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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FC990 it is the complementary color #F0366F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FC990. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FC990 shade: #14C98B, #25DB9E, #36EDB1, #47FFC4 and #58FFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FC990. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FC990 shade: #0FC990, #00B77D, #00A56A, #009357 and #008144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FC990 shade: #0FC78F, #0FC75D, #0FC72B, #24C70F and #56C70F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FC990 shade: #0FC78F, #0FC7C0, #0F9CC7, #0F6BC7 and #0F39C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FC990 shade matches the following richer shades: #0FC78F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FC990 shade: #0FC78F, #20B688, #32A581, #43937B and #548274

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FC990 shade: #0FC72B, #0FC75C, #0FC78D, #0FC7BE and #0F9FC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FC990 shade: #097A58, #0CA173, #0FC78F, #12EDAA and #39F0B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FC990 shade: #0FC990, #0F24C7 and #C7430F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FC990 shade: #0FC990, #8D0FC7 and #C78D0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FC990 shade: #0FC990, #0F24C7, #C70F49 and #C7B20F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FC990 shade: #0FC990, #310FC7, #C70F49 and #A5C70F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 28 / 21

HEX #0FC990

RGB 15 201 144

HSL 161.61, 0.86%, 0.42%

LAB 72.15, -54.91, 17

 

Complementary color

CMYK 0 / 78 / 54 / 6

HEX #F0366F

RGB 240 54 111

HSL 341.61, 0.86%, 0.58%

LAB 54.36, 71.82, 13.12

 

CMYK 90 / 0 / 31 / 21

HEX #14C98B

RGB 20 201 139

HSL 159.45, 0.82%, 0.43%

LAB 72.09, -55.79, 19.57

 

CMYK 83 / 0 / 28 / 14

HEX #25DB9E

RGB 37 219 158

HSL 159.89, 0.72%, 0.5%

LAB 78.18, -57.17, 17.99

 

CMYK 77 / 0 / 25 / 7

HEX #36EDB1

RGB 54 237 177

HSL 160.33, 0.84%, 0.57%

LAB 84.24, -58.18, 16.54

 

CMYK 72 / 0 / 23 / 0

HEX #47FFC4

RGB 71 255 196

HSL 160.76, 1%, 0.64%

LAB 90.25, -58.91, 15.21

 

CMYK 65 / 0 / 16 / 0

HEX #58FFD7

RGB 88 255 215

HSL 165.63, 1%, 0.67%

LAB 91.01, -52.17, 6.54

 

CMYK 93 / 0 / 28 / 21

HEX #0FC990

RGB 15 201 144

HSL 161.61, 0.86%, 0.42%

LAB 72.15, -54.91, 17

 

CMYK 100 / 0 / 32 / 28

HEX #00B77D

RGB 0 183 125

HSL 160.98, 1%, 0.36%

LAB 66.02, -53.02, 18.72

 

CMYK 100 / 0 / 36 / 35

HEX #00A56A

RGB 0 165 106

HSL 158.55, 1%, 0.32%

LAB 59.84, -50.51, 20.63

 

CMYK 100 / 0 / 41 / 42

HEX #009357

RGB 0 147 87

HSL 155.51, 1%, 0.29%

LAB 53.55, -47.89, 22.62

 

CMYK 100 / 0 / 47 / 49

HEX #008144

RGB 0 129 68

HSL 151.63, 1%, 0.25%

LAB 47.13, -45.11, 24.69

 

CMYK 92 / 0 / 28 / 22

HEX #0FC78F

RGB 15 199 143

HSL 161.74, 0.86%, 0.42%

LAB 71.51, -54.38, 16.64

 

CMYK 92 / 0 / 53 / 22

HEX #0FC75D

RGB 15 199 93

HSL 145.43, 0.86%, 0.42%

LAB 70.69, -63.92, 41.31

 

CMYK 92 / 0 / 78 / 22

HEX #0FC72B

RGB 15 199 43

HSL 129.13, 0.86%, 0.42%

LAB 70.26, -69.28, 61.24

 

CMYK 82 / 0 / 92 / 22

HEX #24C70F

RGB 36 199 15

HSL 113.15, 0.86%, 0.42%

LAB 70.36, -68.82, 67.65

 

CMYK 57 / 0 / 92 / 22

HEX #56C70F

RGB 86 199 15

HSL 96.85, 0.86%, 0.42%

LAB 71.46, -59.43, 69.02

 

CMYK 92 / 0 / 28 / 22

HEX #0FC78F

RGB 15 199 143

HSL 161.74, 0.86%, 0.42%

LAB 71.51, -54.38, 16.64

 

CMYK 92 / 0 / 4 / 22

HEX #0FC7C0

RGB 15 199 192

HSL 177.72, 0.86%, 0.42%

LAB 72.73, -41.51, -8.13

 

CMYK 92 / 22 / 0 / 22

HEX #0F9CC7

RGB 15 156 199

HSL 194.02, 0.86%, 0.42%

LAB 59.89, -18.3, -31.52

 

CMYK 92 / 46 / 0 / 22

HEX #0F6BC7

RGB 15 107 199

HSL 210, 0.86%, 0.42%

LAB 45.28, 10.59, -54.64

 

CMYK 92 / 71 / 0 / 22

HEX #0F39C7

RGB 15 57 199

HSL 226.3, 0.86%, 0.42%

LAB 32.15, 43.08, -76.06

 

CMYK 92 / 0 / 28 / 22

HEX #0FC78F

RGB 15 199 143

HSL 161.74, 0.86%, 0.42%

LAB 71.51, -54.38, 16.64

 

CMYK 92 / 0 / 28 / 22

HEX #0FC78F

RGB 15 199 143

HSL 161.74, 0.86%, 0.42%

LAB 71.51, -54.38, 16.64

 

