05, -59.71, 34.61

 

CMYK 71 / 0 / 40 / 31

HEX #34B16B

RGB 52 177 107

HSL 146.4, 0.55%, 0.45%

LAB 64.35, -49.98, 26.22

 

CMYK 55 / 0 / 31 / 38

HEX #479F6E

RGB 71 159 110

HSL 146.59, 0.38%, 0.45%

LAB 59.22, -38.08, 17.77

 

CMYK 36 / 0 / 20 / 45

HEX #598C70

RGB 89 140 112

HSL 147.06, 0.22%, 0.45%

LAB 54.08, -23.58, 9.62

 

CMYK 84 / 0 / 93 / 16

HEX #23D70F

RGB 35 215 15

HSL 114, 0.87%, 0.45%

LAB 75.45, -73.47, 71.9

 

CMYK 93 / 0 / 78 / 16

HEX #0FD730

RGB 15 215 48

HSL 129.9, 0.87%, 0.45%

LAB 75.4, -73.47, 64.67

 

CMYK 93 / 0 / 53 / 16

HEX #0FD765

RGB 15 215 101

HSL 145.8, 0.87%, 0.45%

LAB 75.85, -67.84, 43.77

 

CMYK 93 / 0 / 28 / 16

HEX #0FD79B

RGB 15 215 155

HSL 162, 0.87%, 0.45%

LAB 76.72, -57.67, 17.51

 

CMYK 93 / 0 / 3 / 16

HEX #0FD7D0

RGB 15 215 208

HSL 177.9, 0.87%, 0.45%

LAB 78.03, -43.92, -8.89

 

CMYK 93 / 0 / 52 / 46

HEX #0A8942

RGB 10 137 66

HSL 146.46, 0.86%, 0.29%

LAB 49.92, -47.66, 29.31

 

CMYK 93 / 0 / 52 / 31

HEX #0CB054

RGB 12 176 84

HSL 146.34, 0.87%, 0.37%

LAB 63.15, -57.93, 36.47

 

CMYK 93 / 0 / 52 / 16

HEX #0FD767

RGB 15 215 103

HSL 146.4, 0.87%, 0.45%

LAB 75.87, -67.54, 42.85

 

CMYK 87 / 0 / 49 / 6

HEX #1FEF7B

RGB 31 239 123

HSL 146.54, 0.87%, 0.53%

LAB 83.68, -71.25, 42.97

 

CMYK 71 / 0 / 40 / 5

HEX #46F292

RGB 70 242 146

HSL 146.51, 0.87%, 0.61%

LAB 85.44, -64.24, 34.06

 

CMYK 93 / 0 / 52 / 15

HEX #0FD968

RGB 15 217 104

HSL 146.44, 0.87%, 0.45%

LAB 76.51, -68.03, 43.15

 

CMYK 93 / 59 / 0 / 16

HEX #0F58D7

RGB 15 88 215

HSL 218.1, 0.87%, 0.45%

LAB 41.2, 29.27, -70.44

 

CMYK 0 / 90 / 93 / 16

HEX #D7160F

RGB 215 22 15

HSL 2.1, 0.87%, 0.45%

LAB 45.71, 68.27, 54.88

 

CMYK 93 / 0 / 52 / 15

HEX #0FD968

RGB 15 217 104

HSL 146.44, 0.87%, 0.45%

LAB 76.51, -68.03, 43.15

 

CMYK 53 / 93 / 0 / 16

HEX #650FD7

RGB 101 15 215

HSL 265.8, 0.87%, 0.45%

LAB 34.01, 70.51, -82.08

 

CMYK 0 / 53 / 93 / 16

HEX #D7650F

RGB 215 101 15

HSL 25.8, 0.87%, 0.45%

LAB 55.88, 40.77, 61.46

 

CMYK 93 / 0 / 52 / 15

HEX #0FD968

RGB 15 217 104

HSL 146.44, 0.87%, 0.45%

LAB 76.51, -68.03, 43.15

 

CMYK 93 / 59 / 0 / 16

HEX #0F58D7

RGB 15 88 215

HSL 218.1, 0.87%, 0.45%

LAB 41.2, 29.27, -70.44

 

CMYK 0 / 93 / 40 / 16

HEX #D70F80

RGB 215 15 128

HSL 326.1, 0.87%, 0.45%

LAB 47.43, 74.78, -7.8

 

CMYK 0 / 34 / 93 / 16

HEX #D78D0F

RGB 215 141 15

HSL 37.8, 0.87%, 0.45%

LAB 64.59, 19.8, 67.61

 

CMYK 93 / 0 / 52 / 15

HEX #0FD968

RGB 15 217 104

HSL 146.44, 0.87%, 0.45%

LAB 76.51, -68.03, 43.15

 

CMYK 93 / 87 / 0 / 16

HEX #0F1CD7

RGB 15 28 215

HSL 236.1, 0.87%, 0.45%

LAB 29, 62.84, -90.59

 

CMYK 0 / 93 / 40 / 16

HEX #D70F80

RGB 215 15 128

HSL 326.1, 0.87%, 0.45%

LAB 47.43, 74.78, -7.8

 

CMYK 0 / 7 / 93 / 16

HEX #D7C90F

RGB 215 201 15

HSL 55.8, 0.87%, 0.45%

LAB 79.76, -11.84, 78.87

 

Description

Color code: HEX #0FD968 | qconv.com Color code: HEX #0FD968 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 217 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 217 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 52 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 52% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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