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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 215 103 it is the complementary color RGB 240 40 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 215 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 215 103 shade: RGB 20 215 98, RGB 37 233 117, RGB 54 251 136, RGB 71 255 155 and RGB 88 255 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 215 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 215 103 shade: RGB 15 215 103, RGB 0 197 84, RGB 0 179 65, RGB 0 161 46 and RGB 0 143 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 215 103 shade: RGB 15 215 103, RGB 15 215 49, RGB 35 215 15, RGB 89 215 15 and RGB 142 215 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 215 103 shade: RGB 15 215 103, RGB 15 215 157, RGB 15 215 210, RGB 15 165 215 and RGB 15 111 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 215 103 shade matches the following richer shades: RGB 15 215 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 215 103 shade: RGB 15 215 103, RGB 33 196 105, RGB 52 177 107, RGB 71 159 109 and RGB 89 140 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 215 103 shade: RGB 35 215 15, RGB 15 215 48, RGB 15 215 101, RGB 15 215 155 and RGB 15 215 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 215 103 shade: RGB 10 137 66, RGB 12 176 84, RGB 15 215 103, RGB 31 239 123 and RGB 70 242 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 215 103 shade: RGB 15 215 103, RGB 15 88 215 and RGB 215 22 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 215 103 shade: RGB 15 215 103, RGB 101 15 215 and RGB 215 101 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 215 103 shade: RGB 15 215 103, RGB 15 88 215, RGB 215 15 128 and RGB 215 141 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 215 103 shade: RGB 15 215 103, RGB 15 28 215, RGB 215 15 128 and RGB 215 201 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 52 / 16

HEX #0FD767

RGB 15 215 103

HSL 146.4, 0.87%, 0.45%

LAB 75.87, -67.54, 42.85

 

Complementary color

CMYK 0 / 83 / 37 / 6

HEX #F02898

RGB 240 40 152

HSL 326.4, 0.87%, 0.55%

LAB 54.35, 78.68, -11.37

 

CMYK 91 / 0 / 54 / 16

HEX #14D762

RGB 20 215 98

HSL 144, 0.83%, 0.46%

LAB 75.84, -68.03, 45.19

 

CMYK 84 / 0 / 50 / 9

HEX #25E975

RGB 37 233 117

HSL 144.49, 0.82%, 0.53%

LAB 81.81, -69.79, 43.53

 

CMYK 78 / 0 / 46 / 2

HEX #36FB88

RGB 54 251 136

HSL 144.97, 0.96%, 0.6%

LAB 87.75, -71.09, 41.92

 

CMYK 72 / 0 / 39 / 0

HEX #47FF9B

RGB 71 255 155

HSL 147.39, 1%, 0.64%

LAB 89.5, -67.14, 34.94

 

CMYK 65 / 0 / 32 / 0

HEX #58FFAE

RGB 88 255 174

HSL 150.9, 1%, 0.67%

LAB 90.16, -61.01, 26.36

 

CMYK 93 / 0 / 52 / 16

HEX #0FD767

RGB 15 215 103

HSL 146.4, 0.87%, 0.45%

LAB 75.87, -67.54, 42.85

 

CMYK 100 / 0 / 57 / 23

HEX #00C554

RGB 0 197 84

HSL 145.58, 1%, 0.39%

LAB 69.88, -65.19, 44.58

 

CMYK 100 / 0 / 64 / 30

HEX #00B341

RGB 0 179 65

HSL 141.79, 1%, 0.35%

LAB 63.85, -62.07, 46.26

 

CMYK 100 / 0 / 71 / 37

HEX #00A12E

RGB 0 161 46

HSL 137.14, 1%, 0.32%

LAB 57.74, -58.66, 47.61

 

CMYK 100 / 0 / 81 / 44

HEX #008F1B

RGB 0 143 27

HSL 131.33, 1%, 0.28%

LAB 51.52, -54.85, 48.23

 