CMYK 82 / 0 / 25 / 29

HEX #20B688

RGB 32 182 136

HSL 161.6, 0.7%, 0.42%

LAB 66.17, -48.26, 12.98

 

CMYK 70 / 0 / 22 / 35

HEX #32A581

RGB 50 165 129

HSL 161.22, 0.53%, 0.42%

LAB 60.93, -40.64, 9.51

 

CMYK 54 / 0 / 16 / 42

HEX #43937B

RGB 67 147 123

HSL 162, 0.37%, 0.42%

LAB 55.57, -30.58, 5.32

 

CMYK 35 / 0 / 11 / 49

HEX #548274

RGB 84 130 116

HSL 161.74, 0.21%, 0.42%

LAB 50.82, -19.06, 2.6

 

CMYK 92 / 0 / 78 / 22

HEX #0FC72B

RGB 15 199 43

HSL 129.13, 0.86%, 0.42%

LAB 70.26, -69.28, 61.24

 

CMYK 92 / 0 / 54 / 22

HEX #0FC75C

RGB 15 199 92

HSL 145.11, 0.86%, 0.42%

LAB 70.68, -64.07, 41.77

 

CMYK 92 / 0 / 29 / 22

HEX #0FC78D

RGB 15 199 141

HSL 161.09, 0.86%, 0.42%

LAB 71.47, -54.84, 17.65

 

CMYK 92 / 0 / 5 / 22

HEX #0FC7BE

RGB 15 199 190

HSL 177.07, 0.86%, 0.42%

LAB 72.67, -42.1, -7.13

 

CMYK 92 / 20 / 0 / 22

HEX #0F9FC7

RGB 15 159 199

HSL 193.04, 0.86%, 0.42%

LAB 60.8, -19.89, -30.11

 

CMYK 93 / 0 / 28 / 52

HEX #097A58

RGB 9 122 88

HSL 161.95, 0.86%, 0.26%

LAB 45.2, -37.29, 10.69

 

CMYK 93 / 0 / 29 / 37

HEX #0CA173

RGB 12 161 115

HSL 161.48, 0.86%, 0.34%

LAB 58.79, -46.36, 14.23

 

CMYK 92 / 0 / 28 / 22

HEX #0FC78F

RGB 15 199 143

HSL 161.74, 0.86%, 0.42%

LAB 71.51, -54.38, 16.64

 

CMYK 92 / 0 / 28 / 7

HEX #12EDAA

RGB 18 237 170

HSL 161.64, 0.86%, 0.5%

LAB 83.76, -62.33, 19.45

 

CMYK 76 / 0 / 23 / 6

HEX #39F0B8

RGB 57 240 184

HSL 161.64, 0.86%, 0.58%

LAB 85.33, -57.44, 14.44

 

CMYK 93 / 0 / 28 / 21

HEX #0FC990

RGB 15 201 144

HSL 161.61, 0.86%, 0.42%

LAB 72.15, -54.91, 17

 

CMYK 92 / 82 / 0 / 22

HEX #0F24C7

RGB 15 36 199

HSL 233.15, 0.86%, 0.42%

LAB 28.08, 54.67, -82.8

 

CMYK 0 / 66 / 92 / 22

HEX #C7430F

RGB 199 67 15

HSL 16.96, 0.86%, 0.42%

LAB 47.22, 50.58, 54.32

 

CMYK 93 / 0 / 28 / 21

HEX #0FC990

RGB 15 201 144

HSL 161.61, 0.86%, 0.42%

LAB 72.15, -54.91, 17

 

CMYK 29 / 92 / 0 / 22

HEX #8D0FC7

RGB 141 15 199

HSL 281.09, 0.86%, 0.42%

LAB 38.07, 71.42, -65.92

 

CMYK 0 / 29 / 92 / 22

HEX #C78D0F

RGB 199 141 15

HSL 41.09, 0.86%, 0.42%

LAB 62.7, 12.79, 65.37

 

CMYK 93 / 0 / 28 / 21

HEX #0FC990

RGB 15 201 144

HSL 161.61, 0.86%, 0.42%

LAB 72.15, -54.91, 17

 

CMYK 92 / 82 / 0 / 22

HEX #0F24C7

RGB 15 36 199

HSL 233.15, 0.86%, 0.42%

LAB 28.08, 54.67, -82.8

 

CMYK 0 / 92 / 63 / 22

HEX #C70F49

RGB 199 15 73

HSL 341.09, 0.86%, 0.42%

LAB 42.71, 66.98, 19.27

 

CMYK 0 / 11 / 92 / 22

HEX #C7B20F

RGB 199 178 15

HSL 53.15, 0.86%, 0.42%

LAB 72.24, -7.03, 72.54

 

CMYK 93 / 0 / 28 / 21

HEX #0FC990

RGB 15 201 144

HSL 161.61, 0.86%, 0.42%

LAB 72.15, -54.91, 17

 

CMYK 75 / 92 / 0 / 22

HEX #310FC7

RGB 49 15 199

HSL 251.09, 0.86%, 0.42%

LAB 27.07, 63.41, -84.44

 

CMYK 0 / 92 / 63 / 22

HEX #C70F49

RGB 199 15 73

HSL 341.09, 0.86%, 0.42%

LAB 42.71, 66.98, 19.27

 

CMYK 17 / 0 / 92 / 22

HEX #A5C70F

RGB 165 199 15

HSL 71.09, 0.86%, 0.42%

LAB 75.38, -32.01, 73.82

 

Description

Color code: HEX #0FC990 | qconv.com Color code: HEX #0FC990 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 201 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 201 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 28 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 28% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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