CMYK 93 / 0 / 52 / 16

HEX #0FD767

RGB 15 215 103

HSL 146.4, 0.87%, 0.45%

LAB 75.87, -67.54, 42.85

 

CMYK 93 / 0 / 77 / 16

HEX #0FD731

RGB 15 215 49

HSL 130.2, 0.87%, 0.45%

LAB 75.4, -73.4, 64.36

 

CMYK 84 / 0 / 93 / 16

HEX #23D70F

RGB 35 215 15

HSL 114, 0.87%, 0.45%

LAB 75.45, -73.47, 71.9

 

CMYK 59 / 0 / 93 / 16

HEX #59D70F

RGB 89 215 15

HSL 97.8, 0.87%, 0.45%

LAB 76.53, -64.16, 73.24

 

CMYK 34 / 0 / 93 / 16

HEX #8ED70F

RGB 142 215 15

HSL 81.9, 0.87%, 0.45%

LAB 78.69, -47.91, 75.89

 

CMYK 93 / 0 / 52 / 16

HEX #0FD767

RGB 15 215 103

HSL 146.4, 0.87%, 0.45%

LAB 75.87, -67.54, 42.85

 

CMYK 93 / 0 / 27 / 16

HEX #0FD79D

RGB 15 215 157

HSL 162.6, 0.87%, 0.45%

LAB 76.76, -57.21, 16.51

 

CMYK 93 / 0 / 2 / 16

HEX #0FD7D2

RGB 15 215 210

HSL 178.5, 0.87%, 0.45%

LAB 78.08, -43.34, -9.88

 

CMYK 93 / 23 / 0 / 16

HEX #0FA5D7

RGB 15 165 215

HSL 195, 0.87%, 0.45%

LAB 63.28, -17.47, -35.18

 

CMYK 93 / 48 / 0 / 16

HEX #0F6FD7

RGB 15 111 215

HSL 211.2, 0.87%, 0.45%

LAB 47.46, 14.36, -60.26

 

CMYK 93 / 0 / 52 / 16

HEX #0FD767

RGB 15 215 103

HSL 146.4, 0.87%, 0.45%

LAB 75.87, -67.54, 42.85

 

CMYK 93 / 0 / 52 / 16

HEX #0FD767

RGB 15 215 103

HSL 146.4, 0.87%, 0.45%

LAB 75.87, -67.54, 42.85

 

CMYK 83 / 0 / 46 / 23

HEX #21C469

RGB 33 196 105

HSL 146.5, 0.71%, 0.45%

LAB 70.05, -59.71, 34.61

 

CMYK 71 / 0 / 40 / 31

HEX #34B16B

RGB 52 177 107

HSL 146.4, 0.55%, 0.45%

LAB 64.35, -49.98, 26.22

 

CMYK 55 / 0 / 31 / 38

HEX #479F6D

RGB 71 159 109

HSL 145.91, 0.38%, 0.45%

LAB 59.2, -38.29, 18.3

 

CMYK 36 / 0 / 20 / 45

HEX #598C70

RGB 89 140 112

HSL 147.06, 0.22%, 0.45%

LAB 54.08, -23.58, 9.62

 

CMYK 84 / 0 / 93 / 16

HEX #23D70F

RGB 35 215 15

HSL 114, 0.87%, 0.45%

LAB 75.45, -73.47, 71.9

 

CMYK 93 / 0 / 78 / 16

HEX #0FD730

RGB 15 215 48

HSL 129.9, 0.87%, 0.45%

LAB 75.4, -73.47, 64.67

 

CMYK 93 / 0 / 53 / 16

HEX #0FD765

RGB 15 215 101

HSL 145.8, 0.87%, 0.45%

LAB 75.85, -67.84, 43.77

 

CMYK 93 / 0 / 28 / 16

HEX #0FD79B

RGB 15 215 155

HSL 162, 0.87%, 0.45%

LAB 76.72, -57.67, 17.51

 

CMYK 93 / 0 / 3 / 16

HEX #0FD7D0

RGB 15 215 208

HSL 177.9, 0.87%, 0.45%

LAB 78.03, -43.92, -8.89

 

CMYK 93 / 0 / 52 / 46

HEX #0A8942

RGB 10 137 66

HSL 146.46, 0.86%, 0.29%

LAB 49.92, -47.66, 29.31

 

CMYK 93 / 0 / 52 / 31

HEX #0CB054

RGB 12 176 84

HSL 146.34, 0.87%, 0.37%

LAB 63.15, -57.93, 36.47

 

CMYK 93 / 0 / 52 / 16

HEX #0FD767

RGB 15 215 103

HSL 146.4, 0.87%, 0.45%

LAB 75.87, -67.54, 42.85

 

CMYK 87 / 0 / 49 / 6

HEX #1FEF7B

RGB 31 239 123

HSL 146.54, 0.87%, 0.53%

LAB 83.68, -71.25, 42.97

 

CMYK 71 / 0 / 40 / 5

HEX #46F292

RGB 70 242 146

HSL 146.51, 0.87%, 0.61%

LAB 85.44, -64.24, 34.06

 

CMYK 93 / 0 / 52 / 16

HEX #0FD767

RGB 15 215 103

HSL 146.4, 0.87%, 0.45%

LAB 75.87, -67.54, 42.85

 

CMYK 93 / 59 / 0 / 16

HEX #0F58D7

RGB 15 88 215

HSL 218.1, 0.87%, 0.45%

LAB 41.2, 29.27, -70.44

 

CMYK 0 / 90 / 93 / 16

HEX #D7160F

RGB 215 22 15

HSL 2.1, 0.87%, 0.45%

LAB 45.71, 68.27, 54.88

 

CMYK 93 / 0 / 52 / 16

HEX #0FD767

RGB 15 215 103

HSL 146.4, 0.87%, 0.45%

LAB 75.87, -67.54, 42.85

 

CMYK 53 / 93 / 0 / 16

HEX #650FD7

RGB 101 15 215

HSL 265.8, 0.87%, 0.45%

LAB 34.01, 70.51, -82.08

 

CMYK 0 / 53 / 93 / 16

HEX #D7650F

RGB 215 101 15

HSL 25.8, 0.87%, 0.45%

LAB 55.88, 40.77, 61.46

 

CMYK 93 / 0 / 52 / 16

HEX #0FD767

RGB 15 215 103

HSL 146.4, 0.87%, 0.45%

LAB 75.87, -67.54, 42.85

 

CMYK 93 / 59 / 0 / 16

HEX #0F58D7

RGB 15 88 215

HSL 218.1, 0.87%, 0.45%

LAB 41.2, 29.27, -70.44

 

CMYK 0 / 93 / 40 / 16

HEX #D70F80

RGB 215 15 128

HSL 326.1, 0.87%, 0.45%

LAB 47.43, 74.78, -7.8

 

CMYK 0 / 34 / 93 / 16

HEX #D78D0F

RGB 215 141 15

HSL 37.8, 0.87%, 0.45%

LAB 64.59, 19.8, 67.61

 

CMYK 93 / 0 / 52 / 16

HEX #0FD767

RGB 15 215 103

HSL 146.4, 0.87%, 0.45%

LAB 75.87, -67.54, 42.85

 

CMYK 93 / 87 / 0 / 16

HEX #0F1CD7

RGB 15 28 215

HSL 236.1, 0.87%, 0.45%

LAB 29, 62.84, -90.59

 

CMYK 0 / 93 / 40 / 16

HEX #D70F80

RGB 215 15 128

HSL 326.1, 0.87%, 0.45%

LAB 47.43, 74.78, -7.8

 

CMYK 0 / 7 / 93 / 16

HEX #D7C90F

RGB 215 201 15

HSL 55.8, 0.87%, 0.45%

LAB 79.76, -11.84, 78.87

 

Description

Color code: RGB 15 215 103 | qconv.com Color code: RGB 15 215 103 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 215 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 215 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 52 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 52% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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